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artist-mondrian: Composition with Grid IX, 1919, Piet MondrianMedium: oil,canvas

artist-mondrian:

Composition with Grid IX, 1919,Piet Mondrian


Medium: oil,canvas

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Composition No. 1: Lozenge with Four Lines by Piet Mondrian, 1930, Guggenheim MuseumSolomon R. Gugge

Composition No. 1: Lozenge with Four Lines by Piet Mondrian, 1930,Guggenheim Museum


Solomon R. Guggenheim Museum, New York The Hilla Rebay Collection © 2007 Mondrian/Holtzman Trust
Medium: Oil on canvas

https://www.guggenheim.org/artwork/3052


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artist-mondrian: Composition with Grid IX, 1919, Piet MondrianMedium: oil,canvas

artist-mondrian:

Composition with Grid IX, 1919,Piet Mondrian


Medium: oil,canvas

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Vertical Composition with Blue and White, 1936, Piet MondrianMedium: oil,canvas

Vertical Composition with Blue and White, 1936,Piet Mondrian


Medium: oil,canvas
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Design for the Church of St. Jacob, Piet Mondrian

Design for the Church of St. Jacob,Piet Mondrian


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Village Church, 1898, Piet MondrianMedium: charcoal,gouache,pastel,pencil,watercolor,paper

Village Church, 1898,Piet Mondrian


Medium: charcoal,gouache,pastel,pencil,watercolor,paper
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Composition (No. 1) Gray-Red, Piet Mondrian, 1935, Art Institute of Chicago: Modern ArtThe roots of

Composition (No. 1) Gray-Red, Piet Mondrian, 1935,Art Institute of Chicago: Modern Art


The roots of 20th-century abstract art can be traced to the late 19th century, when artists began to move away from the direct representation of objects toward the communication of emotional states or moods. In doing so, the formal properties of art—such visual elements as line, color, and composition—assumed a primary role in its production. After World War I, many artists, including Piet Mondrian, believed that abstract art could contribute to a more harmonious society by communicating in a universal, visual language. In the wake of the war’s destruction, artists associated with De Stijl (meaning, “the style”) in the Netherlands recognized the need for a break with the past, as well as a new aesthetic language to correspond to their utopian vision of the world. In 1917 Mondrian joined the De Stijl movement and began to develop a purely visual language of verticals and horizontals, restricting his compositions to predominantly off-white grounds divided by black rectilinear lines that framed smaller blocks of primary colors. Gift of Mrs. Gilbert W. Chapman
Size: 22 5/8 × 21 7/8 in. (57.5 × 55.6 cm)
Medium: Oil on canvas

https://www.artic.edu/artworks/65821/


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Sun, Church in Zeeland; Zoutelande Church Facade, Piet Mondrian, 1909, TatePurchased with assistance

Sun, Church in Zeeland; Zoutelande Church Facade, Piet Mondrian, 1909,Tate


Purchased with assistance from the National Lottery through the Heritage Lottery Fund, the Kreitman Foundation, the Art Fund and the Friends of the Tate Gallery 1997
Size: support: 905 x 621 x 29 mm frame: 1185 x 900 x 80 mm
Medium: Oil paint on canvas

http://www.tate.org.uk/art/artworks/mondrian-sun-church-in-zeeland-zoutelande-church-facade-t07328


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Composition, Piet Mondrian, 1921, Modern and Contemporary ArtJacques and Natasha Gelman Collection,

Composition, Piet Mondrian, 1921,Modern and Contemporary Art


Jacques and Natasha Gelman Collection, 1998
Size: 19 ½ x 19 ½ in. (49.5 x 49.5 cm)
Medium: Oil on canvas

https://www.metmuseum.org/art/collection/search/490012


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Composition A, 1923, Piet MondrianMedium: oil,canvas

Composition A, 1923,Piet Mondrian


Medium: oil,canvas
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Composition in Red, Blue, and Yellow, Piet Mondrian, 1937-42, MoMA: Painting and SculptureThe Sidney

Composition in Red, Blue, and Yellow, Piet Mondrian, 1937-42,MoMA: Painting and Sculpture


The Sidney and Harriet Janis Collection
Size: 23 ¾ x 21 7/8" (60.3 x 55.4 cm)
Medium: Oil on canvas

http://www.moma.org/collection/works/80160


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Triangulated Farmhouse Facade with Polder in Blue, 1900, Piet MondrianMedium: gouache,watercolor,pap

Triangulated Farmhouse Facade with Polder in Blue, 1900,Piet Mondrian


Medium: gouache,watercolor,paper

https://www.wikiart.org/en/piet-mondrian/triangulated-farmhouse-facade-with-polder-in-blue


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Church tower at Domburg, 1911, Piet MondrianMedium: oil,canvas

Church tower at Domburg, 1911,Piet Mondrian


Medium: oil,canvas
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Untitled, 1913, Piet Mondrian

Untitled, 1913,Piet Mondrian


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