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Anthony Hopkins and Director Florian Zeller on the set of The Father.

Anthony Hopkins and Director Florian Zeller on the set of The Father.


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Director Carol Reed gives direction to Orson Welles on the set of The Third Man.

Director Carol Reed gives direction to Orson Welles on the set of The Third Man.


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Jude Law and Director Sean Durkin on the set of The Nest.

Jude Law and Director Sean Durkin on the set of The Nest.


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“Steven [Spielberg] told me years ago, when I was nervous about making movies: ‘Everybody stea

“Steven [Spielberg] told me years ago, when I was nervous about making movies: ‘Everybody steals, Denzel, but make sure to steal from the best.’ I’ve been re-watching Coppola’s Godfather movies and stealing shots from them. And I’ll be stealing from Spielberg as well.”

Denzel Washington (pictured during the making of Fences)


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Director Denis Villeneuve gives direction to Timothée Chalamet on the set of Dune.

Director Denis Villeneuve gives direction to Timothée Chalamet on the set of Dune.


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Director David Lowery, Dev Patel and Joel Edgerton on location during the making of The Green Knight

Director David Lowery, Dev Patel and Joel Edgerton on location during the making of The Green Knight.


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Humphrey Bogart, Ingrid Bergman and Director Michael Curtis on the set of Casablanca.

Humphrey Bogart, Ingrid Bergman and Director Michael Curtis on the set of Casablanca.


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Ava Gardner listens to Director John Ford’s instructions on the set of Mogambo.

Ava Gardner listens to Director John Ford’s instructions on the set of Mogambo.


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Peter Sellers, Director Peter Medak and Spike Milligan on location during the making of Ghost in the

Peter Sellers, Director Peter Medak and Spike Milligan on location during the making of Ghost in the Noonday Sun.


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Kristin Scott Thomas, Director Anthony Minghella and Ralph Fiennes on the set of The English Patient

Kristin Scott Thomas, Director Anthony Minghella and Ralph Fiennes on the set of The English Patient.


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Director Olivia Wilde, Kaitlyn Dever and Beanie Feldstein sit in discussion on the set of Booksmart.

Director Olivia Wilde, Kaitlyn Dever and Beanie Feldstein sit in discussion on the set of Booksmart.


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Todd Phillips gives direction to Jonah Hill and Miles Teller on the set of War Dogs.

Todd Phillips gives direction to Jonah Hill and Miles Teller on the set of War Dogs.


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Jake Gyllenhaal and Director David Fincher on the set of Zodiac.

Jake Gyllenhaal and Director David Fincher on the set of Zodiac.


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“I don’t dream at night, I dream at day, I dream all day; I’m dreaming for a living.”Steven Spielber
“I don’t dream at night, I dream at day, I dream all day; I’m dreaming for a living.”

Steven Spielberg (pictured during the making of Close Encounters of the Third Kind)


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“I think it’s important to remember how small an ecosystem Twitter actually is. It’s easy to have yo

“I think it’s important to remember how small an ecosystem Twitter actually is. It’s easy to have your head inside of the echo chamber and think that is what the whole world is hearing. As big as the numbers seem on Twitter, you put that in relation to the actual population… and it’s minuscule. I think, ultimately, I do have this kind of doe-eyed optimism that when you sit down in the theatre and the lights go out, all of that garbage disappears. You’re having a pure experience of a movie. Whatever happens in those two hours in the theatre is between you and the screen.”

Rian Johnson (pictured on the set of Knives Out)


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Director Ingmar Bergman gives direction to Liv Ullmann on the set of Autumn Sonata.

Director Ingmar Bergman gives direction to Liv Ullmann on the set of Autumn Sonata.


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Director Evan Morgan gives direction to Adam Brody and Sophie Nélisse on the set of The Kid Detectiv

Director Evan Morgan gives direction to Adam Brody and Sophie Nélisse on the set of The Kid Detective.


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“My producer would love it if I did storyboards, but I never know how many shots I need in advance.

“My producer would love it if I did storyboards, but I never know how many shots I need in advance. We rehearse on the set with the actors, and during the rehearsal I discover what shots I want. I don’t film rapidly, and I don’t do a lot of takes. I don’t waste film. However, I think out the sound track well ahead of shooting—even before writing the script—and it gives me the grounding for the visuals. I try first to define the sonic atmosphere. I find the sound in most films disturbingly loud and disruptive […] Sound is what connects the film, the spectator, and the director.”

Lucrecia Martel (pictured during the making of Zama)


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Christopher Plummer and Director Mike Mills on the set of Beginners.

Christopher Plummer and Director Mike Mills on the set of Beginners.


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The Korean Film Studio was set up in February Juche 36 (1947) and covers a vast area in Hyongjesan District.

The studio has an artiste corps, as well as production rooms for direction, photographing, fine arts and recording and indoor photographing grounds which are furnished with various remote-controlled illumination, recording, film edition and special photographing equipment. The typical feature films produced by the studio include My Home Village(내 고향)created in Juche 38 (1949), Star of Korea (조선의 별),Mt. Paektu(백두산),The Sun of the Nation (민족의 태양),Guarantee(보증),Hong Kil DongandThe Nation and Destiny(민족과 운명).

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