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Composition includes: biotite, muscovite, chlorite, feldspars, oxides, and quartz. Feldspar poikilob

Composition includes: biotite, muscovite, chlorite, feldspars, oxides, and quartz. Feldspar poikiloblasts with inclusions of quartz and oxides are prominent throughout much of the sample. Most poikiloblasts occurred synkinematic to the 1st deformation event (D1) and rotation occurred. D1 had a direct effect on the foliation (S1) of minerals that already crystallized. D2 led to crystallization of quartz which is seen in quartz ribbons and pressure fringes throughout the sample.


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“You’re capable of such beautiful dreams, and such horrible nightmares. You feel so lost, so c

“You’re capable of such beautiful dreams, and such horrible nightmares. You feel so lost, so cut off, so alone, only you’re not. See, in all our searching, the only thing we’ve found that makes the emptiness bearable, is each other.” - Carl Sagan,Contact


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You find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert ZemeckisYou find your way home, all right?CONTACT (1997) dir. Robert Zemeckis

You find your way home, all right?

CONTACT (1997) dir. Robert Zemeckis


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contact
Contact by myownspark | nr | 2483A short story about two men navigating the wilderness.Unto You by L

Contact by myownspark | nr | 2483
A short story about two men navigating the wilderness.

Unto You by LadyLondonderry | T | 3671
Louis is a lamplighter celebrating the saturnalia season in his own way.
Harry is heavily pregnant and new in the city.
The holiday of Christmas is yet to be created.

Manifest Destiny by casuallyhl | E | 15210
Harry and Louis had fallen into bed together again that night, mouths greedy and hands needy. And now every time Louis stops at Fort Kearney, even if it’s weeks in between, he and Harry spend the night together. The nights are always filled with heat and passion, and it gives Louis something to think on fondly as he rides across the western territories carrying sacks of mail.
They’ve never talked about it, and they’ve never kissed. Louis doesn’t know if he wants either of those things to change, but he knows that his presence in Harry’s life is sporadic at best. Probably best to leave things be.
Or, Louis is a Pony Express rider and Harry runs a station along the trail.

Leave Your Damage Behind and Gone by QuickedWeen | T | 15673
It’s the spring of 1882 and Sir Louis Tomlinson is a simple man with simple needs. Money. Running an old estate and dairy farm costs money, and he would much rather focus on his science experiments than take a trip to the Exposició Universal de Barcelona to beg for funding especially when everyone there is English anyway.
He’s taking a walk one night to clear his head when he comes upon something mysterious on the beach that may or may not change his life forever.

No One Like You by myownspark | M | 19924
Dear Niall,
I was glad to have the chance to talk with you again at the AHA conference. Your idea that the Musee D’Orsay Tomlinson painting is in fact not a self-portrait is an intriguing one, and I may have discovered something that will have a bearing on that theory.
Some background: as you may remember, I’ve been researching for a book I’m writing about Harry Styles. I’ve been in communication with Styles’ last living descendant, who is in possession of a trunk that her family believed to have belonged to Styles himself. It held some personal items she presumes to be his, including two unmounted paintings and a small collection of letters.
Upon spending the last few days in Provins studying these items, I believe there to be a connection between Tomlinson and Styles, and I would very much like your opinion.
Are you up for a trip to France?
Sincerely,
Liam Payne
Where Liam and Niall are art historians discovering the truth about two nineteenth century painters on opposite sides of an artistic divide.

And down the long and silent street by whimsicule | M | 86090
The year is 1881 and if you’re alone in this world you might as well be dead, because starving dogs have no mercy.
Or: Wherein Louis and Harry are on the opposite ends of the social ladder, but their paths still cross on the filthy streets Louis calls his home. The odds are staked against them from the beginning, and even more when Louis’ past finally catches up with him.

