#the two towers

LIVE

I am inviting all authors and artists who love Tolkien to participate in my April Tolkien Challenge!

Every day, there will be a new object central, which is the object we will be talking about! Do whatever you want with this; Write a piece about it, share information about it, create something art-related about it….anything goes!

I’d love to see your work! Tag me in it, reblog this post with your piece or use #apriltolkienchallenge !

——————————————————————————

1.Nauglamír

2.Ancalagon the Black

3.Sting

4.Silmaril

5.Palantiri

6.Andúril

7.Key to Erebor

8.Gurthang

9.Pipeweed

10.Aragorn’s crown

11. Light of Eärendil

12. Smaug

13. Glamdring

14. The One Ring

15. Evenstar

16. Ring of Barahir

17. Thorin’s crown

18. Mithril

19. Horn of Gondor

20. Doors of Durin

21. Treasure

22. Glaurung

23. Arkenstone

24. Morgoth’s crown

25. Ringil

26. The Black Arrow

27. Trees of Valinor

28. Dragon-helm of Dor-Lómin

29. Narsil

30. Oakenshield

Turning back they saw across the River the far hills kindled. Day leaped into the sky. The red rim o

Turning back they saw across the River the far hills kindled. Day leaped into the sky. The red rim of the sun rose over the shoulders of the dark land. Before them in the West the world lay still, formless and grey; but even as they looked, the shadows of night melted, the colours of the waking earth returned: green flowed over the wide meads of Rohan; the white mists shimmered in the watervales; and far off to the left, thirty leagues or more, blue and purple stood the White Mountains, rising into peaks of jet, tipped with glimmering snows, flushed with the rose of morning.

‘Gondor! Gondor!’ cried Aragorn. 'Would that I looked on you again in happier hour! Not yet does my road lie southward to your bright streams.

        Gondor! Gondor, between the Mountains and the Sea!
        West Wind blew there; the light upon the Silver Tree
        Fell like bright rain in gardens of the Kings of old.
        O proud walls! White towers! O winged crown and throne of gold!
        O Gondor, Gondor! Shall Men behold the Silver Tree,
        Or West Wind blow again between the Mountains and the Sea?

–J.R.R. Tolkien, The Lord of the Rings: The Two Towers, “The Riders of Rohan”

Post link
‘Who is Saruman?’ asked Pippin. 'Do you know anything about his history?'  'Saruman is a

‘Who is Saruman?’ asked Pippin. 'Do you know anything about his history?' 

'Saruman is a Wizard,’ answered Treebeard. 'More than that I cannot say. I do not know the history of Wizards. They appeared first after the Great Ships came over the Sea; but if they came with the Ships I never can tell. Saruman was reckoned great among them, I believe. He gave up wandering about and minding the affairs of Men and Elves, some time ago–you would call it a very long time ago: and he settled down at Angrenost, or Isengard as the Men of Rohan call it. He was very quiet to begin with, but his fame began to grow. He was chosen to be head of the White Council, they say; but that did not turn out too well. I wonder now if even then Saruman was not turning to evil ways. But at any rate he used to give no trouble to his neighbours. I used to talk to him. There was a time when he was always walking about my woods. He was polite in those days, always asking my leave (at least when he met me); and always eager to listen. I told him many things that he would never have found out by himself; but he never repaid me in like kind. I cannot remember that he ever told me anything. And he got more and more like that; his face, as I remember it–I have not seen it for many a day–became like windows in a stone wall: windows with shutters inside.’

–J.R.R. Tolkien, The Lord of the Rings: The Two Towers, “Treebeard”


Post link
‘So you have been there [to Mordor]?’ Frodo insisted. 'And you’re being drawn back

‘So you have been there [to Mordor]?’ Frodo insisted. 'And you’re being drawn back there, aren’t you?’

