#underwater
The tension, it’s getting hotter
I’d like to hold her head underwater
https://www.instagram.com/saravidmajer/
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Abzu - Into the Water
Dive into the Ocean of Time
To Know, Water..
It’s a special illustration used with my graphic design in another production by VVGO (Virtual Video Game Orchestra) : “Then Were Created The Gods In The Midst Of Heaven” from ABZÛ featuring composer Austin Wintory and 209 community recordings! Thanks to this unique virtual choir & orchestra underwater performance -> [link] I found myself swimming (and singing) in the great waters of Abzu again..
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You can find me here too: Deviantart | Instagram | Facebook | Twitter | Youtube.
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New production by VVGO (who also made this GoldenSun 20th Anniversary video)!
Everyone put their soul and heart (and voice) into this beautiful ancient song: “Then were created the gods in the midst of heaven“ from ABZÛ.
VVGO team can be proud of the result and I’m honoured I could take part in this unique underwater performance.
It’s #mermay , so let’s do some #mermen!!!!
A lucky lifesaver rescued by a couple of mermen…
This is the “censored” version.
You can see the naked version on my PATREON page:
www.patreon.com/Albron
If you’re enjoying my work, support me on Patreon: This is how I make a living of my work!!
2$ donors per month can access all uncensored content on my Patreon page. Tons of images for you there… ❤️
Take care,
Alex
#albronmuscle #muscle #gay #underwater #sexy
(à Paris, France)
https://www.instagram.com/p/Bx5LgykCiph/?igshid=xl6ma6w8ef20
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“Fuck bro, I’m so hungover….um, I have to tell you something. I just woke up next to your boyfriend. I was hoping nothing had happened, I honestly didn’t remember, but as soon as he woke up he got under the sheets and started to blow me. Not really sure what to say, I fucked his brains out and he begged me to breed him….looks like he’s not getting what he needs at home.”
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Here’s my finished piece “Atlantis” for Light Grey Art Lab’s “Tiny Homes” show, which opened Friday night in Minneapolis! Prints are now available on their online shop!
http://shop.lightgreyartlab.com/collections/tiny-homes/products/atlantis-by-molly-walsh
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I was thinking about this earlier. It legitimately terrifies me and I want to say I don’t want to do this because it’s so frightening or too dangerous. I look at this and start to get a taste of the sort of things I would experience in this situation, a hint of that primal flight response, the struggling, the panic. And I get turned on. Of course I want to do this. It’s frightening and dangerous.
The interesting thing is that from the other side, it’s not about the fear, not about the danger—at least for me. You’re completely safe. There’s no way I’m going to let anything serious happen to you, no matter that you’re naked, bound and completely helpless. If you didn’t trust me, after all, there’s no way this scene would even have started.
The water and the ropes serve the same purpose: they constrain you, remove your options and your ability to choose what happens to your body. They reduce you to reactions. They make you an instrument, to be stimulated or denied, no matter how you fight. (They also make you wet.)
You can always go limp, when I make you fight me. You can always refuse to react, or at least muffle your reactions. Not when I drop you into the tub, though. The reason I put you in there is because I can make you panic. You’re back to a thrashing, panicked thing beneath me, your body struggling even though it will make you run out of oxygen faster.
In a moment I’ll haul you out, turn you over to cough, watch your chest and back heave with your frantic breathing. And then maybe I’ll play with you, in your dripping, helpless state, before I drop you in again. It’s a shortcut way to create a specific behavior. The struggle is what I want from you, and right now, it’s what you’re going to give me.
Mmm, excellently said!
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“Doesn’t that hot water feel good?” you sank into the bath, enjoying the mixture of fear and arousal on the young lads face.
His genetic background made you two the perfect match. It would take a couple weeks of trying, but if you knocked him up then he’d be yours. You could have a shotgun wedding, honeymoon somewhere special, and still have him back home before his tummy got too big.
“Shhh…” you leaned forward, rubbing his flanks greedily, “I’ll do all the work.”
Helping yourself to one of his tender nipples, you teased and suckled the lad. He thrashed a bit at first, fighting his natural urges. All that would change once you’d popped his cherry.
“There’s a good boy,” you whispered. Towering over him in the bath, you prepared him for copulation. “It’s time Daddy taught you how to make love.”
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A sfw monstergirl! This is Violet, normally she lures divers to their doom with her monster-womanly ways but today she’s devouring donuts instead in a censored version.
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“Urashimako“ - Piece for Giant Robot’s “Underwater“ themed show. Original is black ink with grey & red copic. This dark greeen grey is added digitally. The composition is actually a remake from one of my old drawing because I wanted to see how I improved since then. The inspiration / theme is from Japanese folktale of Urashima Tarou.
“Urashima Tarō (浦島 太郎) is the protagonist of a Japanese fairy tale(otogi banashi), who in a typical modern version is a fisherman rewarded for rescuing a turtle, and carried on its back to the Dragon Palace (Ryūgū-jō) beneath the sea. There he is entertained by the princess Otohime as a reward. He spends what he believes to be several days with the princess, but when he returns to his home village, he discovers he has been gone for at least 100 years. When he opens the forbidden jewelled box (tamatebako), given to him by Otohime on his departure, he turns into an old man.” - Wikipedia
So I drew deep sea creatures, added kimono, tamate bako and some literature books of Manyoshu & Nihon Shoki in the corner. My intention for the clothes on above was to illustrate 4 walls of season ( at the palace ) that was mentioned in the story but I couldn’t articulate well as I wanted. This was my challenge to actually draw a cityscape in copic and I think I did good job in small details but as overall - the values weak I think and making less dynamic. I actually scanned the line art beforehand and made a color composition in Photoshop ( which I never do ( and I know I should do it every-time) but I still felt need more practicing doing that. One concern is that copic is not archival so it will fade over time no matter how you take care of it so I need to start thinking about another material I can replace with it. It’s so hard because I love copic too much.
Listening to : SORARU - Yurayura
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