#18th century

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wonder-rooms:

Lady’s Slipper Orchid & Insects from the Natural History Cabinet of Anna Blackburne (1768) - James Bolton

the-evil-clergyman:The Princess by Christian von Mechel (1780)

the-evil-clergyman:

The Princess by Christian von Mechel (1780)


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wonder-rooms:

Blackburn’s Earth Boring Beetle, Seven-Spotted Ladybird Beetle & Purple Emperor from the Natural History Cabinet of Anna Blackburne (1768) - James Bolton

vivelareine:Kitchen Scene by Pehr Hilleström, 18th century.

vivelareine:

Kitchen Scene by Pehr Hilleström, 18th century.


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history-of-fashion:ab. 1702 Possibly Jonathan Richardson the Elder - Abigail Bayly, Lady Elton(Cleve

history-of-fashion:

ab. 1702 Possibly Jonathan Richardson the Elder - Abigail Bayly, Lady Elton

(Clevedon Court)


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ltwilliammowett: Mariner’s Compass, by Reverend Jonathan Fisher, from his Mathematics notebook, 1791

ltwilliammowett:

Mariner’s Compass, by Reverend Jonathan Fisher, from his Mathematics notebook, 1791

Fisher was not a seafarer, but he was an extremely educated and multi-talented man from Maine who was interested in everything, especially languages and mathematics. And since navigation also includes mathematics, he included it in his notebook.


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ltwilliammowett:Pocket watch in a silver case, by James Richards, London 1793 This beautiful piece sltwilliammowett:Pocket watch in a silver case, by James Richards, London 1793 This beautiful piece s

ltwilliammowett:

Pocket watch in a silver case, by James Richards, London 1793 

This beautiful piece shows a Sailor’s Farewell scene. In it, a Sailor says goodbye to his beloved while his ship is already waiting for him. The silver case was made later and seems to replace the original one. Possibly the owner had to sell it to get money again, which often happened. And later bought this replacement case, which is from a mass production, because this interior scene of a gentleman with his servant is not of great quality.


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history-of-fashion:1770-1780 Man’s formal three-piece suit (England)fulled wool tabby with embroiderhistory-of-fashion:1770-1780 Man’s formal three-piece suit (England)fulled wool tabby with embroiderhistory-of-fashion:1770-1780 Man’s formal three-piece suit (England)fulled wool tabby with embroiderhistory-of-fashion:1770-1780 Man’s formal three-piece suit (England)fulled wool tabby with embroider

history-of-fashion:

1770-1780 Man’s formal three-piece suit (England)

fulled wool tabby with embroidered sequins and silver filé

(Royal Ontario Museum)


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amatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Saamatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Saamatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Saamatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Saamatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Saamatesura: The Anatomical Machines, Giuseppe Salerno, c. 1756-64In the Underground Chamber of the Sa

amatesura:

The Anatomical Machines, Giuseppe Salerno, c. 1756-64

In the Underground Chamber of the Sansevero Chapel, housed in two glass cases, are the famous Anatomical Machines, or Anatomical Studies, i.e. the skeletons of a man and a woman in upright position with their arteriovenous system almost perfectly intact. The circulatory system depicted on the anatomical machines was artificially fabricated with waxes, an iron wire and silk fibers, probably following techniques commonly used by anatomists of that time

These disquieting objects were kept in a room in the palace of the Prince of Sansevero called “the Apartment of the Phoenix”, as a number of travellers and the Breve nota di quel che si vede in casa del principe di Sansevero, an anonymous eighteenth-century guide to the Palace and the Sansevero Chapel, attest. This source describes the Machines in detail, from the blood vessels of the head to those of the tongue and adds that at the feet of the woman was placed “the tiny body of a foetus”, alongside which there was even the open placenta, connected to the foetus by the umbilical cord. The two anatomical studies were moved to the Chapel, and in this way saved from destruction or loss, long after the death of the Prince. The remains of the foetus were still visible up to a few decades ago, when they were stolen.


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jeannepompadour:

Elizabeth Holt (1728–1791), Mrs Beaumont; att. to Hamlet Winstanley (1694–1756)

history-of-fashion:ab. 1785 Louis-Ami Arlaud-Jurine - Woman sitting in a park with a spaniel(Musée C

history-of-fashion:

ab. 1785 Louis-Ami Arlaud-Jurine - Woman sitting in a park with a spaniel

(Musée Cognacq-Jay)


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vivelareine: ‘The Compleat French Master’, 1753.

vivelareine:

‘The Compleat French Master’,1753.


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ltwilliammowett:

Silhouette portrait of Capt. John Paul Jones, 1780

The back side original label says : John Paul Jones 1747-1792. The terror of the English. Went so far as to pursue and capture the British warships in the English navy.

vivelareine: Still-Life with Tuft of Marine Plants, Shells and Corals by Anne Vallayer-Coster, 1769.

vivelareine:

Still-Life with Tuft of Marine Plants, Shells and Corals by Anne Vallayer-Coster, 1769.


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jeannepompadour:

“The Baroque Allemande Dance”, print by James Caldwall, 1772

history-of-fashion:ab. 1750 Manner of Thomas Hudson - An Unknown Man (Treasurer’s House, York)

history-of-fashion:

ab. 1750 Manner of Thomas Hudson - An Unknown Man

(Treasurer’s House, York)


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vivelareine:An engraving of the French royal family by an unidentified artist. 18th century. Via Mus

vivelareine:

An engraving of the French royal family by an unidentified artist. 18th century. Via Musée Carnavalet.


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bantarleton:

French regular, Fort Ticonderoga.

history-of-fashion:1701 Pierre Gobert - Portrait of Louis II de Boullogne(Louvre Museum)

history-of-fashion:

1701 Pierre Gobert - Portrait of Louis II de Boullogne

(Louvre Museum)


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