#queue and me but mostly me

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gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s gameraboy: The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s

gameraboy:

The Gibson family has taken thousands of striking shipwreck photos, from the late 1870’s through the 1970s. See more of these amazing photos here.


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celialowenthal:A group of gentlemen come to the carpet merchant’s house looking to buy. The merchant

celialowenthal:

A group of gentlemen come to the carpet merchant’s house looking to buy. The merchant is away, but his daughter is not – and she’s still looking to sell. 


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tedufort-deactivated20220401:

When I ask you how your day was, send the essay. I’ll read.

adhdtho:

your 20s are about fucking up your hair and getting long overdue medical diagnoses actually

gene-forrester:

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Retired as he was in a corner and as it were sheltered behind the billiard table, the soliders, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: “Take aim!” when suddenly they heard a powerful voice cry out beside them: “Vive la République! I belong to it.” Grantaire had arisen. The immense glare of the whole combat which he had missed and in which he had not been, appeared in the flashing eye of the transfigured drunkard. He repeated: “Vive la République!” crossed the room with a firm step, and took his place before the muskets beside Enjolras. “Two at one shot,” said he. And, turning towards Enjolras gently, he said to him: Willyoupermitit? Enjolras grasped his hand with a smile. The smile was not finished when the report was heard.

EnjolrasandGrantairesdeathinLesMisérables

rihannafentys:Grease (1978) dir. Randal Kleiser rihannafentys:Grease (1978) dir. Randal Kleiser rihannafentys:Grease (1978) dir. Randal Kleiser rihannafentys:Grease (1978) dir. Randal Kleiser

rihannafentys:

Grease (1978) dir. Randal Kleiser


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jurisffiction:

this cup of tea’s got a lot fucking riding on it

coolxatu:

sleepyurl:

imagine someone thinking of you and buying you flowers

ok now imagine a horse as a skeleton with a blue fire mane

1rakus:

1rakus:

would you survive on a “deserted” island

ppl on this quiz keep being like “i died?! whaaa?!” like bro have you tried being less prone to dying? shut up and go do lunges or something

moldspace:

a pod of selkies

thoodleoo:

thoodleoo:

an episode of wife swap where medea and clytemnestra swap families

look all im saying is if jason winds up dead in his bath with an axe in the back of his head, is anyone going to complain

redlipstickresurrected:Jana Brike (Latvian, b. 1980, Riga, Latvia) - Dusk in the Garden, 2021 for up

redlipstickresurrected:

Jana Brike (Latvian, b. 1980, Riga, Latvia) - Dusk in the Garden, 2021 for upcoming exhibition Nov 6th, 2021 at Beinart Gallery, Paintings: Oil on Canvas


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milfsisyphus:

lord the women you put on earth to enjoy media are being forced to log in to outlook and microsoft teams

ymutate:

Milton Avery, Summer Reader, c. 1945

design-is-fine:Pierre Mendell, poster for bavarian museums, 1984. Mendell & Oberer, Munich. Art

design-is-fine:

Pierre Mendell, poster for bavarian museums, 1984. Mendell & Oberer, Munich. Art opens eyes. Visit bavarian state museums. Via Cooper Hewitt


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mierac:

greyduckgreygoose:

i’m not “lazy” i’m just a fragile victorian maiden. i can only handle 1-2 mildly taxing activities a day before i have to put myself down for a nap until dinner

I desperately need to go to the seaside for 6 months for my health.

neshamama:Egyptian mosaic glass fragmentary bars and inlays, 3rd century BCE-1st century ADneshamama:Egyptian mosaic glass fragmentary bars and inlays, 3rd century BCE-1st century AD

neshamama:

Egyptian mosaic glass fragmentary bars and inlays, 3rd century BCE-1st century AD


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ltwilliammowett:

A Faroese Sailors scrimshawed steel knife, late 19th century

The handle and sheath are made of carved wood inlaid with whalebone, mother of pearl and brass. Depicting a whale, harpoons a Whaleboat and geometric patterns.

fatnaturals:

I hate being a customer I hate doing that to someone

ltwilliammowett: A Sailor’s love token in silver, depicts a Sailor’s Farewell scene, c. 1800

ltwilliammowett:

A Sailor’s love token in silver, depicts a Sailor’s Farewell scene, c. 1800


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wehaveallgotknives:

ok nerds, what is the best and/or your favourite adaptation of les mis? any of the shows/films/miniseries could be in contention

boxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of theboxfivetrades: On John Napier’s set design for Les Miserables: The organisation and placement of the

boxfivetrades:

OnJohn Napier’s set design for Les Miserables:

The organisation and placement of the scenes on the continuously revolving stage floor is beyond praise. And John Napier’s design certainly does much to honour Hugo’s Paris as he lavished on Dickens’s London. Two huge trucks rumble on and form a barricaded wall which, just as Hugo describes, seems to contain a city in itself, a fantastic jumble of chairs, barrels, planks and people, a teeming segment of a revolutionary catacomb.

- Michael Coveney, The Financial Times (9 October 1985)


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