#art installation

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Another Generosity / 2018 Lundén Architecture Company

Another Generosity / 2018

Lundén Architecture Company


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Another Generosity / 2018 Lundén Architecture Company

Another Generosity / 2018

Lundén Architecture Company


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Kramlich Residence and Collection Herzog & de Meuron

Kramlich Residence and Collection

Herzog & de Meuron


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AURA / Zaha Hadid Architects / 2008 Installation celebrating the 500th Anniversary of Palladio’s bir

AURA / Zaha Hadid Architects / 2008

Installation celebrating the 500th Anniversary of Palladio’s birth

Villa Foscari La Malcontenta

Design: Zaha Hadid and Patrik Schumacher


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Foam installation / Kohei Nawa

Foam installation / Kohei Nawa


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Gentle Monster / Frederik Heyman

Gentle Monster / Frederik Heyman


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GAGA Frederik Heyman

GAGA

Frederik Heyman


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Lawrence Malstaf / Shrink / Vacuum Art Installation

Lawrence Malstaf / Shrink / Vacuum Art Installation


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Iris van Herpen / Fall 2014 / RTW Lawrence Malstaf / Shrink / Vacuum Art Installation

Iris van Herpen / Fall 2014 / RTW

Lawrence Malstaf / Shrink / Vacuum Art Installation


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Repouso / Laura Gorski / 2016

Repouso / Laura Gorski / 2016


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A Flor de Piel -  Doris Salcedo“To create A Flor de Piel, Doris Salcedo sutured together hundreds of

A Flor de Piel -  Doris Salcedo

“To create A Flor de Piel, Doris Salcedo sutured together hundreds of rose petals into a delicate shroud that undulates softly on the floor. Suspended in a state of transformation, the petals linger between life and death and are so vulnerable that they tear if touched. For Salcedo, fragility becomes the essence of the work as she sought to create an ‘image that is immaterial.’ The title is a Spanish idiomatic expression used to describe an overt display of emotions. While that meaning is lost when literally translated, the phrase a flor de piel links flowers and skin, suggesting a sensation so overwhelming that it is expressed physically through a coloring of the body’s surface.”

(source)

“A Flor de Piel looks more like flayed skin than rose petals. The piece is a large-scale blanket of what must amount to many, many thousands of petals and stitches which the press release describes – much better than I can – as ‘a shroud composed of sutured rose petals’. That word sutured seems apt. There is a sense of the bodily in its skin-like appearance and also a feeling of a surgical mending rather than a more domestic sewing together (though of course the two essentially amount to the same act).

“A blanket of rose petals sounds beautiful and gentle. Though this is undeniably beautiful, it’s a brutal beauty. The petals are stitched together but this is an unhealable wound. The feeling is more of torture than romance.”

(source)


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Lighting the Shadows - Hossein Valamanesh

Valamanesh also plays with light in Lighting the Shadows; a table with holes drilled into it in the shape of the artist’s body sits over a Persian rug. In the darkened space, light falls from the tabletop to create a radiantly beautiful pattern beneath – the self becomes glorious in this work, activated to something magnificent and beautiful through the process of illumination.

(Source)

Vale Hossein Valamanesh.

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