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THE ENIGMATIC POSEIDON LOGO YOU SEE IN OUR MAIN PAGE IS THE HANDSOME LEBANESE MODEL HOUSSAM KACHAKECTHE ENIGMATIC POSEIDON LOGO YOU SEE IN OUR MAIN PAGE IS THE HANDSOME LEBANESE MODEL HOUSSAM KACHAKECTHE ENIGMATIC POSEIDON LOGO YOU SEE IN OUR MAIN PAGE IS THE HANDSOME LEBANESE MODEL HOUSSAM KACHAKEC

THE ENIGMATIC POSEIDON LOGO YOU SEE IN OUR MAIN PAGE IS THE HANDSOME LEBANESE MODEL HOUSSAM KACHAKECH.


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GEORGES - LEBANONSuper macho men from all over Middle East & Northern Africa. Exclusively on Xar

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hey is anyone else from a multicultural background having trouble coping with the fact that their upbringing was whitewashed and every attempt to get closer to your culture makes you feel like a fraud? no? just me? cool

This digital painting is inspired, sadly, by the explosion which hit Beirut on 4 August and, proudly, by the Beirutis and their resilience.

Painted digitally in Procreate.

#beirut    #lebanon    #explosion    #seaport    #sea view    #city view    #old women    #lebanese    #digital painting    #digital art    #procreate    #alhyari art    #بيروت    #لبنان    #مرفأ لبنان    #مرفأ بيروت    #رسم    #رسم رقمي    #لوحتي    #الحياري آرت    

Tu as toujours les yeux plus gros que le ventre quand tu vas chez le Libanais !

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Temple of Bel  (3D)

Palmyra (Tadmor),Syria

32 CE

Part I (exterior) || Part II (interior) || Part III (surrounding precinct)

The Temple of Bel (Baal) was a temple located in Palmyra, and consecrated to the Mesopotamian god Bel, worshipped at Palmyra in triad with the lunar god Aglibol and the sun god Yarhibol, who together formed the center of religious life in Palmyra.

The temple was built on a tell with stratification indicating human occupation that goes back to the third millennium BCE. The area was occupied in pre-Roman periods with a former temple that is usually referred to as “the first temple of Bel” and “the Hellenistic temple”. The walls of the temenos and propylaea were constructed in the late first and the first half of the second century CE. The names of three Greeks who worked on the construction of the temple of Bel are known through inscriptions, including a probably Greek architect named Alexandras (Greek: Αλεξάνδρας). However, many Palmyrenes adopted Greco-Roman names and native citizens with the name Alexander are attested in the city.

A discussion of its architectural features demonstrates both the plurality of artistic and architectural styles in the ancient Mediterranean, and the numerous cultures that frequently overlapped and inter-mixed there. Although an inscription attests to the temple’s dedication in 32 CE, its completion was gradual with major architectural elements added over the course of the first and second centuries.

The organization of the temple’s ground plan derive from the traditions of eastern ritual architecture, including independent shrines for distinct divinities and, notably, the bent-axis approach to the cult (i.e. the architecture requires the celebrant to enter the temple and turn 90 degrees in order to view the offering table and cult area). The architectural elements employed in the temple’s elevation however, derive from the Graeco-Roman canon, including the use of the Corinthian order as well as various architectural elements of that adorn the frieze course and roofline .In its outward appearance, the temple seems to derive from the canon of Hellenistic Greek architecture .The temple itself sits within a bounded, architectural precinct measuring approximately 205 meters per side. This precinct, surrounded by a portico (a colonnaded entryway), encloses the temple of Bel as well as other cult buildings. The temple itself has a very deep foundation that supports a stepped platform. At the level of the stylobate (the platform atop the steps) the area measures 55 x 30 meters and the cella (the inner chamber of the temple that held the cult statue), stands over 14 meters in height and measures 39.45 x 13.86 meters.

Palmyra’s remarkable 2,000-year-old Temple of Bel was demolished in an atrocious crime against mankind and history in August 2015 by the Islamic militant group ISIS. (post-destruction 3D)

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Fragments in the courtyard

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Sources:1,2,3

metamorphesque:

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musings on Spring

— Rainer Maria Rilke, The Selected Poetry of Rainer Maria Rilke | Pablo Neruda (?) | Louise Glück, Vita Nova | Alberto Caeiro, The Collected Poems of Alberto Caeiro | Vladimir Nabokov, Mary | Etel Adnan, Jebu | Virginia Woolf, A Writer’s Diary | Bangtan Sonyeondan (방탄소년단), 봄날 (Spring Day) | Artwork by Claude Monet

Zuhair MuradF/W 2018-2019 Couture

Zuhair Murad

F/W 2018-2019 Couture


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Syrian children refugees in Lebanon, 2014

Syrian children refugees in Lebanon, 2014


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Baalbek - Helipolis, Beqaa Valley, Lebanon

Baalbek - Helipolis, Beqaa Valley, Lebanon


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Baalbek - Heliopolis, Beqaa Valley Lebanon

Baalbek - Heliopolis, Beqaa Valley Lebanon


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Akkar Province, Lebanon

Akkar Province, Lebanon


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architecture in Akkar Province, Lebanon

architecture in Akkar Province, Lebanon


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Lebanon - Jean-Paul Bitar, business intelligence developer, model

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