#mouldmap
MASKING IS MY WORLD - ‘Love is…’ by Brie Moreno for Mould Map 7 up now >>> www.mouldmap.com
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Mould Map 7 presents ‘Jeffrey, Do Not Go to the Valley’ — A ⏫ Vertical ⏫ Video Love Lecture by radical digital painter Jeffrey Alan Scudder - view the whole thing with the rest of the new commissions at www.mouldmap.com and see more work by JAS at https://jas.life/
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Speakers on! • New Mould Map 7 work up by Hardeep Pandhal - out now at the link above • Hardeep currently has a double show in Nottingham UK titled ‘Paranoid Picnic: The Phantom BAME’ at both@new_art_exchangeand@weareprimary until 17th March • (‘Scrittore Scomodo’ is Italian for a writer that makes others feel uncomfortable)
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New fully animated story for Mould Map 7 by Jonathan Djob Nkondo up at mouldmap.com now A series of loops that can be viewed singly but create a totally mesmerising and space-time folding sensation when seen on a widescreen / desktop browser. With perfect accompanying audio by COSMIQ • This one is heavy so best viewed on WiFi and allow time for it to load fully • This will be the final story for this year, we’ll return with 25 further experimental sequential digital commissions in 2019!!!
New 2 part story up at www.mouldmap.com - The Patch by Jaakko Pallasvuo, an epic 83 panel piece touching on telepresence, hauntology and the tiresome possibilities of the infinite canvas
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New story up at mouldmap.com ‘Skeuomorph’ is a wriggling slice of neo-noir body horror by Viktor Hachmang for Mould Map 7 EARTH PANTROPY Sound by Hugh Frost
LOCK-IN by Ben Mendelwicz for Mould Map 7 ➔ Available to read online now at www.mouldmap.com ➔ Part of Earth Pantropy, a series of 30 new digital commissions supported by Arts Council England
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DIVINE JUDGMENT - New story for Mould Map 7 by Julien Ceccaldi - read it in full at the new http://www.mouldmap.com
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!!! Mould Map 7 ⏤ EARTH PANTROPY is up now !!! A series of 30 new digital commissions to be made available each week over the next few months at www.mouldmap.com • The first 3 part work by Marijpol is up now • Supported with funding from Arts Council England
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