#joséclementeorozco
Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident), 1931,José Clemente Orozco
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Zapatista’s Marching, 1931,José Clemente Orozco
Medium: oil,canvashttps://www.wikiart.org/en/jose-clemente-orozco/zapatista-s-marching-1931
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Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident), 1931,José Clemente Orozco
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The Requiem (El Requiem), José Clemente Orozco, 1928,MoMA: Drawings and Prints
Gift of Abby Aldrich Rockefeller
Size: composition: 11 15/16 x 16" (30.4 x 40.6 cm); sheet: 14 3/16 x 19 3/16" (36 x 48.8 cm)
Medium: Lithograph
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Ceiling mural of Hospicio Cabanas, 1939,José Clemente Orozco
Medium: frescohttps://www.wikiart.org/en/jose-clemente-orozco/ceiling-mural-of-hospicio-cabanas-1939
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Zapatista’s Marching, 1931,José Clemente Orozco
Medium: oil,canvashttps://www.wikiart.org/en/jose-clemente-orozco/zapatista-s-marching-1931
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Panel 21. Modern Industrial Man 1 - The Epic of American Civilization, 1934,José Clemente Orozco
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The Masses, José Clemente Orozco, 1935,MoMA: Drawings and Prints
Inter-American Fund
Size: composition (irreg.): 13 7/16 × 16 15/16" (34.1 × 43.1 cm); sheet: 16 15/16 × 20 7/8" (43 × 53.1 cm)
Medium: Lithograph
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La Bandera, José Clemente Orozco, 1928,Minneapolis Institute of Art: Prints and Drawings
Orozco published this print as part of a series, “Mexico in Revolution” to supplement his income while living in New York. This series was originally entitled “Horrores de la Revolución” (Horrors of the Revolution). However, he chose to rename the suite and select less violent images for his New York audience. La Bandera (The Flag) illustrates Orozco’s contempt for war. Instead of romanticizing the Mexican Revolution’s glorious moments, he dwells on its devastating emotional and psychological impact. Orozco’s Mexico is not a triumphant, unified nation; rather it is a land of people struggling to survive in the shadow of violence and oppression. In both prints, Orozco depicts anonymous, timeless figures burdened by crippling grief. His roughly sketched lines and heavy shading reinforce the universal feelings of isolation and agony. While his subject is the Mexican Revolution, Orozco’s depictions of human suffering transcend national, political, and temporal boundaries.
Size: 10 ¼ x 16 ¾ in. (26.04 x 42.55 cm) (image) 12 ½ x 18 ½ in. (31.75 x 46.99 cm) (sheet) 19 x 23 x 1 ½ in. (48.26 x 58.42 x 3.81 cm) (outer frame)
Medium: Lithograph
https://collections.artsmia.org/art/42002/
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Proletarians, José Clemente Orozco, 1935,MoMA: Drawings and Prints
Gift of Mr. and Mrs. Sidney Elliot Cohn
Size: composition: 12 3/8 x 16 ½" (31.5 x 41.9 cm); sheet: 15 ¾ x 22 5/8" (40 x 57.5 cm)
Medium: Lithograph
http://www.moma.org/collection/works/61631
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The Maguey, José Clemente Orozco, 1929,MoMA: Drawings and Prints
Gift of Abby Aldrich Rockefeller
Size: composition: 9 7/8 × 16" (25.1 × 40.6 cm); sheet: 12 × 18 7/16" (30.5 × 46.9 cm)
Medium: Lithograph
http://www.moma.org/collection/works/77126
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Study for Dive Bomber and Tank, José Clemente Orozco, 1940,MoMA: Drawings and Prints
Latin American and Caribbean Fund through gift of Mr. and Mrs. David Rockefeller and of Agnes Gund; and Richard S. Zeisler Bequest (by exchange)
Size: 13 x 22" (33 x 55.9 cm)
Medium: Pencil on paper
http://www.moma.org/collection/works/114836
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Hands (Manos), José Clemente Orozco, 1930,MoMA: Drawings and Prints
Inter-American Fund
Size: composition: 16 13/16 x 9" (42.7 x 22.8 cm); sheet: 22 7/16 x 15 7/8" (57 x 40.4 cm)
Medium: Lithograph
http://www.moma.org/collection/works/62818
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The Flag (La Bandera), José Clemente Orozco, 1928,MoMA: Drawings and Prints
Gift of Mrs. Henry Allen Moe, in memory of Dr. Henry Allen Moe
Size: composition (irreg.): 10 ½ × 16 7/8" (26.6 × 42.9 cm); sheet (irreg.): 12 ¼ × 18 ¾" (31.1 × 47.7 cm)
Medium: Lithograph
http://www.moma.org/collection/works/72244
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The Masses, José Clemente Orozco, 1935,MoMA: Drawings and Prints
Inter-American Fund
Size: composition (irreg.): 13 7/16 × 16 15/16" (34.1 × 43.1 cm); sheet: 16 15/16 × 20 7/8" (43 × 53.1 cm)
Medium: Lithograph
http://www.moma.org/collection/works/61486
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Study for Dive Bomber and Tank, José Clemente Orozco, 1940,MoMA: Drawings and Prints
Latin American and Caribbean Fund through gift of Mr. and Mrs. David Rockefeller and of Agnes Gund; and Richard S. Zeisler Bequest (by exchange)
Size: 13 5/8 x 22" (34.6 x 55.9 cm)
Medium: Watercolor and pencil on paper
http://www.moma.org/collection/works/114841
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Study for Dive Bomber and Tank, José Clemente Orozco, 1940,MoMA: Drawings and Prints
Latin American and Caribbean Fund through gift of Mr. and Mrs. David Rockefeller and of Agnes Gund; and Richard S. Zeisler Bequest (by exchange)
Size: 13 3/8 x 22" (34 x 55.9 cm)
Medium: Ink on paper
http://www.moma.org/collection/works/114837
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Rear Guard, José Clemente Orozco, 1929,Brooklyn Museum: Arts of the Americas
Size: image: 13 ¾ x 18 ½ in. (34.9 x 47 cm)
Medium: Lithograph on paper
https://www.brooklynmuseum.org/opencollection/objects/75125
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The Rich People (detail), 1924,José Clemente Orozco
Medium: fresco
https://www.wikiart.org/en/jose-clemente-orozco/the-rich-people-detail-1924-1
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Zapatista’s Marching, 1931,José Clemente Orozco
Medium: oil,canvashttps://www.wikiart.org/en/jose-clemente-orozco/zapatista-s-marching-1931
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