#but i seriously loved this joke so i had to do it

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lilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that enlilrabbitssong: omega-bellum:scaliefox:toytowns: holy fuck I can’t believe someone wrote that en

lilrabbitssong:

omega-bellum:

scaliefox:

toytowns:

holy fuck

I can’t believe someone wrote that entire setup and drew this entire comic just to make that visual pun.

It deserves a place in the pun hall of fame.

@dangerbooze

@pileofsith

[Alt text: The figure presents a comic with 9 panels. In the comic, a red-faced, hard-scrabble old farmer with gnarled hands speaks to an unseen protagonist; speech bubbles appear above the images in every panel. Panel 1:  “All right you transient cowpoke scum…” Image is the farmer. Panel 2: “Wages are $40 a week.” Image is a close-up on the farmer. Panel 3: “Room and board included.” Image is similar to panel 2. Panel 4: “No dickin around. No slackin off. No Tom Foolery, ya hear?” Image is a pull-away shot revealing the farmhouse and wind turbine.  Panel 5: “There will be no interaction of any kind with any of my daughters. Y’understan?” Image pulls back to the farmer. Panel 6: “If I should find out that any of my girls have been exposed to any of your course deviant sexual behavior, I will kill you.” Image is an extreme close-up of the farmer’s increasingly reddening face and hands so gnarled as to almost be tentacles. Panel 7: “I don’t want you anywhere near my,” then in bold, “Ellie May.” The image presents a sexually mature woman holding a pail of fresh milk and wearing overalls that reveal ample cleavage and cut off at the top of the legs. Panel 8: “No where near my,” then in bold large print, “Suzie May.” The image presents a different sexually mature woman, facing away from the viewer, also in cut-off overalls, which hug tightly around her very large, round butt, and standing beside a rooster. Panel 9: “Not a single word to my girl,” then in bold large print, Anna May.” The image presents a sexually mature woman with pink hair, cat ears, large eyes, orange skin, perfunctory wings, and an elaborate, skimpy outfit, holding an over-sized sword.]


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