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Helena Bonham Carter featuring in a promotional image for ‘Twelfth Night: Or What You Will’ | 1996.

Helena Bonham Carter featuring in a promotional image for ‘Twelfth Night: Or What You Will’ |1996.


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lannistersgold: Helena Bonham Carter on set of Twelfth Night (1996) lannistersgold: Helena Bonham Carter on set of Twelfth Night (1996)

lannistersgold:

Helena Bonham Carter on set of Twelfth Night (1996)


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parmandil:But we will draw the curtain and show you the picture. parmandil:But we will draw the curtain and show you the picture.

parmandil:

But we will draw the curtain and show you the picture.


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 I wanted to draw Fire Emblem forever, so here you have Olivia in high spirits! https://www.patreon.

I wanted to draw Fire Emblem forever, so here you have Olivia in high spirits! 

https://www.patreon.com/pixieinktvis

https://ko-fi.com/pixieinktvis - Ko-fi

bit.ly/2KLJ2C2- Commission Info


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3 minute sole focused video of Olivia for sale! 3 minutes of her feet in motion while she talks abou

3 minute sole focused video of Olivia for sale! 3 minutes of her feet in motion while she talks about having your worship them.


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Did a shoot with Olivia the other night.

Did a shoot with Olivia the other night.


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Just did my first shoot with a new model. Introducing Olivia!

Just did my first shoot with a new model. Introducing Olivia!


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Happy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of PetHappy Birthday J.M. Barrie!Today we share illustrations from the first American trade edition of Pet

Happy Birthday J.M. Barrie!

Today we share illustrations from the first American trade edition of Peter and Wendy (Scribner’s, 1911) and the second American edition of Peter Pan in Kensington Gardens  (Scribner’s, 1910) to honor the birth of Scottish playwright and authorJ.M. Barrie, born May, 9th 1860. Peter and Wendy is illustrated by F. D. Bedford, while Kensington Gardens is illustrated byArthur Rackham

Barrie is best remembered as the creator of Peter Pan, modeled after the sons of the Llewelyn Davies family, whom Barrie would go on to serve as guardian after the death of father Arthur (d. 1907) and mother Sylvia (d. 1910). The character of Peter Pan first appeared in Barrie’s 1902 novel The Little White Bird. A portion of that novel about an infant Peter was extracted and reprinted by Barrie’s English publisher, Hodder and Stoughton, in 1906 as Peter Pan in Kensington Gardens following the success of Barrie’s 1904 stage play, Peter Pan, or The Boy Who Wouldn’t Grow Up. The stage play later served as the basis for the 1911 novel, Peter and Wendy. 

While Peter Pan remains Barrie’s most enduring creation, he enjoyed much success on the London stage, including Ibsen’s Ghost (1891),Quality Street (1901), The Admirable Crichton (1902), The Twelve Pound Look (1910), and Mary Rose (1920). He was also involved in several campaigns to challenge censorious policies affecting British theatre. 

Find more Milestone Monday posts here

-Olivia,Special Collections Graduate Intern


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Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’Decorative Sunday This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’

Decorative Sunday 

This Sunday we bring you plates from German art historian Elisabeth Von Witzleben’sFrench Stained Glass, translated from German (Licht und Farbe aus Frankreichs Kathedralen,1966into English by Francisca Garvie. Published in London by Thomas and Hudson, Ltd. in 1968 and printed in what was then West Germany, the book contains 96 black-and-white plates, and 46 color plates printed on what appears to be acetate sheets with frosted backing. Presenting the plates in this medium cleverly approximates the experience of viewing the glass in it’s natural setting, the sheen of the acetate simulating the reflective surface of the glass and the transparency allowing the viewer let light shine through the image.

See image captions for more information about the plates, including location, content, and date. 

ViewmoreDecorative Sunday posts here

-Olivia,Special Collections Graduate Intern


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Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, Science (Fiction) SaturdayThis week, we present images from A Pictorial History of Science Fiction, 

Science (Fiction) Saturday

This week, we present images from A Pictorial History of Science Fictionby Science Fiction fan, writer, and publisher David Kyle, first published in 1976 by Hamlyn of London. It was typeset by Filmtype Services Ltd. of Scarborough, England, and printed in England by Sackville Press Billericay Ltd. Our copy is a second printing from 1977. 

Kyle was the co-founder of Gnome Press with SF editor and publisher Martin Greenberg. Gnome operated from 1948 until 1962, publishing SF heavy hitters like Asimov, Heinlein, and Clark. Along with Sauk City, WI based Arkham House, Gnome was instrumental in demonstrating that there was a market for novel-length science fiction. However, they relied on mail-order sales and their inability to secure wider distribution left them unable to compete when better funded outfits entered the Science Fiction market, starting with Doubleday in 1950.

I remembered that I had set this book aside for a future post when flipping through our facsimile of Dürer’sApocalypse, printed by Eugrammia Press in 1964, so I was delighted to see that Kyle had evoked Dürer in tracing the lineage of science fictional imagery (see image three). While I personally don’t subscribe to the school of thought that characterizes things like theEpic of Gilgamesh, Ovid’sMetamorphoses, or the Sanskrit epic Rāmāyana as examples of early science fiction, I understand the impulses underlying this theory. Much in the way that it can be difficult to untangle early scientific inquiry from mysticism and spiritual exploration, the threads connecting contemporary science fiction to a sense of the fantastical that has existed in literature for millennia is just as strong as the link between SF and the modern scientific method. 

See captions for image source information.

For more SF inspired Science Saturdays, check out our posts on our collection of Fantastic andAmazing Stories magazines. 

ViewotherScience Saturday posts here

-Olivia, Special Collections Graduate Intern


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