#thebarnes
Saint Raymond Nonnatus (San Ramon Nonato) by The Santo Niño Santero,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 14, North Wall
Medium: Water-based paint on wood panel
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Two Figures Embracing in Landscape by Qiu Ying,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 19, South Wall
Medium: Chinese black ink and heavily applied pigments on silk
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Man with Red Beard by Corneille de Lyon,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 03, North Wall
Medium: Oil on panel
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Woman with White Stockings (La Femme aux bas blancs) by Gustave Courbet,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 07, East Wall\nWoman with White Stockings is one of several explicitly sexual paintings Gustave Courbet produced during the 1860s. While the work’s early ownership history is unknown, it seems likely that it was originally a commission made for private enjoyment.
Martha Lucy, The Barnes Foundation: Masterworks
Medium: Oil on canvas
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The Postman (Joseph-Étienne Roulin) by Vincent van Gogh,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 02, North Wall\nFor most of 1888, Vincent van Gogh rented a room above the Cafe de la Gare in Arles, near the train station. It was probably there that he met Joseph-Etienne Roulin, a mail handler who became his close friend as well as an important subject for his paintings.
Martha Lucy, The Barnes Foundation: Masterworks
Medium: Oil on canvas
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The Resurrection,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 16, North Wall
Medium: Oil on panel
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Man with Red Beard by Corneille de Lyon,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 03, North Wall
Medium: Oil on panel
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Two Figures Embracing in Landscape by Qiu Ying,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 19, South Wall
Medium: Chinese black ink and heavily applied pigments on silk
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Two Men Dining by Jules Pascin,The Barnes Foundation
External Location ()
Medium: Graphite and gouache on wove paper
https://collection.barnesfoundation.org/objects/5146/
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Woman Crocheting (Femme faisant du crochet) by Pierre-Auguste Renoir,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Main Room, North Wall\n
During the 1870s, alongside his ambitious modern life subjects such as Leaving the Conservatory , Renoir painted very many canvases of single figures. Some of these were portraits, but many were more generic, showing unidentified figures, generally bust length, focusing on their everyday activities. Woman Crocheting is one of the most elaborated and highly finished of these canvases.
John House, Renoir in the Barnes Foundation
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/7020/
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Two Young Girls by Jules Pascin,The Barnes Foundation
External Location ()
Medium: Watercolor, black crayon, graphite, and pen and ink on wove paper
https://collection.barnesfoundation.org/objects/7083/
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Saint Catherine of Alexandria,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 14, South Wall
Medium: Oil and tooled gold leaf on wood panel (later mounted to plywood panel)
https://collection.barnesfoundation.org/objects/6069/
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Dogs Chasing a Cat on a Man on a Donkey by Francisco de Goya,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 20, West Wall
Medium: Brush and iron gall ink with graphite underdrawing on antique laid paper
https://collection.barnesfoundation.org/objects/27714/
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Swimming Hole by Ernest Lawson,The Barnes Foundation
Barnes Foundation (Merion), Gallery, G14, North Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/3661/
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Peasant Girl in Landscape,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 03, West Wall
Medium: Oil on canvas (later mounted to panel)
https://collection.barnesfoundation.org/objects/4729/
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Woman with White Stockings (La Femme aux bas blancs) by Gustave Courbet,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 07, East Wall\n
Woman with White Stockings is one of several explicitly sexual paintings Gustave Courbet produced during the 1860s. While the work’s early ownership history is unknown, it seems likely that it was originally a commission made for private enjoyment.
Martha Lucy, The Barnes Foundation: Masterworks
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5221/
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Flower Piece in Basket,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 15, West Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/6325/
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Ginger Jar (Pot de gingembre) by Paul Cézanne,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Main Room, North Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/7001/
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Landscape with Gnarled Trees by Ernest Lawson,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 12, East Wall\n
Such Lawsons as Landscape with Gnarled Trees stress rugged application of rich, unctuous pigment, sinuous drawing, especially of trees, and a vivid, light-saturated freshness of color across their built-up surfaces.
Richard J. Wattenmaker, American Paintings and Works on Paper
Medium: Oil on commercial wallboard
https://collection.barnesfoundation.org/objects/5153/
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Dramatic Poetry (Aeschylus) by Pierre Puvis de Chavannes,The Barnes Foundation
Barnes Foundation (Philadelphia), Parkway, Conservation Lab
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/4755/
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Woman and Child in the Grass (Femme avec enfant sur l'herbe) by Pierre-Auguste Renoir,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 23, West Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5438/
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The Toilette (La Toilette) by Paul Cézanne,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Main Room, North Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/6949/
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Landscape (Paysage) by Pierre-Auguste Renoir,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 13, West Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5191/
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Leda and the Swan (Léda au cygne) by Paul Cézanne,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Main Room, West Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/6991/
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Girl on a Balcony, Cagnes (Jeune femme au balcon, Cagnes) by Pierre-Auguste Renoir,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 09, South Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5096/
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Léopold Zborowksi by Amedeo Modigliani,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 19, South Wall
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5808/
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Saints Barbara and Mary Magdalene by Rhenish Master,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 07, West Wall
Medium: Oil and gold on panel
https://collection.barnesfoundation.org/objects/5317/
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Marblehead Harbor by Maurice Brazil Prendergast,The Barnes Foundation
Barnes Foundation (Philadelphia), Collection Gallery, Room 12, East Wall\n
The whole canvas is a succession of contrasts of line, color, mass and spatial relations, that give rise to a series of rhythms comparable to those of a Bach fugue.
Dr. Albert C. Barnes, The Art in Painting
Medium: Oil on canvas
https://collection.barnesfoundation.org/objects/5157/
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