Testimony by MANUEL A. ACEVEDO, California About: Born and raised in Pico Rivera, Manuel A. Acevedo
Testimony by MANUEL A. ACEVEDO, California
About:
Born and raised in Pico Rivera, Manuel A. Acevedo started doodling in junior high school at the age of 13. Back then, he mainly drew celebrities, people in magazines, and cartoon characters. At the age of 17, however, after graduating from high school, Acevedo started to explore the gay community in West Hollywood. “For the first time I started to meet a lot of gay people who were out. This had a big influence on me and it was also during this time that I more openly explored my own sexuality.”
Coming out at such a young age wasn’t easy, especially in a Latino, catcholic family. Like many queer youth, Manuel was initially alienated and disowned by his parents because of his sexual orientation. Forced to leave home, he wandered from friend’s house to friend’s house, until he eventually moved to San Diego. It wasn’t until a few years later that he returned to Los Angeles, where his family came to terms with accepting him and he was able to reunite with them.
It was at the Academy of Arts at the University of San Francisco that Acevedo began to draw the male body and in particular gay portraits. “I wanted more of a personal connection to my art work, something that was a part of me. I wanted to draw people who were like me and who weren’t ashamed to show their sexuality. It’s something that can and should be shown in art. Growing up I always had to repress that.”
Since completing the Academy of Arts, Acevedo has been steadily developing his portfolio. His ink-scratching masterpieces are distinctive, bringing into the limelight images of hard-looking homeboys locked in passionate kisses, gay eroticism, and the male body as sexual-political-visual poetry. Acevedo, however, sees his work differently. “My work, I don’t necessarily see it as sexual or sensual. I see it as proud portraiture. Iconography—creating icons of portraits. It’s kind of like when you go to church and see the Virgin Mary. She’s an icon. My work isn’t religious though. It’s representative of my friends and the people in my life. But I guess there’s a type of worshipping, an appreciation of them.”
excerpt from La Bloga, 2/20/11