Coax the Cold by MediaWhore | M | 86440
England, 1897.
English Professor Louis Tomlinson’s passion for the occult has been a source of mockery and derision for most of his life. When he hears whispers of a travelling freak show newly established in London claiming the existence of a monstrous sea hybrid, half-man, half-fish, Louis sees it as his ticket to credibility amongst his peers. The summer he spends undercover working on the show, however, gives him much more than that.

Victorian Boy by audreyhheart | E | 101209
Victorian AU. Harry the virgin Duke of Somerset knows little of love, while Louis the sly Duke of Warwick knows too much. When the two dukes come together for the Bilsdale fox hunt in York, Harry finds himself drawn into Louis’ bed. But when secrets from Louis’ dark past come to light, Harry fears that the fox isn’t the only one being hunted.

A Taste of Desire by casuallyhl | E | 104414
“As forward as I have been with you this evening, I am also aware this dinner party isn’t the place to conduct business.” Mr. Tomlinson chuckles quietly to himself, shooting a subtle glance across the table towards their hostess. “And besides, I am sure our hostess would be horribly disappointed to learn that we went away this evening with a business agreement and not a mating one.”
Harry, who had been sipping his wine, coughs harshly at this. He splutters, unaccustomed to such blatant statements about mating.
Mr. Tomlinson continues to laugh quietly, clearly pleased at Harry’s reaction.
“Mrs. Humphreys promised that there was an alpha attending the dinner tonight that I would certainly get on well with,” Mr. Tomlinson continues, voice teasing. “She assured me that we would have much in common since we both work with mills.” Mr. Tomlinson glances at Harry, eyes flashing with mirth. “Little did she know that would be where our mutual interests began and ended.”
Or, a Victorian ABO where Harry is the owner of the most successful cotton mill in Manchester, and Louis is an opinionated social activist about to disrupt Harry’s world.


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Now you can check our new web www.mywildtrail.com and contact us in our new email [email protected] check it in the bio!

I have received many requests to write something on contracts in D/s relationships. I’ll just make a few points here based on my own experience, but remember that there are as many variations of these contracts as there are types of relationships. You can and should do other research (start by googling “BDSM contracts”) and talk to other people. I should also mention that, for whatever reason, the gay male master/slave online community seems to have a wealth of information on contracts and specific relationship arrangements. Find those sources and then adapt their ideas to your own gender preferences, but this seems to be a part of the BDSM community that has really figured out many of these issues very well.

In broad strokes, a contract is a written agreement between the Dominant and his submissive. The contract can be simple or complex. It is not a legally binding agreement, but it could have some bearing in legal action if there are issues later in the relationship, simply by defining the scope of consent in the relationship. Mutual agreement is important, so I think it is worthwhile for the contract to be discussed and agreed upon, with changes being made by both parties, rather than the Dom dictating terms to the sub. No matter what kind of “total submission” fantasy we might have, that fantasy runs up against hard reality. I’ve said it a thousand times on this tumblr, but any BDSM relationship is first and foremost a relationship between two people. That relationship has to work, has to be realistic, has to respect the needs and realities of both parties, and has to be fulfilling for both Dom and sub. Otherwise, there’s really no point.

One thing that might be a little unique about my approach to contracts is that I have always tended to have a quite extensive contract, spelling out all of the details of obligations and responsibilities on both sides. (Yes, Doms, you have a tremendous responsibility to your sub, and she needs to have a clear understanding of what she can expect from you.) Avoid “try to” language (e.g., “The sub will try to do well…”), but rather use clear and simple clauses so that you can see if they were followed or not. This contract is kind of the functional support for the relationship, but then I have a fairly simple list of rules for daily behavior. Changes to the contract take mutual agreement, but changes to the rules (which you can assume will always be within the sub’s limits) can be dictated by the Dom as the relationship matures. Still, a smart Dom will not place unrealistic burdens on a submissive (e.g., “text me every 10 minutes you are awake to tell me I’m awesome”) except in extreme cases and for a limited lengths of time.