'Yess. Yess. No!’ shrieked Gollum. 'Once, by accident it was, wasn’t it, precious? Yes, by accident. But we won’t go back, no, no!’ Then suddenly his voice and language changed, and he sobbed in his throat, and spoke but not to them. 'Leave me alone, gollum! You hurt me. O my poor hands, gollum! I, we, I don’t want to come back. I can’t find it. I am tired. I, we can’t find it, gollum, gollum, no, nowhere. They’re always awake. Dwarves, Men, and Elves, terrible Elves with bright eyes. I can’t find it. Ach!’ He got up and clenched his long hand into a bony fleshless knot, shaking it towards the East. 'We won’t!’ he cried. 'Not for you.’ Then he collapsed again. ’Gollum, gollum,’ he whimpered with his face to the ground. 'Don’t look at us! Go away! Go to sleep!’

'He will not go away or go to sleep at your command, Sméagol,’ said Frodo. 'But if you really wish to be free of him again, then you must help me. And that I fear means finding us a path towards him. But you need not go all the way, not beyond the gates of his land.’

Gollum sat up again and looked at him under his eyelids. 'He’s over there,’ he cackled. 'Always there. Orcs will take you all the way. Easy to find Orcs east of the River. Don’t ask Sméagol. Poor, poor Sméagol, he went away long ago. They took away his Precious, and he’s lost now.’

'Perhaps we’ll find him again, if you come with us,’ said Frodo.

'No, no, never! He’s lost his Precious,’ said Gollum. 

–J.R.R. Tolkien, The Lord of the Rings: The Two Towers, “The Taming of Sméagol” (Art by Peter Xavier Price)


Post link
The king now rose, and at once Éowyn came forward bearing wine. ’Ferthu Théoden hál!’ sh

The king now rose, and at once Éowyn came forward bearing wine. ’Ferthu Théoden hál!’ she said. ‘Receive now this cup and drink in happy hour. Health be with thee at thy going and coming!’

Théoden drank from the cup, and she then proffered it to the guests. As she stood before Aragorn she paused suddenly and looked upon him, and her eyes were shining. And he looked down upon her fair face and smiled; but as he took the cup, his hand met hers, and he knew that she trembled at the touch. 'Hail Aragorn son of Arathorn!’ she said. 'Hail Lady of Rohan!’ he answered, but his face now was troubled and he did not smile.

–J.R.R. Tolkien, The Two Towers, “The King of the Golden Hall”


Post link
A strong place and wonderful was Isengard, and long it had been beautiful; and there great lords had

A strong place and wonderful was Isengard, and long it had been beautiful; and there great lords had dwelt, the wardens of Gondor upon the West, and wise men that watched the stars. But Saruman had slowly shaped it to his shifting purposes, and made it better, as he thought, being deceived–for all those arts and subtle devises for which he forsook his former wisdom, and which fondly he imagined were his own, came but from Mordor; so that what he made was naught, only a little copy, a child’s model or a slave’s flattery, of that vast fortress, armoury, prison, furnace of great power, Barad-dûr, the Dark Tower, which suffered no rival, and laughed at flattery, biding its time, secure in its pride and its immeasurable strength.

–J.R.R. Tolkien, The Two Towers, “The Road to Isengard”


Post link

thinking about how Gimli says that he respects the trees for their worth but doesn’t love them but he started off respecting Legolas for his worth and now he loves him and that’s not the same because the love Gimli feels for Legolas is REAL love and Tolkien knew that when he wrote the parallels god

animusrox: The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson animusrox: The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson animusrox: The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson animusrox: The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson animusrox: The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson

animusrox:

The Lord of the Rings: The Two Towers (2002) dir. Peter Jackson


Post link
Morphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. AbMorphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. AbMorphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. AbMorphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. AbMorphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. AbMorphology. Character Study: Gimli (The Lord of the Rings).I. Portrait: Vectorial composition.II. Ab

Morphology. Character Study: Gimli(The Lord of the Rings).

I.Portrait: Vectorial composition.
II.Abstract composition:Sound
III. Typographic semantization
IV.Portrait: Photographic composition.
V.Portrait:Collage.
VI.Abstract composition:Place/Space


Post link
Nicolas Cage as a confused Aragorn at the Battle of Helm’s Deep in the Lord of the Cage: The Two Cag

Nicolas Cage as a confused Aragorn at the Battle of Helm’s Deep in the Lord of the Cage: The Two Cages.


