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March 3, 1887 - Helen Keller meets Anne Sullivan, her teacher and “miracle worker”“On March 3,

March 3, 1887 - Helen Keller meets Anne Sullivan, her teacher and “miracle worker”

“On March 3, 1887, Anne Sullivan begins teaching six-year-old Helen Keller, who lost her sight and hearing after a severe illness at the age of 19 months. Under Sullivan’s tutelage, including her pioneering “touch teaching” techniques, the previously uncontrollable Keller flourished, eventually graduating from college and becoming an international lecturer and activist. Sullivan, later dubbed “the miracle worker,” remained Keller’s interpreter and constant companion until the older woman’s death in 1936.

Sullivan, born in Massachusetts in 1866, had firsthand experience with being handicapped: As a child, an infection impaired her vision. She then attended the Perkins Institution for the Blind where she learned the manual alphabet in order to communicate with a classmate who was deaf and blind. Eventually, Sullivan had several operations that improved her weakened eyesight.

Helen Adams Keller was born on June 27, 1880, to Arthur Keller, a former Confederate army officer and newspaper publisher, and his wife Kate, of Tuscumbia, Alabama. As a baby, a brief illness, possibly scarlet fever or a form of bacterial meningitis, left Helen unable to see, hear or speak. She was considered a bright but spoiled and strong-willed child. Her parents eventually sought the advice of Alexander Graham Bell, the inventor of the telephone and an authority on the deaf. He suggested the Kellers contact the Perkins Institution, which in turn recommended Anne Sullivan as a teacher.

Sullivan, age 20, arrived at Ivy Green, the Keller family estate, in 1887 and began working to socialize her wild, stubborn student and teach her by spelling out words in Keller’s hand. Initially, the finger spelling meant nothing to Keller. However, a breakthrough occurred one day when Sullivan held one of Keller’s hands under water from a pump and spelled out “w-a-t-e-r” in Keller’s palm. Keller went on to learn how to read, write and speak. With Sullivan’s assistance, Keller attended Radcliffe College and graduated with honors in 1904.

Helen Keller became a public speaker and author; her first book, “The Story of My Life” was published in 1902. She was also a fundraiser for the American Foundation for the Blind and an advocate for racial and sexual equality, as well as socialism. From 1920 to 1924, Sullivan and Keller even formed a vaudeville act to educate the public and earn money. Helen Keller died on June 1, 1968, at her home in Easton, Connecticut, at age 87, leaving her mark on the world by helping to alter perceptions about the disabled.”

- History.com

This week in History:
February 28, 1861 - Congress creates Colorado Territory
March 1, 1961  - President Kennedy establishes the Peace Corps
March 2, 1836  - Texas declares independence
March 3, 1875  - First indoor game of ice hockey
March 4, 1918 - First cases reported in deadly Spanish Flu pandemic
March 5, 1963 - Hula Hoop patented
March 6, 1820 President Monroe signs the Missouri Compromise

Thisphotograph of Anne Sullivan Macy and Hellen Keller can be found in the online collection of the O. Winston Link Museum/History Museum of Western Virginia.


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January 4, 1965 - L.B.J. envisions a Great Society in his State of the Union address“On Januar

January 4, 1965 - L.B.J. envisions a Great Society in his State of the Union address

“On January 4, 1965, in his State of the Union address, President Lyndon Baines Johnson lays out for Congress a laundry list of legislation needed to achieve his plan for a Great Society. On the heels of John F. Kennedy’s tragic death, Americans had elected Johnson, his vice president, to the presidency by the largest popular vote in the nation’s history. Johnson used this mandate to push for improvements he believed would better Americans’ quality of life.

Following Johnson’s lead, Congress enacted sweeping legislation in the areas of civil rights, health care, education and the environment. The 1965 State of the Union address heralded the creation of Medicare/Medicaid, Head Start, the Voting Rights Act, the Civil Rights Act, the Department of Housing and Urban Development and the White House Conference on Natural Beauty. Johnson also signed the National Foundation of the Arts and Humanities Act, out of which emerged the National Endowment for the Arts and the National Endowment for the Humanities. Through the Economic Opportunity Act, Johnson fought a War on Poverty by implementing improvements in early childhood education and fair employment policies. He was also a strong advocate for conservation, proposing the creation of a green legacy through preserving natural areas, open spaces and shorelines and building more urban parks. In addition, Johnson stepped up research and legislation regarding air- and water-pollution control measures.

