#on storytelling

elucubrare:

elucubrare:

ok i think what gets me about the kind of post that’s like ’[children’s media] has child soldiers, where are their parents!!’ is that those stories really and truly aren’t forpeople who’ll think about that, they’re for the people the children’s age, who don’t, for the most part, want to be kept safe or told they’re too young to participate in the world, they want to be given a sword

i did not anticipate that this post was going to be this popular so like.

1. when i said “a sword” i was speaking metaphorically. i mean, literally as well, swords are cool as hell. but metaphorically: agency and the power to do something about their situation and the situation of the world.
2. a bunch of people have said that children who do not have supportive parents love this kind of thing, which is very true and part of a thing i was thinking of but is not in the post - often when you feel alone, reading about someone who is alone but in a much more dramatic way, with, again, the power to do something about it, is much more comforting than reading about someone who is kept safe and given the “right” supports. the dragon takes on the face of the fifth grade bully easily and naturally.
3. when i said “where are their parents” and “child soldiers” i was generalizing these kind of complaints. “why didn’t any adult step in”/ “these are bad pedagogical techniques” are some of the ones i see a bunch. and the answer is the same. they didn’t step in or teach in a way that would be good in real life because it is the opposite of empowering for a child to hear “when you’re older” in fiction as well as in real life.
4. someone reblogged this post with tags about how their younger self would have been furious if the events of one of those “villain gets mad at seer for sending children to fight them” posts had played out in real life, and that’s about right - one of the central things about being a child is not being taken seriously. those posts are by adults who have forgotten that, because being wrapped in a blanket and told to sit this one out means that you are not being taken seriously - as a threat; as an enemy; as a hero; as a person.
5. if your “counterexample” is not directed towards people under 20, you’re misreading the post. The new crop of adult fantasy books really examining the post-traumatic stress of child heroes is very much not for me, but if people like it, that’s fine. but that’s very different from stuff focused on kids with heroes who are kid-aged. “wow, the hero of this book is too young, it’s kind of funny that no one else can do anything/this Great Mage War is between a 12 year old and a 10 year old/whatever” is maybe a funny joke but it is not any sort of real or, more importantly, interesting criticism of the work.
6. kids’ literature is a great way of exposing kids to the thrill of danger while keeping them absolutely safe.
7. kids’ literature where the adults are a problem is a great way of teaching kids that authority is not inherently trustworthy.
8. kids deserve to be safe; kids deserve to feel powerful. a kid reading about an 11-year-old taking on the Dark Lord and winning is safe and feelspowerful.

Stories are Stories.

Not Real life

marisatomay:

“maybe the curtains are blue because the author just liked the color blue” set human critical thinking skills decades back

He was tired. […] He wanted to go home and lock his door and sleep. He was tired of the troubles of real people. He wanted to get back to the people he was inventing, whose troubles he could bear.

James Baldwin, from Another Country