Codename: Bondage! Vera Estlin was a stuntwoman, but her specialty was working as a substitute for a

Codename: Bondage!

Vera Estlin was a stuntwoman, but her specialty was working as a substitute for actresses that were too timid to do bondage scenes. Her nickname was “The Gagtress” (and if Oscars were awarded for best performance while bound and gagged, her shelves would be full of them).

Today she was working, but not under the ropes. As much as she personally enjoyed the money and the euphoria she got from being tied up for the big screen, her current job was as the lead rigger in the “CODENAME: BONDAGE” film franchise.

The series, starring busty babes Gigi 6K, Maria Amore, and Tina Grande had proven to be an enormous hit. The girls were very beautiful, the budget was as enormous as the girls’ breasts, and their elaborate peril traps were widely imitated (but never surpassed).

Vera and her crew had done a lot of work today to create what started as words on a script page and was about to become a bondage reality. They were almost finished with only two days of principal photography left. There was no time to waste, so the Gagtress grabbed a roll of black electrical tape. Time to start working on the day’s scene.

It started with a room that had been converted into a prison cell. The three stars were already there, tied to cold metal tables. In the movie, the sexy spy trio had been captured by their arch-nemesis, the voluptuous international kidnapper known as Amorda Zadora. Belts were used over and under their breasts, under their hips, and over their knees and ankles. Their voices were partially blocked with knotted cleave gags that had more cloth than the micro-bikinis they wore over their voluptuous bodies. The belts were loose enough to allow for some sexy struggles from the girls.

Vera and her crew had dressed as Amorda’s spandex clad minions and their second duty of the day was to mummify each one of the busty girls. Vera’s crew expertly unbuckled the few belts necessary to free the body parts they were working on without giving the heroes any chance to “run.”

Each limb was expertly covered in black electrical tape before the girls were turned over to have their arms tied hand-to-elbow. More tape was used to fuse the tied arms to their respective bodies and to join the legs as a single limb.

The second layer was white bandages to give them the “mummy” look that the three actress craved so much.

The third stage was steel straps (like those used to tie heavy boxes). A special machine was used to tighten and cut each strap above, below and over their massive melons, below their hips, above and below their knees, and over their ankles. If this all seems like overkill to you, don’t blame Vera! She was just following the incredibly detailed script that Gigi 6K wrote.

Satisfied that the actresses were quite covered from neck to toe, it was time for the fun stuff. The cleave gags were removed and, before they could protest, each woman received a huge red ball gag… followed by 10 turns of black tape surrounding their mouths and hair. A leather blindfold and 5 turns of tape over the eyes followed that.

Hidden from the cameras was the moment when special earplugs were put on so that the girls could hear the director’s instructions.

More electrical tape was used to cover their heads, followed by bandages. Using a handheld tool, two wide steel straps were fastened over the bandaged eyes and mouth of the helpless actresses. The bound girls moaned and moaned. Vera knew that they were enjoying their current status.

The binding process was filmed in full for each girl, as part of the special features to be included in the Ultimate Edition of the DVD. Each of the girls was tied to a hand truck using leather belts.

The director called for a short break before shooting the next scene.

The three girls were filmed as they were carried to the vault in the hand trucks by Amorda’s minions. They struggled a lot while they were moved thru the long aisle and the director was very pleased by what she’d filmed.

After that, the girls were parked near the center of the vault for the next scene. One of the masked minions released the belts tying the mummified body of Maria Amore to the hand truck as she was moved toward the object at the center of the vault.

A square steel column had been bolted to the floor, with short horizontal beams attached to three of its four sides. At the end of each beam, an open steel shackle was attached. Each shackle was different in diameter and height, but all had a metallic exterior (and what seemed like black leather padding on the inside). Their purpose became obvious once one of the minions carried Maria over and made her stand up in front of the column, moving her body toward the open shackles. Once they were close, one manacle trapped Maria’s neck and the others surrounded her waist, thighs and ankles. Maria could not move a centimeter!

This scene was repeated several times so that the director could shoot it from multiple angles. Any other actress would’ve lost their patience, but Maria could not have protested even if she tried! At the end, she was fixed to the column and would struggle no more until they liberated her. “MMMMPPPHH!” was her muted scream as Vera grabbed one of the actress’ huge breasts to check her reaction. “She is all right,” said a smiling Vera.

The director wanted to discuss shooting angles for Gigi and Tina’s scenes. While Vera and the director talked to the camerawomen, one of the riggers could not resist and took a selfie with the helpless Maria.

Action! Cameras started rolling as the masked kidnappers grabbed Tina and fixed her to the column (just as they had done to the helpless Maria). When the filming paused, Maria was at the left side of the column and Tina was at the right with her back toward Maria. Only the center portion remained free, waiting for the final prisoner.

Vera put on her minion mask. It was her turn to fix Gigi to the column. Vera and Gigi had been friends for years and the film’s star only trusted the Gagtress to tie her up. It was a rare case of both business and pleasure. They’d had a history together that the tabloids didn’t know about.

In the scene, Vera and the extremely gagged Gigi were joined by Lilly Paris, playing the part of the bondage obsessed kidnapper Amorda Zadora. She was having a lot of fun as she taunted the bound and extremely gagged spies, grabbing their marvellous breasts and giving wet kisses over their steel strapped gags. Gigi did some magnificent struggles and moans, but at the end she was fixed to the column just as her comrades had been. Amorda gloated as a digital countdown started for a nasty looking bomb left at the damsels’ feet. As a final touch, Amorda pressed a button and the column rose from the floor so that the girls’ feet could not touch the ground.

Now the cameras were rotating around the bound trio. These kind of scenes were great for Gigi, Maria, and Tina. They did not have to say any lines and there was no chance that they could miss their cues by moving when they shouldn’t.

Even now Gigi was thinking of ideas for the franchise’s next sequel. Maria and Tina, meanwhile, were just allowing themselves to be aroused by their work.

After several takes, the director called for a long break and most of the crew ran toward the catering area. The director and the producers were going out to a meeting. Gigi, Maria, and Tina remained bound, gagged and fused to the columns. Their bondage scenes for the day were not over yet, so the stars would not be going anywhere.

Vera remained with the girls for their safety. They should never be left alone, even if they could not move. Vera smiled as she took out her camera so that she could take many pictures that would be the envy of any “Codename: Bondage” fan. This was just business, she told herself. She had to document the work of her employees. Yeah… that was it. Gigi, Maria, and Tina could have protested, but Vera knew that they were enjoying the orgasms of their lives at that moment.

To get paid doing what you love? Vera, Gigi, Maria, and Tina had the best jobs in the world!

Art: Wolfgee

Story: Queospera

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