#happy mondays

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SUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dirSUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLEMichael Winterbottom can’t really be pinned down, he’s dir

SUBLIME CINEMA #602 - 24 HOUR PARTY PEOPLE

Michael Winterbottom can’t really be pinned down, he’s directed good and bad movies, but some are really distinctive. I love his collaborations with Steve Coogan, including this great Manchester music film and Tristram Shandy. 

Plus Robby Muller shot this movie, so it’s full of smeared neon and beautiful color. 


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