#maison martin margiela

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Maison Martin Margiela June/September 1991 As in the very first show, a white cotton runway was staiMaison Martin Margiela June/September 1991 As in the very first show, a white cotton runway was staiMaison Martin Margiela June/September 1991 As in the very first show, a white cotton runway was staiMaison Martin Margiela June/September 1991 As in the very first show, a white cotton runway was stai

Maison Martin Margiela
June/September 1991

As in the very first show, a white cotton runway was stained with red tabi-boots footprints and cut in order to make t-shirts.


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Maison Martin Margiela A/W 1996 The women’s legs were painted white and tights were pulled over thei

Maison Martin Margiela A/W 1996

The women’s legs were painted white and tights were pulled over their shoes


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Maison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th&helliMaison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th&helliMaison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th&helliMaison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th&helliMaison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th&helli

Maison Martin Margiela x CONVERSE… Price Tag: $200… Release Date: September 20th…

-Everydayisfashionweek-


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FW12 M A I S O N M A R T I N M A R G I E L A via ROLLTHEDRUMS

FW12

M A I S O N

M A R T I N

M A R G I E L A

viaROLLTHEDRUMS


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Maison Martin Margiela: Knee High Tabi Boots (2003)

Maison Martin Margiela spring—summer 1999.HANDCRAFTED PIECES. Raw finished vintage denim waist-coat

Maison Martin Margiela spring—summer 1999.

HANDCRAFTED PIECES. Raw finished vintage denim waist-coat and customized jeans with random patches. T-shirts and shirts printed with their own photographic image. 

Presentation:
6 rue Fèrou, a large abandoned private house at Place St Suplice in the 6th arrondissement of Paris. The official ‘calendar’ of shows, sent to journalists by the French Chambre Syndical of Haute Couture and Prêt a Porter is stamped and used an invitation. The invited public fill the first two floors of the house. All shutters on the windows and curtains are shut to the outside world. Only the existing light bulbs, hanging on a wire from each ceiling, light each room. The sound and conversations of the public on the first floor are broadcast to the public on the ground floor and vice versa. While the public waits for the show to begin, men in white coats, wearing ‘sandwich boards’, walk in procession through the rooms. Poster size photographs of garments from ‘6’ are printed on each sandwich board. Fifteen men wearing garments from ‘10’ follow them. When all twenty-five men leave the space, the lights go out, and the invited public stands in darkness. Forty women wearing the collection begin their procession, one at a time, through each room. As each woman enters a room they are lit by small lights hand-held by a team of fifty-four men spread throughout the house. As they move through the room their light follows them and goes out as they leave the room. Each woman smells of patchouli oil. A soundtrack of heavy rock music plays over the sound system. For the finale all of the forty women and twenty-five men, pass through the crowd.

Collection:
The collection is now made up of groups: 0: Reworked garments for women; 0/10: Reworked garments for men; 1: A collection for women; 6: Garments for girls & women, 10: A wardrobe for men, 13: Publications – objects and 22: Shoes for women. All groups other than ‘1’ carries a label on which the numbers 0 to 23 are printed. In each case the relevant number for that piece is encircled on its label.


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Maison Martin Margiela spring—summer 1999. Presentation: 6 rue Fèrou, a large abandoned private hous

Maison Martin Margiela spring—summer 1999.

Presentation: 
6 rue Fèrou, a large abandoned private house at Place St Suplice in the 6th arrondissement of Paris. The official ‘calendar’ of shows, sent to journalists by the French Chambre Syndical of Haute Couture and Prêt a Porter is stamped and used an invitation. The invited public fill the first two floors of the house. All shutters on the windows and curtains are shut to the outside world. Only the existing light bulbs, hanging on a wire from each ceiling, light each room. The sound and conversations of the public on the first floor are broadcast to the public on the ground floor and vice versa. While the public waits for the show to begin, men in white coats, wearing ‘sandwich boards’, walk in procession through the rooms. Poster size photographs of garments from ‘6’ are printed on each sandwich board. Fifteen men wearing garments from ‘10’ follow them. When all twenty-five men leave the space, the lights go out, and the invited public stands in darkness. Forty women wearing the collection begin their procession, one at a time, through each room. As each woman enters a room they are lit by small lights hand-held by a team of fifty-four men spread throughout the house. As they move through the room their light follows them and goes out as they leave the room. Each woman smells of patchouli oil. A soundtrack of heavy rock music plays over the sound system. For the finale all of the forty women and twenty-five men, pass through the crowd.

Collection:
The collection is now made up of groups: 0: Reworked garments for women; 0/10: Reworked garments for men; 1: A collection for women; 6: Garments for girls & women, 10: A wardrobe for men, 13: Publications – objects and 22: Shoes for women. All groups other than ‘1’ carries a label on which the numbers 0 to 23 are printed. In each case the relevant number for that piece is encircled on its label.


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maison martin margiela spring summer 1990

maison martin margiela spring summer 1990


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mutual reverse margiela tabi, by christine bornfeld, 2010

mutual reverse margiela tabi, by christine bornfeld, 2010


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lacollectionneuse:マルタンマルジェラ ペンキ 足袋 ブーツ38 painted tabi boots (eu 38) • martin margiela59,800 円

lacollectionneuse:

マルタンマルジェラ ペンキ 足袋 ブーツ38

painted tabi boots (eu 38) • martin margiela
59,800 円


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maison martin margiela for le monde selon ses créateurs, exhibition at the galliera museum, septembe

maison martin margiela for le monde selon sescréateurs, exhibition at the galliera museum, september 1991


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maison martin margiela spring summer 1996

maison martin margiela spring summer 1996


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Zuzanna Bijoch in Fade Into You for Dazed & ConfusedZuzanna Bijoch in Fade Into You for Dazed & ConfusedZuzanna Bijoch in Fade Into You for Dazed & ConfusedZuzanna Bijoch in Fade Into You for Dazed & Confused

Zuzanna Bijoch in Fade Into You for Dazed & Confused


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Maison Martin Margiela: SS89 ‘Trompe-L'œil’ Collection Tattoo Mesh Top (1989)

 Maison Margiela Couture Fall 2018 Runway Details

Maison Margiela Couture Fall 2018 Runway Details


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Vanessa Beecroft 2007, Shinsegae, Seoul, Korea Performance di protesta contro i continui scortri tra

Vanessa Beecroft 2007, Shinsegae, Seoul, Korea

Performance di protesta contro i continui scortri tra le due Koree, abiti della Maison Martin Margiela


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