In a kind of immense field opening up in the dense and unbroken mass of the Nordic forest, against t

In a kind of immense field opening up in the dense and unbroken mass of the Nordic forest, against the backdrop of the metallic colors of two large lakes, under a sky made particularly lofty by this constant horizontality and straightness, which, so to speak, constitutes the style of this Pomeranian landscape, stands a group of buildings. They are a singular mixture of the primordial, the archaic, and the modern. They, too, are linear, smooth, devoid of any ornamental superfluities, at once hard and clear. Large towers, fences and large huts with colonnades, a large semi-circular amphitheater, buildings with high trapezoidal roofs, long parallellepipeds, great slopes and arenas sharply set off by their particularly violent colors — blood-red and black — against the dark green of the surrounding grass, large squares and paths cut into the lawn and paved with irregularly shaped stones like ancient Roman roads, bleachers, antennas. Over it all ripples a long, red flame, emblazoned with the swastika.

Julius Evola, originally published in Corriere Padano, August 22nd 1939, translator unknown.