#old crow medicine show

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Molly Tuttle and Golden Highway’s new album, Crooked Tree, is now on vinyl, following its recent release on CD and digital. You can get it here.

The album, recorded live in Nashville, was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski, and Gillian Welch.

Also out today is this new video for the album track “Flatland Girl,” featuring Margo Price.

I love seeing shows at Maymont. I was just there a few weeks ago for Shovels & Rope, and it was

I love seeing shows at Maymont. I was just there a few weeks ago for Shovels & Rope, and it was outstanding. The surroundings are gorgeous – just inside the main Maymont gates, with rolling hills in the background and trees here, there, and everywhere. It’s a breath of fresh air – literally and figuratively – compared to many indoor (and outdoor) venues.

A few nights stand out in my memory as especially meaningful. Béla Fleck is one. Gillian Welch is way up there – seeing her pay tribute to Guy Clark by playing “Dublin Blues” was otherworldly. Another highlight was seeing Old Crow Medicine Show there in 2012, and I’m thrilled they’ll be returning to Maymont this Friday. (Tickets here.)

They’re touring behind a strong batch of new tunes in Volunteer, which was released in April of this year. Though the album features a characteristic mix of upbeat romps and slower, sweeter songs, things feel elevated on this album. “Whirlwind” tugs especially hard at nostalgic heartstrings, and “Flicker And Shine” pushes a truly frenetic pace, showing off the adrenaline-addled fifth gear that’s always set the band apart from many of its peers.

I’m especially stuck on “Shout Mountain Music,” though. While it too picks up the pace, it’s an example of how Old Crow can reach back to the roots of old time country and reveal something that feels wild and organic. And it capitalizes on one of my favorite techniques of theirs – grounding lyrics in specific geography, so they feel more real, and more connected to the places that have played a role in the living history of country and folk music. And I have to admit: Whether it’s “James River Blues” or “Shout Mountain Music,” it’s always fun to hear Richmond called out in an Old Crow tune.

Hope to see y'all there on Friday.


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