Under Kennedy, then-Vice President Johnson led the government’s quest to develop American excellence in the sciences. As president, the ongoing technology race with the Soviet Union spurred Johnson to continue the vigorous national program of space exploration begun by Kennedy. During Johnson’s presidency, the National Air and Space Administration (NASA) achieved the extraordinary and unprecedented accomplishment of orbiting a man around the moon.

Though many of Johnson’s programs remain in place today, his legacy of a Great Society has been largely overshadowed by his decision to involve greater numbers of American soldiers in the controversial Vietnam War.”

- History.com

Other events in history this week:

January 3, 1959  - Alaska becomes 49th state
January 4, 1896  - Utah enters the Union
January 5, 1933  - Golden Gate Bridge is born
January 6, 1938 - Samuel Morse demonstrates the telegraph
January 7, 1789  - First United States presidential election
January 8, 1815 - The Battle of New Orleans
January 9, 1768 - First modern circus is staged

Thispolitical poster for Lyndon B. Johnson can be found in the online collection of the Kentucky Historical Society. 


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October 7, 1913 Moving assembly line debuts at Ford factory“For the first time, Henry Ford’s e

October 7, 1913 Moving assembly line debuts at Ford factory

“For the first time, Henry Ford’s entire Highland Park, Michigan automobile factory is run on a continuously moving assembly line when the chassis–the automobile’s frame–is assembled using the revolutionary industrial technique. A motor and rope pulled the chassis past workers and parts on the factory floor, cutting the man-hours required to complete one “Model T” from 12-½ hours to six. Within a year, further assembly line improvements reduced the time required to 93 man-minutes. The staggering increase in productivity effected by Ford’s use of the moving assembly line allowed him to drastically reduce the cost of the Model T, thereby accomplishing his dream of making the car affordable to ordinary consumers.

In introducing the Model T in October 1908, Henry Ford proclaimed, “I will build a motor car for the great multitude.” Before then, the decade-old automobile industry generally marketed its vehicles to only the richest Americans, because of the high cost of producing the machines. Ford’s Model T was the first automobile designed to serve the needs of middle-class citizens: It was durable, economical, and easy to operate and maintain. Still, with a debut price of $850, the Model T was out of the reach of most Americans. The Ford Motor Company understood that to lower unit cost it had to increase productivity. The method by which this was accomplished transformed industry forever.

Prototypes of the assembly line can be traced back to ancient times, but the immediate precursor of Ford’s industrial technique was 19th-century meat-packing plants in Chicago and Cincinnati, where cows and hogs were slaughtered, dressed, and packed using overhead trolleys that took the meat from worker to worker. Inspired by the meat packers, the Ford Motor Company innovated new assembly line techniques and in early 1913 installed its first moving assembly line at Highland Park for the manufacture of flywheel magnetos. Instead of each worker assembling his own magneto, the assembly was divided into 29 operations performed by 29 men spaced along a moving belt. Average assembly time dropped from 20 minutes to 13 minutes and soon was down to five minutes.

With the success of the magneto experiment, Ford engineers put the Model T motor and then the transmission on moving assembly lines. On October 7, 1913, the chassis also went on the moving assembly line, so that all the major components of the Model T were being assembled using this technique. Ford rapidly improved its assembly lines, and by 1916 the price of the Model T had fallen to $360 and sales were more than triple their 1912 level. Eventually, the company produced one Model T every 24 seconds, and the price fell below $300. More than 15 million Model T’s were built before it was discontinued in 1927, accounting for nearly half of all automobiles sold in the world to that date. The affordable Model T changed the landscape of America, hastening the move from rural to city life, and the moving assembly line spurred a new industrial revolution in factories around the world.”

-History.com

This week in History:

October 4, 1957  - Sputnik launched
October 5, 1947  - Truman delivers first presidential speech on TV
October 6, 1926  - Babe Ruth sets World Series record
October 7, 1780  - Battle of King’s Mountain
October 8, 1871  - Great Chicago Fire begins
October 9, 1936 - Hoover Dam begins transmitting electricity to Los Angeles
October 10, 1845 - US Naval Academy opens

Thispostcard showing an Assembly Line of the Ford Motor Company in the 1920s can be found in the online collection of the Detroit Historical Society.


