#my screenshots
When you’re in the mood to be sociable and you respond to a message from years ago like no time has passed
When you decide to reappear in the chat group that you had muted for more than 1 year
Lady Lazarus (Sandra Lahire, 1991)
Lady Lazarus (Sandra Lahire, 1991)
Frida Kahlo & Tina Modotti (Laura Mulvey and Peter Wollen, 1984)
Homage to Edvard Munch and All My Dead Children (Tracey Emin, 1998)
In 1998, Emin had travelled to Norway to take part in a TV programme about art. She was in a bad way: she had just had a miscarriage and was in emotional turmoil in the aftermath. They had been filming at Munch’s country home in Åsgårdstrand, which overlooks the Oslo fjord. At dawn one morning, Emin walked to the end of a small jetty and lay down. As the sun came up, she made a video of herself, curled up and howling. She gave it the title Homage to Edvard Munch and all my dead children. Making the video was cathartic: she realised that, as an adult, she had never properly screamed. For the first time, she was fully expressing her broken heart, her loss and sadness in a way that was at once primal and therapeutic.
H is for House (Peter Greenaway, 1973)
H is for House (Peter Greenaway, 1973)
Deleted scenes from Peter Weir’s Picnic at Hanging Rock(1975)
A deleted scene from Peter Weir’s Picnic at Hanging Rock(1975)
A deleted scene from Peter Weir’s Picnic at Hanging Rock(1975)
High Art (Lisa Cholodenko, 1998)