Digging a little deeper, here are the specific sections and ideas in a contract format I have found useful:

  1. Details of the agreement: length (most have specific start and end date), who is involved.
  2. Affirmation: (This is an important section.) The submissive states she is signing this of her own free will and specifically asks that the terms of this contract be enforced for the duration of the contract.
  3. Submissive’s responsibilities: essentially, to obey precisely and immediately within her limits. You can put a lot of other things in here, but do not go crazy. Every word of this contract has to be meaningful and you have to intend to enforce every clause. I have also put things like she will maintain an exercise program, willingly accept punishment, forms and modes of address, sexual obligations, that she will prepare her body as I see fit, writing a daily journal, that she will wear a token of her ownership 24/7 if I want her to, and that she will follow my rules and orders.
  4. Submissive’s right of refusal: This section covers safewords and what will happen when they are used, and that she has the right to refuse any command or punishment if I am intoxicated. You can put whatever else you want here, but should also specify that, barring these conditions or a breach of her limits, her obedience must be complete.
  5. Dominant’s responsibilities: Basically, the Dominant is responsible. That’s the bottom line. The sub gives him her submission and trust, and it is his responsibility to take care of her. This is a very important section, and my contract includes the following: I will never knowingly subject her to physical or emotional harm or abuse. My care, concern and respect for her as a human being are the foundation of everything we have. I will answer any question she asks truthfully (I will never lie to her) or I will decline to answer altogether if I must. I will never deceive her. I will never punish her in anger. I will respect her limits. I will allow her regular periods when she can speak to me as an equal. I will give her care and attention. Again, don’t put anything here you don’t intend to do. She has a very legitimate complaint if she can point to any of these things and say that you are not living up to your end of the bargain.
  6. Third parties: Is she required to be available sexually for others? Does she have any rights to have sexual contact outside of your relationship? Who owns any pictures or writing created in your relationship?
  7. Limits: We’ve covered this elsewhere. Spell them out here. Clearly.
  8. Disagreement and changes to the contract: Mine says that if there’s a disagreement, my interpretation is authoritative, but any change to the contract must be mutually agreed upon.
  9. Termination of contract: How will it end? Obviously, it will expire at the pre-specific end date, at which point the parties are free to renegotiate. Are there any other events that could terminate the contract? What if someone moves overseas, is hospitalized, has a major life event, or a family member that requires medical care? Be realistic; she cannot serve under those conditions, nor can you really hold up your end of the contract. It might make sense to have the contract go “oh hold” in those cases, and then start once they are resolved. I have also included a clause that I am free to terminate the contract early if I think it is not working for various reason, but, and this is important, there is also a clause that says if I violate any of her limits or fail in my responsibilities as laid out in the contract, the contract immediately terminates. That’s a pretty serious clause, so think carefully about what you put in the contract, but I feel it is an important protection to offer the submissive.

One more question to consider is “do I need to have a contract?” Obviously, I can’t answer that question, but I will remind you that these relationships can be intense in every way. Having a clear understanding of obligations and responsibilities is a very good idea. The contract does offer the Dom some very minimal legal protection. While it’s not a legal document, it does indicate her desire and consent to the relationship. It also offers the submissive a good deal of protection if it’s done right. She can point to the contract and raise issues about inappropriate behavior on the Dom’s part, and, in extreme cases, can terminate the relationship. (There are still mental and emotional issues to deal with, of course, bu the contract can be an aid and support.) 

I know many of you asked about this months ago, and I’m sorry it took so long to write this post. This post mostly addresses a pretty broad relationship, bordering on total power exchange, but you also can have a contract for more tightly defined relationships. I’m sure few people do it, but if you “only” interact with someone on webcam or via pictures, it still might be a good idea to have a contract. Also, for some reason I wrote this addressed to the Dominant partner (“you”), but I think it’s easy to read between the lines and make it relevant for whatever your situation is. Last, this clearly reflects my gender preference, but I think it should adapt equally well for all variations. I hope you find this interesting and useful. I will leave comments open.

