#belgium
My new “Paper Landscapes” series
In some cities, there are still walls entirely intended to receive advertising posters. The accumulation of posters stuck to it and the tears that reveal the images below give rise to strange paper landscapes.
With the implementation of LED advertising screens, advertising posters are called to disappear in the near future and this will be the end of those ephemeral paper landscapes.
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My new “Paper Landscapes” series
In some cities, there are still walls entirely intended to receive advertising posters. The accumulation of posters stuck to it and the tears that reveal the images below give rise to strange paper landscapes.
With the implementation of LED advertising screens, advertising posters are called to disappear in the near future and this will be the end of those ephemeral paper landscapes.
Post link
My new “Paper Landscapes” series
In some cities, there are still walls entirely intended to receive advertising posters. The accumulation of posters stuck to it and the tears that reveal the images below give rise to strange paper landscapes.
With the implementation of LED advertising screens, advertising posters are called to disappear in the near future and this will be the end of those ephemeral paper landscapes.
Post link
My new “Paper Landscapes” series
In some cities, there are still walls entirely intended to receive advertising posters. The accumulation of posters stuck to it and the tears that reveal the images below give rise to strange paper landscapes.
With the implementation of LED advertising screens, advertising posters are called to disappear in the near future and this will be the end of those ephemeral paper landscapes.
Post link
Étude pour «L’offrande» (1891). S.b.d.g. Fernand Khnopff (Belge). Crayon sur papier.
L’Offrande (The Offering) (1891) Pastel, crayon graphite et craie sur papier. 34.9cm x 74.9cm (13 ¾ x 29 ½ in.). The Metropolitan Museum of Art, New York, NY. Bequest of William S. Lieberman, 2005
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