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Feb 5, 1919 - United Artists created“By 1919, Charlie Chaplin, Mary Pickford, Douglas Fairbank

Feb 5, 1919 - United Artists created

“By 1919, Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith were all heavyweights in the rapidly growing motion-picture industry. Chaplin was a British actor and former vaudeville performer whose “Little Tramp” persona had made him one of the biggest stars of silent film. Pickford, silent film’s favorite ingenue, and Fairbanks, her leading man on-screen and off, were equally familiar to American audiences, and Griffith’s controversial feature Birth of a Nation (1915) had become Hollywood’s first blockbuster, establishing the director as a pioneer in filmmaking techniques. All four, however, were seeking to gain more financial and artistic control over producing and distributing their films. On February 5, 1919, they joined forces to create their own film studio, which they called the United Artists Corporation.

United Artists quickly gained prestige in Hollywood, thanks to the success of the films of its stars, notably Chaplin’s The Gold Rush (1925), as well as the work of actors such as Buster Keaton, Rudolph Valentino and Gloria Swanson. Chaplin directed UA films as well as acted in them, and Pickford concentrated on producing after she retired from acting in the 1930s. With the rise of sound during that decade, UA was helped by the talents (and bankrolls) of veteran producers like Joseph Schenck, Samuel Goldwyn, Howard Hughes and Alexander Korda. The corporation began to struggle financially in the 1940s, however, and in 1951 the production studio was sold and UA became only a financing and distributing facility.

By the mid-1950s, all of the original partners had sold their shares of the company, but UA had begun to thrive again, releasing such films as The African Queen (1951), High Noon (1952), Witness for the Prosecution (1957), Some Like It Hot (1959), The Apartment and The Magnificent Seven (both 1960) and West Side Story (1961). In addition, the company was responsible for the James Bond and Pink Panther film franchises. UA went public in 1957 and became a subsidiary of the TransAmerica Corporation a decade later.

UA films garnered a slew of Best Picture Academy Awards over the course of the 1970s, for Midnight Cowboy (1969), One Flew Over the Cuckoo’s Nest (1975), Rocky (1976) and Annie Hall (1977). Soon after that, however, five top executives left the company in a disagreement and formed the Warner Brothers-backed Orion Pictures. UA sustained an even more devastating blow in 1980, when it released the big-budget flop Heaven’s Gate, directed by Michael Cimino. Two years in the making and way over budget, the film earned less than $4 million at the U.S. box office. After that debacle, UA struggled throughout the 1980s. In 1981, MGM bought the company, merging with it in 1983 to become MGM/UA Entertainment. In a highlight of those relatively dark years, UA did release another Best Picture winner, Rain Man, in 1988.

In 1992, the French bank Credit Lyonnais acquired the corporation and changed its name back to Metro-Goldwyn-Mayer Inc., abandoning the United Artists name altogether. The James Bond and Pink Panther franchises were revived, with varying degrees of success. MGM changed hands and was reorganized repeatedly over the next decade and a half, during which UA was repositioned as a boutique producer of smaller, so-called “art house” films such as Bowling for Columbine (2002), Hotel Rwanda (2005) and Capote (2006). In November of 2006, MGM gave the actor/producer Tom Cruise (star of Rain Man) and his production partner, Paula Wagner, control over the United Artists production slate, announcing the decision as a “reintroduction” of the UA brand in the spirit of its founders. Cruise and Wagner, whose former deal with Paramount Pictures ended amid reported acrimony earlier in 2006, released their first co-production with UA, Lions for Lambs, in 2007.”

- History.com

This week in History:
Feb 2, 1887: First Groundhog Day
Feb 3, 1944: U.S. Troops capture the Marshall Islands
Feb 4, 1913: Rosa Parks is borm
Feb 5, 1917: Immigration Act passed over Wilson’s veto
Feb 6, 1952: Elizabeth II becomes queen
Feb 7, 1964: The Beatles arrive in New York
Feb 8, 1862: Battle of Roanoke Island

This negative of the United Artists Theater in Chicago can be found in the online collection of the Theatre Historical Society of America


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