3:54 pm : Paire d'aiguières, Garniture composée d'une paire d'aiguières et d'un petit autel et Paire de pots-pourris par Pierre Gouthière pour l'exposition “Or virtuose à la cour de France, Pierre Gouthière (1732-1813)” aux Arts Décoratifs - Paris, Avril MMXVII.
3:53 pm : Paire d'aiguières, Garniture composée d'une paire d'aiguières et d'un petit autel et Paire de pots-pourris par Pierre Gouthière pour l'exposition “Or virtuose à la cour de France, Pierre Gouthière (1732-1813)” aux Arts Décoratifs - Paris, Avril MMXVII.
3:57 pm : Projet pour le petit salon du duc d'Aumont élévation du côté de la cheminée par Pierre-Adrien Pâris (dessin à l'encre noire, lavis de bistre, vers 1775-1780) pour l'exposition “Or virtuose à la cour de France, Pierre Gouthière (1732-1813)” aux Arts Décoratifs - Paris, Avril MMXVII.
Pour le petit salon du duc, l'architecte prévoit une cheminée à décor de bronzes dorés comme il était d'usage dans les espaces de réception où l'effet de richesse était recherché et apprécié.
Ansel Adams ‘Mt. Williamson, Sierra Nevada from Manzanar, California’
Gelatin silver print, mounted, signed in pencil on the mount, the photographer’s Carmel studio stamp (BMFA 11), with title and date in ink, on the reverse, 1944, probably printed between 1973 and 1977. Image: 15 ½ by 18 ½ in. (39.4 by 47 cm.).
Ansel Adams ‘Georgia-Pacific Plant, Near Samoa, Calif.’
Gelatin silver print, mounted to Hi-Art illustration board, signed in ink on the mount, the photographer’s Carmel studio stamps (BMFA 8 and 10), with title and date '1968/4’ in ink, on the reverse, framed, 1968. Image: 15 ½ by 19 ¾ in. (39.4 by 50.2 cm.). Frame: 25 ¼ by 29 ¼ in. (64.1 by 74.3 cm.).
Signed NAEJBASMICHIQUT and dated 81 (on the overturn edge). Acrylic, spray paint, oilstick and Xerox collage on canvas. 122.6 by 152.4 cm. 48¼ by 60 in. Executed in 1981.
An Egyptian Polychrome Limestone Figure of Hem-Min 6th Dynasty, 2360-2195 B.C.
Inscribed “Treasurer of the God, Overseer of the Army, Overseer of the Prospectors, revered with the God,” seated on a high-backed chair inscribed on both sides with his names and titles, his hands resting on his knees, and wearing a short pleated kilt and wig of layered trapezoidal curls, his face with prominent chin, outlined lips, and slightly aquiline nose; remains of red pigment on the body and black pigment on the wig. Height 48.3 cm.
An Apulian Red-figured Column Krater, attributed to the Painter of the Truro Pelike. Circa 350-330 B.C.
Painted in front with a standing woman and a seated youth, and on the back with two youths flanking a plant, the details in added white and yellow. Height 44.2 cm.
Man Reaps Windfall from Art Found in Connecticut Dumpster
A trove of paintings and other artwork found in an abandoned barn in Connecticut has turned out to be worth millions
Notified by a contractor, Waterbury auto mechanic Jared Whipple retrieved the dirt-covered pieces in 2017 from a dumpster containing materials from a barn in Watertown. Whipple later found out they were by Francis Hines, an abstract expressionist who died in 2016 at 96 and had kept his work stored in the barn, Hearst Connecticut Media Group reported.
Hines was renowned for his “wrapping” pieces, in which fabric is wrapped around an object. His art has been compared to that of Christo and Jeanne-Claude, who became famous for wrapping installations around Europe, including the Arc de Triomphe in Paris.
Hines wrapped more than 10 buildings in New York including the Washington Square Arch, JFK Airport and the Port Authority Bus Terminal, art curator and historian Peter Hastings Falk told the news outlet.
The hundreds of pieces of art retrieved by Whipple included paintings, sculptures and small drawings. Hastings Falk estimated the “wrapped” paintings can be sold at around $22,000 apiece and his drawings at around $4,500.
Whipple showed some of the pieces at a gallery in Waterbury last year, and recently decided to sell some of the art. He is collaborating with Hollis Taggart, a New York City-based gallery, on exhibits in New York and Connecticut in shows beginning next month.
Since finding the treasure trove, Whipple has researched Hines’ work and contacted the artist’s family, who, he said, have allowed him to keep and sell the art.
“I pulled it out of this dumpster and I fell in love with it,“ Whipple told the news outlet. “I made a connection with it. My purpose is to get Hines into the history books.”