#cmaprints
African on Horseback, Eugène Delacroix, 1823,Cleveland Museum of Art: Prints
Size: Sheet: 25.5 x 29.1 cm (10 1/16 x 11 7/16 in.); Image: 16.4 x 21.1 cm (6 7/16 x 8 5/16 in.)
Medium: lithograph
https://clevelandart.org/art/1979.98
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Tigre couché à l'entrée de son antre, Eugène Delacroix,Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1961.136
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Hamlet: The Queen Endeavors to Console Hamlet, Eugène Delacroix, 1834,Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1941.215.1
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Illustrations for Faust: Faust in the prison of Marguerite, Eugène Delacroix, 1828,Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1933.145.18
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The Young Christ Teaching in the Temple, Luca Giordano, c. 1653,Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1989.44
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View from Saardam, Armand Guillaumin, 1909,Cleveland Museum of Art: Prints
Medium: color etching
https://clevelandart.org/art/1992.45
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Bullfights: Another Madness of his in the Same Ring, Francisco de Goya, 1876,Cleveland Museum of Art: Prints
Medium: engraving
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Le Paradis et la Péri, Henri Fantin-Latour,Cleveland Museum of Art: Prints
Medium: lithograph
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Louis XIV, Robert Nanteuil, 1664,Cleveland Museum of Art: Prints
Medium: engraving
https://clevelandart.org/art/1989.240
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Suite of Vases: Plate 13, Jacques François Saly, 1746,Cleveland Museum of Art: Prints
Designing ornamental vases or urns was particularly popular during the mid-18th century since the only limit to the possibilities was the imagination of the artist. Saly, a sculptor by training, was a student at the French Academy in Rome from 1740 to 1746, at which time he published a set of 30 etchings. Saly began with basic antique vase forms but deviated from classical ornament to use a rich variety of fantastic creatures for embellishment.
Medium: etching
https://clevelandart.org/art/1996.229.14
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Peasant with his hand in his cloak, Adriaen van Ostade,Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1924.662
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Lender and Auguez in “The Song of Fortune”, Henri de Toulouse-Lautrec, 1895,Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1925.436
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Une loge de carrier, Auguste Louis Lepère,Cleveland Museum of Art: Prints
Medium: wood engraving
https://clevelandart.org/art/1921.1389
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Woman Standing, François Boucher,Cleveland Museum of Art: Prints
One of the most lavish tributes paid to the memory of Jean-Antoine Watteau (1684-1721) was the publication of four volumes of more than 600 prints (1726-35) after all the paintings and drawings known by the master. Boucher was one of the printmakers who worked on the project, which enabled him to study Watteau’s draftsmanship, one of the most significant lessons of his early career.
Size: Platemark: 32.3 x 21.6 cm (12 11/16 x 8 ½ in.)
Medium: etching
https://clevelandart.org/art/1927.314
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Arthur Wellesley, Duke of Wellington, George Baxter, 1854,Cleveland Museum of Art: Prints
Size: Platemark: 11.5 x 8.4 cm (4 ½ x 3 5/16 in.)
Medium: Baxter process
https://clevelandart.org/art/1935.298
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The Horrors of War: It’s No Use Crying Out, Francisco de Goya,Cleveland Museum of Art: Prints
Medium: etching
https://clevelandart.org/art/1922.574
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Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49, Antoine Maxime Monsaldy,Cleveland Museum of Art: Prints
Size: Sheet: 54.3 x 71.6 cm (21 3/8 x 28 3/16 in.); Platemark: 37.8 x 50.8 cm (14 7/8 x 20 in.)
Medium: etching, hand-colored
https://clevelandart.org/art/2008.199
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The River Bank or Geese, Alfred Sisley, 1897,Cleveland Museum of Art: Prints
Medium: lithograph
https://clevelandart.org/art/1942.1053
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Parisian Service (Haviland service): The Fight (no. 2), Félix Bracquemond, 1875,Cleveland Museum of Art: Prints
Size: Sheet: 31 x 45.4 cm (12 3/16 x 17 7/8 in.); Platemark: 25 x 25 cm (9 13/16 x 9 13/16 in.)
Medium: etching
https://clevelandart.org/art/1922.412.2
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