#belgian art

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Pierrot et Squelettes by James Ensor (1860 - 1949, Belgium)

Pierrot et SquelettesbyJames Ensor (1860 - 1949, Belgium)


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heavenpoison:Louis-Charles Verwée (1832–1882),A Narrative Study Showing a Lady in Contemplation

heavenpoison:

Louis-Charles Verwée (1832–1882),A Narrative Study Showing a Lady in Contemplation Whilst Squeezing a Lemon into a Glass, Circa 1850, Oil on panel.


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life-imitates-art-far-more: Louis Gallait (1810-1887) “The Power of Music” (1852) Oil on panel Locat

life-imitates-art-far-more:

Louis Gallait (1810-1887)
“The Power of Music” (1852)
Oil on panel
Located in the Walters Art Museum, Baltimore, Maryland, United States

A letter written by Gallait to William Walters describes the subject of the painting. It is of a brother and sister resting before a tomb. The brother is attempting to comfort his sibling by playing the violin, and she has fallen into a deep sleep, “oblivious of all grief, mental and physical.”


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beautiful-belgium:Pieter Bruegel the Elder - The Magpie on the Gallows (1568)“Bruegel’s painting was

beautiful-belgium:

Pieter Bruegel the Elder - The Magpie on the Gallows (1568)

“Bruegel’s painting was created the year after Fernando Álvarez de Toledo, 3rd Duke of Alba, arrived in the Netherlands, sent by the Spanish king, Philip II to suppress the Dutch Revolt. The gallows may represent the threat of execution of those preaching the new Protestant doctrine, and the painting may allude to several Netherlandish proverbs. There is a direct allusion to the Netherlandish proverbs of dancing or shitting on the gallows, meaning a mocking of the state. It also alludes to the belief that magpies are gossips, and that gossip leads to hangings. And that the way to the gallows leads through pleasant meadows. It is not known why or for whom the picture was painted. Its date of 1568 makes this painting one of Bruegel’s last works before his death in 1569; indeed, perhaps his final work. Bruegel asked his wife to burn some of his pictures on his death, but told her to keep the Magpie on the Gallows for herself.”

Source


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My Portrait as a Skeleton (Mon portrait squelettisé), state III, James Ensor, 1889

Jan Van Beers (1852-1927) Souvenir affectueux a ma petite amie Andrée Worth1884

Jan Van Beers (1852-1927) 

Souvenir affectueux a ma petite amie Andrée Worth

1884


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The Visit, before 1869

Alfred Stevens

Charles-Louis Baugniet  -  C'est bien Lui! Belgian, 1814-1886 Oil on canvas

Charles-Louis Baugniet  -  C'est bien Lui! 

Belgian, 1814-1886 

Oil on canvas


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Maurice Wyckaert (Belgian, 1923-1996), t Kwam allemaal terug [It all came back], 1987. Oil on canvas

Maurice Wyckaert (Belgian, 1923-1996), t Kwam allemaal terug [It all came back], 1987. Oil on canvas, 100 x 120 cm.


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HELLO, MY NAME IS 3 O’CLOCK30 * 42 cm - Acrylic on canvas, mounted on mdf

HELLO, MY NAME IS 3 O’CLOCK

30 * 42 cm - Acrylic on canvas, mounted on mdf


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I HAVE BEEN DIAGNOSED WITH AUGMENTED MASCULINITYAcrylic on canvas, mounted on mdf 40 x 40 cm

I HAVE BEEN DIAGNOSED WITH AUGMENTED MASCULINITY

Acrylic on canvas, mounted on mdf 40 x 40 cm


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Did you say that I was a beaver?

Acrylic on canvas 40 x 50cm

I ’ M HOVERING BETWEEN HATE AND HAPPINESS

Acrylic on canvas 35 x 50cm

JUST A MOMENT, I’M COMING DOWN

acrylic on mdf 40x50cm

I ’M SO HAPPY WITH MY PANORAMIC APPLICATION

Acrylic on canvas 40 x 50cm

I’M IN A BEAUTIFUL GARDEN WITH NOTHING IN IT.Acrylic on mdf 30 * 42cm

I’M IN A BEAUTIFUL GARDEN WITH NOTHING IN IT.

Acrylic on mdf 30 * 42cm


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After 21 seasons of the PBS version of the Antiques Roadshow, I’m flabbergasted that this item has y

After 21 seasons of the PBS version of the Antiques Roadshow, I’m flabbergasted that this item has yet to make an appearance–but I’ll keep watching until it does.

A business in Mission, Kansas, sold the Erotica phone, which is not really surprising–the town became the heartland of American pornography during the mid-1980s. The sudden surge of adult-oriented businesses helped fund Senator Bob Dole’s invention of Viagra.

The European artist is not named in the advertisement, but it appears to be the work of Belgian sculptor Alain Smithee.

The high price–$69.95 in 1984 (not including shipping and handling)–reflects the quality of the item’s craftsmanship. The optional nipples were available for an extra $20, self-installation required.


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thunderstruck9: Michaël Borremans (Belgian, b. 1963), The Knives, 2011. Oil on canvas, 110 x 70 cm.

thunderstruck9:

Michaël Borremans (Belgian, b. 1963), The Knives, 2011. Oil on canvas, 110 x 70 cm.


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LÉON SPILLIAERT,Digue d'Ostende aux réverbères(1908).

Berlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencBerlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencBerlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencBerlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencBerlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencBerlinde de Bruyckere — Met Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, penc

Berlinde de BruyckereMet Tere Huid, 2015-2016, (at Hauser & Wirth New York). Watercolor, pencil, and collage on paper. 2016.


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