Getting more than tips.

Getting more than tips.


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Psyched myself up to use my fancier gouache (Holbein) and the difference is so noticeable! They’re s

Psyched myself up to use my fancier gouache (Holbein) and the difference is so noticeable! They’re suuuper rich and saturated. V nice and satisfying to paint with.


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they should’ve sent a poet ~

So since Tumblr is kicking the bucket I’m moving my stuff to Newgrounds.(I can move 50 pieces a day So since Tumblr is kicking the bucket I’m moving my stuff to Newgrounds.(I can move 50 pieces a day

So since Tumblr is kicking the bucket I’m moving my stuff to Newgrounds.
(I can move 50 pieces a day so it will take me some time to catch up tho)
https://stormfeder.newgrounds.com/
My blog is up to date: https://stormtemple.blogspot.com/

Also please Follow me on Facebook for news and updates (and basically keeping track of me always) It’s SFW there: 
https://www.facebook.com/stormfeder/

And like always FOR COMMISSIONS purposes, Deviantart:  
https://www.deviantart.com/stormfeder
Commissions journal info:
https://www.deviantart.com/stormfeder/journal/COMMISSIONS-PRICELIST-and-RULES-358719887

Don’t stay behind.


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Follow me on Facebook, just in case this account is banned. I’ll provide alternative galleries for my content soon.

https://www.facebook.com/stormfeder/


I’m making a twitter account, if you want to start following:
https://twitter.com/FederStorm

Cyclic episode, oil on canvas 70x100 cm 2022, #kiralyandras #cyclic #episode #motion #gap #canvas #o

Cyclic episode, oil on canvas 70x100 cm 2022, #kiralyandras #cyclic #episode #motion #gap #canvas #oil #painting #yellow #gray #white #grid #corner #overpaint #contemporary #art #abstract #nonobjective #kunst #border #line #contact #horrorvacui #budapest #mariautca #elipse #concentration #contemporaryabstraction #edge #composition
https://www.instagram.com/p/CbzVdYjoUDu/?utm_medium=tumblr


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Barkó, oil on canvas 70x100 cm 2022, #kiralyandras #barko #sideburns #contact #gap #canvas #oil #pai

Barkó, oil on canvas 70x100 cm 2022, #kiralyandras #barko #sideburns #contact #gap #canvas #oil #painting #red #gray #white #grid #corner #overpaint #contemporary #art #abstract #nonobjective #kunst #border #line #contact #horrorvacui #budapest #mariautca #elipse #concentration #face #contemporaryabstraction #edge #composition
https://www.instagram.com/p/CbukwrQoEfZ/?utm_medium=tumblr


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Sandglass, oil on paper 2022, #kiralyandras #sandglass #time #paper #gap #paper #oil #painting #colo

Sandglass, oil on paper 2022, #kiralyandras #sandglass #time #paper #gap #paper #oil #painting #color #white #grid #corner #contemporary #art #abstract #nonobjective #kunst #border #bacground #contact #horrorvacui #budapest #mariautca #elipse #concentration #line #collection #contemporaryabstraction #dot #edge
https://www.instagram.com/p/Ca7MUl-o6-M/?utm_medium=tumblr


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Sandglass, oil on paper 2022, #kiralyandras #sandglass #time #paper #gap #paper #oil #painting #colo

Sandglass, oil on paper 2022, #kiralyandras #sandglass #time #paper #gap #paper #oil #painting #color #white #grid #corner #contemporary #art #abstract #nonobjective #kunst #border #bacground #contact #horrorvacui #budapest #mariautca #elipse #concentration #line #collection #contemporaryabstraction #dot #edge
https://www.instagram.com/p/Ca4jgwOIsTK/?utm_medium=tumblr


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