#franchot tone

LIVE
twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“twilightzonecloseup:2.25 The SilenceDirector: Boris SagalDirector of Photography: George T. Clemens“

twilightzonecloseup:

2.25 The Silence

Director: Boris Sagal

Director of Photography: George T. Clemens

“A rather monumental occasion isn’t it, Archie? 12 months ago, to the moment you destroyed yourself. Much as I told you you would.“

Bonus Franchot face because you all deserve it:


Post link
Franchot Tone and Miriam Hopkins in The Stranger’s Return (1933).

Franchot Tone and Miriam Hopkins in The Stranger’s Return(1933).


Post link
loading