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Charles James 1954 Couture “Swan” ball gown

Charles James 1954 Couture “Swan” ball gown


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Charles James 1955 Couture  "Butterfly" dress Smoke gray silk chiffon; pale gray silk satiCharles James 1955 Couture  "Butterfly" dress Smoke gray silk chiffon; pale gray silk satiCharles James 1955 Couture  "Butterfly" dress Smoke gray silk chiffon; pale gray silk sati

Charles James 1955 Couture  "Butterfly" dress

Smoke gray silk chiffon; pale gray silk satin; aubergine, lavender, and oyster white tulle. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art.


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Charles James Four-leaf Clover 1953

Charles James Four-leaf Clover 1953


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Silk evening ensemble by Charles James, 1956.

(source:Metropolitan Museum of Art)

fashionsfromhistory:“Swan”Charles Jamesc.1954 Among James’s many allusions to historical silhouettesfashionsfromhistory:“Swan”Charles Jamesc.1954 Among James’s many allusions to historical silhouettes

fashionsfromhistory:

“Swan”

Charles James

c.1954

Among James’s many allusions to historical silhouettes and decoration, his Swan is the most literal. For this airier contemporary version of a heavily draped Victorian bustle dress, he deployed transparent chiffon and stiff nylon tulle, a then relatively new textile innovation. The skirt’s six layers, composed of 1,080 square feet of tulle, are combined in various colors to give it depth and luminosity. Despite its ethereal appearance, it is, at twelve pounds, the weightiest of his grand creations. The beautiful curvature of the bodice back is signature James anatomical styling designed to displace extra flesh that might ruin the graceful line.

The MET (Accession Number: 2009.300.8523)

Currently on view: In America: An Anthology of Fashion


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fashionsfromhistory: “Butterfly”Charles Jamesc.1955The MET (Accession Number: 2013.591)Currently on

fashionsfromhistory:

“Butterfly”

Charles James

c.1955

The MET (Accession Number: 2013.591)

Currently on view 


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