Post link
Nic Cage as Frodo Baggins in The Lord of the Cage: The Two Cages.

Nic Cage as Frodo Baggins in The Lord of the Cage: The Two Cages.


Post link

sapphicshinigami:

where were all the trans women when women couldn’t vote? where were all the trans women when women were viewed as property? where were all the trans women were viewed as not even human?

if they are really women on the inside, if they really were born the wrong gender, if they really feel unbearable amounts of dysphoria when they get misgendered, why weren’t they standing with us from the beginning?

iskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stiskarieot:It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great st

iskarieot:

It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going. Because they were holding on to something.

the lord of the rings: the two towers (2002) dir. peter jackson

Post link
 “At last, in the year when Eärendil was seven years old, Morgoth was ready, and he loosed upon Gond

“At last, in the year when Eärendil was seven years old, Morgoth was ready, and he loosed upon Gondolin his Balrogs, and his Orcs, and his wolves; and with them came dragons of the brood of Glaurung, and they were become now many and terrible. The host of Morgoth came over the northern hills where the height was greatest and the watch least vigilant, and it came at night upon a time of festival, when all the people of Gondolin were upon the walls to await the rising sun, and sing their songs at its uplifting; for the morrow was the great feast that they named the Gates of Summer.”

Artwork by John Howe


Post link

Christopher Tolkien, third son of J.R.R. Tolkien and editor of much of his posthumous work, including The Silmarillion, has died at age 95. Thank you for bringing your father’s vision to life through your work. Rest in peace.

On this day in T.A. 3019, Gandalf the Grey is separated from the Fellowship of the Ring and confronts the Balrog Durin’s Bane alone on the Bridge of Khazad-dûm.

Artwork by Gonzalo Kenny

On this day in 1977, Orlando Bloom was born. He made his breakthrough as Legolas Greenleaf in Peter Jackson’s the Lord of the Rings trilogy.

- [For Lord of The Rings] I had to do huge battle scenes, and in Hollywood films when it gets to big crowds it’s really only at most two thousand people. But Tolkien writes about Helm’s Deep and ten thousand Uruk-hai, and the only way to do that was in a computer. So we created the “Massive” software, where each of the computer people makes its own choices. At the first test screen we had 30 CGI people running at each other and half of them turned and ran away, so we had to dumb them down and tell them to stay fighting.

- You don’t know how the battle is gonna turn out?

- No. If you have orcs fighting elves, you teach CGI orcs how to fight like orcs and CGI elves to fight like elves. You’re literally not in control. You have this huge battle scenes with horses for and that renders for about three days and we don’t know what it’s gonna be like, so we wait and see.


- [Per il Signore degli Anelli] dovevo fare scene di battaglia enormi, e nei film di Hollywood quando si tratta di grandi folle in realtà al massimo ci sono duemila persone. Ma Tolkien parla del Fosso di Helm e diecimila Uruk-hai, e l’unico modo di farlo era a computer. Quindi abbiamo creato il software “Massive”, dove ogni “persona da computer” fa le proprie scelte. Ai primi screen test c’erano 30 persone CGI che si correvano addosso, e la metà si è girata ed è scappata via, quindi abbiamo dovuto renderle meno intelligenti e dirgli di rimanere a combattere.

- Quindi non sapevate come sarebbe andata la battaglia?

- No. Se hai degli orchi che combattono gli elfi, insegni agli orchi CGI a combattere come orchi e agli elfi CGI a combattere come elfi. Non li puoi controllare. Hai queste scene di battaglia enormi con i cavalli e le fai andare per circa tre giorni e non sai come verrà, quindi attendi.


#lordoftherings #ilsignoredeglianelli #tolkien #jrrtolkien #peterjackson #helmsdeep #thefellowshipofthering #thetwotowers #thereturnoftheking #battlescenes #urukhai #johnronaldreueltolkien #newzealand #gandalf #frodobaggins #thehobbit #theshire #lacontea #aragorn #legolas #viggomortensen #orlandobloom #cinema #film #movies #filmdavedere #lordoftheringsmovies #cinematografia #bestmovies #fantasy

loading