#goneril

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nattie-k:Ian McKellen as King Lear, Chichester, 2017 I saw this! I saw this! McKellen was great (of nattie-k:Ian McKellen as King Lear, Chichester, 2017 I saw this! I saw this! McKellen was great (of nattie-k:Ian McKellen as King Lear, Chichester, 2017 I saw this! I saw this! McKellen was great (of

nattie-k:

Ian McKellen as King Lear, Chichester, 2017

I saw this! I saw this! McKellen was great (of course) - from the first scene you could see he was the edge of losing his shit. At times doddery and vulnerable but then there would be moments of utter poise and strength, before switching to terrifying and vicious.

Cordelia was Tamara Lawrance (who recently played an excellent Viola in the National’s Twelfth Night) and she was brilliantly natural but forceful and a believeable leader of the French army.

The elder sisters were wooooonderful, too - as different as an apple to a crab - but equally capable of holding the stage. An unusually sympathetic Goneril, and a giggly and slightly intoxicated Regan. 

Gloucester was just lovely (I spent ages trying to work out where I knew him from until I yelled out ALIEN 3 as we were getting drinks in the interval), and the post-blinding scenes were heartwrenching.

Edmund was devilishly charming, while Edmund was suitably earnest, and gradually fell to pieces seeing his dad so abused. 

Set design was FABULOUSLY simplistic, based around a circular stage (the great thing about the Minerva is you have a great view wherever you sit) with REAL RAIN for the storm scene, and a gigantic portrait of Lear to open the play (see pic above). 

But the best thing about it? Seriously. The fight choreography. It was orchestrated by Kate Waters and fuck me it was good. Like - they’re actually going to kill each other during the final duel kind of good. Edgar fought with a staff and he was full on slamming that thing down just inches from Edmund’s head. And the various stabbings and scuffles didn’t have that ‘stage fighty’ vibe to them - they were scrappy and up close and visceral. Literally the first thing we said to each other as we left the theatre was ‘oh my god the fight choreography’ - I mean, how often does that happen? 

Chichester is good for Lear. I saw Frank Langella there a few years ago and it was similarly stunning. Highly recommend if you can make it. 


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When you’re loyal to your house and family but also in love with the enemy.

Needed a character to express my house loyalty and crush on Edelgard

Holst’s character design is by onegingek (twitter)

Henrikbefore the war,before the war p2after the war

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Henrik. Before the war.

Before the war (p2)During the WarAfter the War

I know I’m late, but despite being a long time fire emblem fan, I only got a switch recently so here’s an oc for three houses He’s Hilda and Holst’s brother.

Proficiency in Swords and Reason. Hidden talent in Authority. (Yes, I know mortal Savant is a crap class and that Hero is nerfed in this game, but Hero has always been one of my favourite classes in fire emblem and it just makes sense personality-wise for him to also be good with reason)

If Hilda doesn’t want to try bec of how awesome Holst is (he’s so freaking cool) and she is avoiding expectations, Henrik decided to deal with their amazing brother’s reputation affecting them by creating different expectations for himself by pursuing different things. (Swords instead of axes, a diplomatic approach instead of being a general. Too bad a war breaks out). Henrik really believes in Claude’s vision because he wants the battles at Fodlan’s locket to end so that Holst doesn’t have to fight all the time. He is close with his sister and is very good friends with Claude (and definitely wants him as a brother-in-law )

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