man in hooded cloak embracing and kissing a limp nude woman whose feet dangle in water; fire at left; building on top of cliff, ULC; moon partially hidden by clouds, URQ; woman’s abdomen exposed Size: 8 3/16 x 5 11/16 in. (20.8 x 14.45 cm) (plate) 12 ¼ x 9 1/8 in. (31.12 x 23.18 cm) (sheet) Medium: Etching, stipple, roulette and engraving
strips added at top and right side Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop Size: irregular: 46.6 x 56.2 cm (18 3/8 x 22 1/8 in.) Medium: Black and white chalk on blue antique laid paper
Love and Friendship (personification and symbolic representations) Pierre-Paul Prud'hon was known for his allegorical paintings. The winged youth holding a torch is probably Love, portrayed as the Roman god Cupid, and the female figure would then represent Friendship. The theme is most likely the union of these two ideals, indicated by their embrace. Prud'hon’s inventive allegories often remain enigmatic, however, and other interpretations are possible. The rosy-skinned female figure may personify the art of painting and her pale companion the art of sculpture. Or the two may be Cupid and Psyche, whose love affair is recounted in antique Roman literature. Size: 58 x 45 in. (147.32 x 114.3 cm) (canvas) 76 x 62 5/8 in. (193.04 x 159.07 cm) (outer frame) Medium: Oil on canvas
man in hooded cloak embracing and kissing a limp nude woman whose feet dangle in water; fire at left; building on top of cliff, ULC; moon partially hidden by clouds, URQ; man’s cloak covers woman’s abdomen Size: 8 ¼ x 5 11/16 in. (20.96 x 14.45 cm) (plate) 14 1/16 x 9 7/8 in. (35.72 x 25.08 cm) (sheet) Medium: Etching, stipple, roulette and engraving
reclining nude female figure carried by winged putti In the story of Cupid and Psyche, Psyche was left by her family on a mountaintop to marry a monstrous groom. But the kindly west winds, the Zephyrs, lifted her up and transported her to Cupid’s palace. Prud’hon’s soft sfumato modeling, lyrical grace, and sensual handling earned him the nickname “the French Correggio,” because of that Italian Renaissance master’s profound influence. Just before beginning this composition, Prud’hon had restored two of Correggio’s mythological paintings, Leda and the Swan and a copy of Jupiter and Io. Both of those unabashedly erotic pictures had been mutilated in the previous century by the son of Philippe, duc d’Orléans, in an insane fit of religious rage. Prud’hon’s intimate study of Correggio is evident in Psyche, one of his most titillating works. Yet Prud’hon created something wholly original—a calculated display of a beautiful (naked) woman in the guise of an ancient story. Size: 11 5/8 x 9 5/16 in. (29.5 x 23.7 cm) (image) 17 ½ x 12 in. (44.5 x 30.5 cm) (sheet) 19 ¾ × 15 ¾ in. (50.17 × 40.01 cm) (outer frame) Medium: Black and white chalk with stumping over graphite on faded blue wove paper, black chalk framing lines
man in hooded cloak embracing and kissing a limp nude woman whose feet dangle in water; fire at left; building on top of cliff, ULC; moon partially hidden by clouds, URQ; woman’s abdomen exposed Size: 8 3/16 x 5 11/16 in. (20.8 x 14.45 cm) (plate) 12 ¼ x 9 1/8 in. (31.12 x 23.18 cm) (sheet) Medium: Etching, stipple, roulette and engraving