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lyannas:

Or, Dorne is Westeros’ erotic, exotic, made complete with a helping handful of racism on top.

As someone from a West Asian culture living in a Western country, I had noticed something early on in the depiction of the Dornish that hit close to home and sat ill with me. To begin with, we were informed of the existence of the Dornish yet did not meet a prominent Dornish character until book 3, Oberyn Martell, who was observed through Tyrion’s POV chapters . Before we meet him, a few things are made clear: Dorne makes wine, they’re still upset over Princess Elia’s death, and they are very much the other. When anyone from north of Dorne speaks about the Dornish, they specify it as such, referring to them as Dornish, Dornishmen, and Dornish women.  They are set apart from other Westerosis in the similar way to the Iron Islanders. Their culture is different, therefore specifications are required. While this in no way is a bad thing, as all cultures should be different in some way, discussion of Dornish culture by non-Dornish sources reveals a type of racism reserved specifically for the Dornish.  Tyrion when he first meets Oberyn considers cracking asking “if he knew how a Dornishman differed from a cowflop”, an example of the casual racism that all non-Dornish seem to hold of the Dornish.

The problem goes beyond the racism of the Westerosi characters, however. George R. R. Martin failed the Dornish (and the Essosi) in several aspects of writing, by using racist tropes in his depiction of them and by introducing the Dornish so late and with so little. He did not introduce a prominent Dornish character until book 3, did not provide a Dornish POV until book 4, and even then gave us very little. Of the 9 Dornish POV chapters in books 1-5, one of them belongs to the pretty racist Reachman Arys Oakheart, 2 belong to the Norvoshi Areo Hotah, and the last 6 are split between Quentyn (4 chapters) and Arianne (2 chapters). While there appears to be more Arianne chapters to come in TWOW (2 so far), this is a shockingly small amount of Dornish perspective, with Quentyn’s story not even taking place in Dorne (and ending with his death).

In this essay, I’ll tackle the history of this anti-Dornish racism, how it is practiced by those in Westeros and abroad, and the (often racist) tropes Martin uses to prop up it.

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