#glitch art

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Original footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After EffectOriginal footage was taken of friends of ours against a green screen curtain. Edited in After Effect

Original footage was taken of friends of ours against a green screen curtain. Edited in After Effects by Simba Joslin. 


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Original footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited inOriginal footage from low-res videos, put through Hex Fiend (glitching software), and then edited in

Original footage from low-res videos, put through Hex Fiend (glitching software), and then edited in After Effects.


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Most of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where prMost of the original footage of these is from filming a friend in a white suit while things where pr

Most of the original footage of these is from filming a friend in a white suit while things where projected onto her. Then, the footage was edited in After Effects. The heart footage was done using an original illustration of a heart by Simba Joslin, also edited in AE.


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Segments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. WatSegments from Hooping by Simba Joslin. Filmed and edited in After Effects, made to be projected. Wat

Segments from Hooping bySimba Joslin. Filmed and edited in After Effects, made to be projected. Watch the full video here.


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 ᗰOᑎOᐯOIᗪ.ᑕᖇTAfterdeath television. 840x715 pixels, 769.62 KB, 48 frames. hic.art/618909

ᗰOᑎOᐯOIᗪ.ᑕᖇT

Afterdeath television. 

840x715 pixels, 769.62 KB, 48 frames.

hic.art/618909


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 意ℕ表 The internal is eternal. 740x650 pixels, 2.83 MB, 170 frames. 1/1 - 100ꜩ - https://hic.art/1887

意ℕ表 
The internal is eternal.
740x650 pixels, 2.83 MB, 170 frames.
1/1 - 100ꜩ - https://hic.art/188777


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ʀɛǟʟɨʐǟȶɨօռ օʄ ɖɛֆɨʀɛֆ 
1/1 - 30ꜩ - http://hic.art/184056
(SOUND ON!!)

 Blue\x80 FEATURED ARTIST Mark Klink //Once with the thought that computers were nothing more than g

Blue\x80 FEATURED ARTIST

Mark Klink //
Once with the thought that computers were nothing more than glorified calculators, Mark Klink went on to teach, for twenty some years, children and adults how to use them. Residing in California, Klink is completely self-taught when it comes to technology, and often finds himself led by a curiosity for file formatting. His 3D glitching methods have been widely influential for other artists, as he himself attempts to further depths of connection between process and viewer.

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