#jacobjordaens

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jacob-jordaens: The veneration of the Eucharist, 1635, Jacob JordaensMedium: oil,canvas

jacob-jordaens:

The veneration of the Eucharist, 1635,Jacob Jordaens


Medium: oil,canvas

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jacob-jordaens: Bust of Satyr, 1621, Jacob JordaensMedium: oil,panel

jacob-jordaens:

Bust of Satyr, 1621,Jacob Jordaens


Medium: oil,panel

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jacob-jordaens: The veneration of the Eucharist, 1635, Jacob JordaensMedium: oil,canvas

jacob-jordaens:

The veneration of the Eucharist, 1635,Jacob Jordaens


Medium: oil,canvas

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jacob-jordaens: Five studies of cows, 1624, Jacob JordaensMedium: oil,canvas

jacob-jordaens:

Five studies of cows, 1624,Jacob Jordaens


Medium: oil,canvas

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jacob-jordaens: Adoration of the Shepherds, 1616, Jacob Jordaens

jacob-jordaens:

Adoration of the Shepherds, 1616,Jacob Jordaens


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jacob-jordaens: The Bean King, 1645, Jacob JordaensMedium: oil,canvas

jacob-jordaens:

The Bean King, 1645,Jacob Jordaens


Medium: oil,canvas

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jacob-jordaens: Suffer the Little Children to Come Unto Me, 1616, Jacob JordaensMedium: oil,panel

jacob-jordaens:

Suffer the Little Children to Come Unto Me, 1616,Jacob Jordaens


Medium: oil,panel

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The Assumption of the Virgin, 1650, Jacob JordaensMedium: oil,canvas

The Assumption of the Virgin, 1650,Jacob Jordaens


Medium: oil,canvas
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Study of a Figure in Priest’s Robes, Jacob Jordaens, c. 1650, Minneapolis Institute of Art: Pr

Study of a Figure in Priest’s Robes, Jacob Jordaens, c. 1650,Minneapolis Institute of Art: Prints and Drawings


red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side Jacob Jordaens was the leading painter in Antwerp in the generation after Rubens. He was greatly influenced by the elder artist and occasionally worked for him. Though he is now best known for his droll genre pictures, he also painted religious, historical, mythological, and allegorical works. His prolific draftsmanship is represented by some 450 drawings plausibly attributed to him today. Like Rubens, he worked with a decisive hand, and scholars have had some difficulty assigning some drawing with certainty to one or the other. Jordaens’ work is characterized by clear contours and insistent hatching. He often mixed media in his drawings. The use of black and red chalk, oiled charcoal, gray wash, and white heightening seen in the present drapery study is elaborate but not exceptional. The combination of red and black chalk is a hallmark of his workaday drawings. The crisp, luminous effect produced by the brush work in gray and white typifies the close attention that he gave to lighting in preparing his compositions. Though the present study has not been connected with a finshed painting, it clearly represents a priest raising his hand in a gesture of blessing.
Size: 14 15/16 x 10 1/16 in. (37.94 x 25.56 cm) (approx.) 20 ½ x 24 15/16 in. (52.07 x 63.34 cm) (mat)
Medium: Black and red chalk, oiled charcoal, grey wash, heightened with white

https://collections.artsmia.org/art/112696/


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Satyr and Peasant, 1620, Jacob JordaensMedium: oil,canvas

Satyr and Peasant, 1620,Jacob Jordaens


Medium: oil,canvas
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Psyche hosted on Olympus, 1652, Jacob JordaensMedium: oil,canvas

Psyche hosted on Olympus, 1652,Jacob Jordaens


Medium: oil,canvas
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Meleager and Atalanta, 1618, Jacob JordaensMedium: oil,canvas

Meleager and Atalanta, 1618,Jacob Jordaens


Medium: oil,canvas
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The Holy Family with characters and animals in a boat, 1652, Jacob JordaensMedium: oil,canvas

The Holy Family with characters and animals in a boat, 1652,Jacob Jordaens


Medium: oil,canvas
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Job, 1620, Jacob JordaensMedium: oil,panel

Job, 1620,Jacob Jordaens


Medium: oil,panel
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Two studies of the head of Abraham Grapheus, 1621, Jacob JordaensMedium: oil,paper

Two studies of the head of Abraham Grapheus, 1621,Jacob Jordaens


Medium: oil,paper
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Self-Portrait, 1616, Jacob JordaensMedium: oil,canvas

Self-Portrait, 1616,Jacob Jordaens


Medium: oil,canvas
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