#georgia okeeffe
My aspiration in life would be….to be happy
Nude series, Georgie O’Keeffe / Pretty Hurts, Beyoncé
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The Real Meaning of Georgia O’Keeffe’s Flowers
Georgia O’Keeffe knew flowers better than most. In the 1930s, she wrote of her desire to paint the humble flower enlarged and up-close. “I’ll paint it big, and they will be surprised into taking time to look at it,” she wrote. “I will make even busy New Yorkers take time to see what I see of flowers.”
Busy New Yorkers did take time, but many of them didn’t see what O’Keeffe saw. Since her first gallery show in 1916, critics have hailed her work—especially those close-cropped flora portraits—as an expression of womanhood and, often, the female sex organ. For nearly as long, O’Keeffe, who died in 1986, begged to differ.
“You hung all your own associations with flowers on my flower,” she complained in 1939. “You write about my flower as if I think and see what you think and see of the flower—and I don’t.” Read more.
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Georgia O'Keeffe (1887-1986)
Sun Water Maine, 1922 ~ pastel on paper laid down on board. 19 x 25¼ in. (48.3 x 64.1 cm.)
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March 6, 1986 - Georgia O'Keeffe dies
“Georgia O’Keeffe, the artist who gained worldwide fame for her austere minimalist paintings of the American southwest, dies in Santa Fe at the age of 98.
Born in Sun Prairie, Wisconsin, in 1887, O’Keeffe grew up in Virginia and first studied painting at the Art Institute of Chicago. Initially, she embraced a highly abstracted, urban style of art. She later moved to New York where she thrived within the growing community of abstract expressionists. Beginning in 1912, though, she began spending time in Texas and she became the head of the art department at the West Texas State Normal College in 1916. O’Keeffe’s time in Texas sparked her enduring fascination with the stark and powerful western landscape. She began to paint more representational images that drew on the natural forms of the canyons and plains that surrounded her. O’Keeffe’s paintings of cow skulls and calla lilies gained particular attention and won her an enthusiastic audience.
Her marriage to the New York art dealer and photographer Alfred Stieglitz brought O’Keeffe back to the northeast. For a decade, she divided her time between New York City and the couple’s home in Lake George, New York. In 1919, O’Keeffe made a brief visit to the small New Mexican village of Taos, and she returned for a longer stay in 1929. Attracted to the clear desert light and snow-capped mountains, she began returning to New Mexico every summer to paint. O’Keeffe found a vibrant and supportive community among the artists that had been flocking to Taos and Santa Fe since the 1890s.
After Stieglitz died in 1949, O’Keeffe permanently relocated to Abiquiu, New Mexico. There she continued to produce her hauntingly simple images of the southwestern land she loved. By the time she died in 1986, O’Keeffe was considered one of the preeminent artists of the American West and had inspired legions of imitators.”
This week in History:
March 3, 1931 - “The Star-Spangled Banner” becomes official national anthem
March 4, 1789 - Government under the US Constitution begins
March 5, 1963 - Hula-Hoop patented
March 6, 1820 - Monroe signs the Missouri Compromise
March 7, 1876 - Alexander Graham Bell patents the telephone
March 8, 1950 - VW bus goes into production
March 9, 1959 - Barbie makes her debut
New Mexican Landscape by Georgia O'Keeffe can be found in the online collection of Springfield Museums.
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Georgia O’Keeffe (American, 1887-1986), Untitled (Beauford Delaney), 1943. Charcoal on off-white laid paper.
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