This is my second time working on a dakimakura design(here’s one from 2018). This is definitely my first time working on something this…..bold.
I had a lot of fun working on this project! Getting to know Majima better than ever. Contact me if you’re interested in printing one for yourself, or just getting a copy of the image without Traumajima.
With the rollout of the new model of the Galaxy Note and a phone upgrade I’ve been waiting very patiently to cash in on, I finally got myself the mobile workstation I’ve wanted for years. I was nervous about the size of the stylus and sensitivity, but woof. My new baby blows my poor old Intuos out of the water, and the S Pen is the perfect size for my extraordinarily tiny hands.
I’ve been doing some pretty furious testing with art apps. I’m still blown away by how far digital art has come on mobile. As disappointed as I am that CSP isn’t on Android, I’ve absolutely fallen in love with ArtFlow (example: sepia tone sketch) and Infinite Painter (literally everything else). The former is extraordinarly similar to PaintTool Sai, and the latter is Clip Studio Paint’s little sibling with an emphasis on illustration and brush customizability. I uhhhhhh accidentally corrupted Infinite Painter app with a custom brush I made that had to be summarily ejected from my phone, but it’s been incredible having touch screen functionality and gesture commands.
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