Kazuki Suzuki’s earlier work in the mid-90s. Shooting at a studio of photograph department of Osaka University of Arts in his college years. The beautiful Mistress is his friend and she was glad to collaborate on the shooting. The mistress received attention from many students when we had a short tea break at a school cafeteria.
Camera / CANON EOS 5 Lighting / Mix of Ring Light Strobo and Tungsten Light Film / FUJI PROVIA 400 Scanner / EPSON GT-9800F
Kazuki Suzuki’s earlier work in the mid-90s. Shooting at a space for events of a hotel in Otsuka, Tokyo. This is an exciting photo during his college years and was inspired by works of Namio Harukawa, the great FEMDOM painter in Japan. This photo was feautured on [Nu] magazine of Edizioni 3ntini in Italy. Kazuki’s original photos including this photo was displayed with the works of an italian photographer in old castle in Firenze. Special Thanks to Marco Favaro, a writter in Italy. He made an arrangement between Kazuki and Edizioni 3ntini to be featured on the magazine. This young photographer cultivated an artistic sensibility for FEMDOM under Mistress Ryoko KitagawaatKitagawa Production. This photo dictated his identity as a photographer.
Camera / MAMIYA 645 PRO Lighting / National PE-480SG Professional with Umbrella Photographic Paper / ILFORD Multigrade FB Classic 1K Glossy Scanner / EPSON GT-9800F
P.S. Kazuki recalls that he often watched “Fast Love” by George Michael, and “Pistol” by Kuroyume(japanese artist) on MTV in Japan at around the same time, and he liked the artists and the numbers very much in those days.
Kazuki Suzuki’s earliest work in the mid-90s. His ideal symbol for Venus on Fur.
Special Thanks to Mr. Shiga, representative of Don Juan, a saloon bar. He arranged this photo shoot to make Kazuki’s dream reality. The very beautiful model is half Russia and half Japanese. Mr. Shiga had been a sympathetic supporter of him since before entrance into college. The fateful encounter dictated his destity on the future direction.
This is a photo during his college years. Kazuki learned the basis of photography at photography department of Osaka University of Arts. Professor Yoshimitsu Nagasaka,Jyunzo Kitao, and assistant professor Dai Kondo were sympathetic supporters of him at the college. In particular, Yoshimitsu Nagasaka gave advice to him on the future direction of his work.
Thanks to Mitsuru Sawaki,Masaaki Satou,Arata Dodo,Akane Aizawa, and many friends. They were former fellow students. He recalls heated discussions with them about each favorite cause and methodology.
Camera / MINOLTA a7000 Lighting / National PE-480SG Professional with Umbrella Black and white film / ILFORD DELTA 400 Developer / KODAK HC-110 Photographic Paper / ILFORD Multigrade RC Deluxe 1M Glossy Scanner / EPSON GT-9800F
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