#paulgauguin
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), Paul Gauguin, 1894,Art Institute of Chicago: Prints and Drawings
Albert H. Wolf Memorial Collection
Size: 229 × 157 mm (image); 232 × 188 mm (sheet)
Medium: Wood-block print, printed twice in black ink, on cream Japanese paper
https://www.artic.edu/artworks/55774/
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Te atua (The God), from the Noa Noa Suite, Paul Gauguin, 1893,Art Institute of Chicago: Prints and Drawings
The Joseph Brooks Fair Collection
Size: 202 × 346 mm (image); 206 × 346 mm (sheet)
Medium: Wood-block print in residual brown and black inks on ivory wove paper
https://www.artic.edu/artworks/39647/
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Three People, a Mask, a Fox and a Bird, headpiece forLe sourire, Paul Gauguin, 1899,Art Institute of Chicago: Prints and Drawings
The Joseph Brooks Fair Collection
Size: 103 × 184 mm (image); 268 × 425 mm (sheet)
Medium: Wood-block print in black ink on ivory China paper
https://www.artic.edu/artworks/20434/
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Apples, Jug, Iridescent Glass, 1884,Paul Gauguin
Medium: oil,canvas
https://www.wikiart.org/en/paul-gauguin/apples-jug-iridescent-glass
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Sketches of Figures, Pandanus Leaf, and Vanilla Plant, Paul Gauguin, 1891,Art Institute of Chicago: Prints and Drawings
Gift of Mr. and Mrs. Morton G. Neumann
Size: 313 × 201 mm
Medium: black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook)
https://www.artic.edu/artworks/113718/
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Mr. Loulou (Louis Le Ray) by Paul Gauguin,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 07, West Wall
Medium: Oil on canvas
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Woman in front of a Still Life by Cézanne, Paul Gauguin, 1890,Art Institute of Chicago: European Painting and Sculpture
In this work, an unidentified woman sits in front of Paul Cézanne’s 1879–80 Still Life with Fruit Dish, now at the Museum of Modern Art, New York. The painting was part of Paul Gauguin’s own collection, and here he proprietarily signed his name over its white frame. Of the five or six Cézannes that he acquired while still a banker, this was the one he claimed he would never part with, “except in a case of direst necessity.” (He would eventually sell it to pay for medical treatment in Tahiti.) Although the version in this painting is nearly to scale with the original, it is more a translation than a copy, with rhythmical arabesques that are characteristic of Gauguin’s painting style rather than Cézanne’s. Joseph Winterbotham Collection
Size: 65.3 × 54.9 cm (25 11/16 × 21 5/8 in.)
Medium: Oil on linen canvas
https://www.artic.edu/artworks/16648/
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Mr. Loulou (Louis Le Ray) by Paul Gauguin,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 07, West Wall
Medium: Oil on canvas
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Two Women, Paul Gauguin, 1901 or 1902,European Paintings
The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002
Size: 29 x 36 ¼ in. (73.7 x 92.1 cm)
Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/438001
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