’…Fire up social media on your phone and within moments you’re free to interact with a world full of people. Holiday photos from your cousin in New Zealand? Click like!
Your pal’s video of a Yorkshire terrier that sounds like Brian Blessed? Hit retweet! Don’t like the way someone looks? Tell them to lose some weight!
Hang on, that last one is probably a bit rude. You wouldn’t wander up to a stranger in the street and casually advise them to give the sweeties a miss, not unless you were desperately craving a sore face.
Yet that kindly advice is precisely what someone like Sharon Rooney is offered when she logs into sites such as Instagram.
Sharon, who starred in Disney’s recent live action Dumbo remake, E4’s My Mad Fat Diary and hit sitcom Two Doors Down has endured her fair share of trolling.
“It’s the unsolicited medical advice I enjoy,” she laughed. “Telling me not to eat jellybeans. Thanks!
“I learned quite quickly people will pick apart anything. They will find something. Even if I was five sizes smaller, someone will tell me I looked better before. You’ll never please everyone.
“There’s a lovely mute button now. If someone writes something rude I just quietly say ‘Shhh’ to them.
“With My Mad Fat Diary I’m already saying, ‘Hello, I am fat human’. What can they say?
“I have eyes, I know what I look like and I’m fine with that. Sorry if you’re not. I’m doing OK, so please don’t worry about me.”
Sharon, 32, is doing more than OK though, which you’ll see if you tune into new ITV drama Finding Alice tonight.
She stars opposite Keeley Hawes and it’s a role that saw Sharon cross the Bodyguard star’s name off a special list.
“I’ll let you into a secret. Every actor has a dream list of people they’d love to work with and Keeley was on mine,” she said.
“I told Keeley. She just rolled her eyes and told me to shut up.
“Why would you not want to work with her? She’s fantastic in everything she does.
“Keeley’s everything I thought she would be. Whe’s one of a kind. A special human being. Look, Keeley’s not paying me to say this! Maybe she should…?”
Praising a colleague is, of course, second nature to an actor. There’s a reason they call them luvvies; plus you don’t want to end up working with someone you’ve bad-mouthed on a project in a year’s time, do you?
This isn’t merely empty platitudes for a thespian pal. Sharon’s praise is warm, generous and genuine. It’s how she herself comes across, along with a dash of wry humour.
Perhaps it’s the influence of her late granny, who Sharon describes as her soulmate.
“This sounds so cheesy but she truly was,” she added. “You know you get one human who you just chime with? I just loved her. We were two old souls.
“She taught me so much. I think grannies have that magic where they teach you to deal with life after they’re gone. I just enjoyed every minute I had with her.”
The pain and sadness we’ve all experienced over the past year, along with the forced holiday she’s had to take with being locked down, has let Sharon think about the grief she felt when her gran died.
“Even if you’re preparing for a death I don’t think it’s any easier than if it’s unexpected,” she said.
“When it is unexpected, like the way Harry dies in Finding Alice, you’re left reeling from it for so long before you can take in what’s happened.
“With Nicola, the character I play, the initial shock has happened. Her big brother has died. So how do you move forward? Grief itself is such a complicated thing. There’s no guide book. When you feel sad, you feel sad.
“Grief sneaks up on you. You think you’re fine then it appears with a ‘Hiya!’
“I still get it. I’ll think I can’t wait to show my gran something before going, ‘Oh yeah’.
“My gran spoke about it before she died. We were talking about how thinking of someone after they’ve died is like ringing a bell for them.
“She said, ‘Don’t think of me too much, hen – I’ll get no rest.’”
(Sharon Rooney as Miss Atlantis with co-star DeObia Oparei in Tim Burton’s Dumbo)
Happily, Sharon brought her sardonic and garrulous Glaswegian spirit to the set of Dumbo, in which Sharon appeared alongside Hollywood legend Danny DeVito.
“You forget they’re still humans, which is easy to do when you’re standing in front of Danny DeVito. All I could think was that this was Danny DeVito. Has anyone told him?
“You just talk on set. Gab, gab, gab. That’s all we did. I was shouting over to Tim to ask for two minutes so Danny could finish his story.
“That’s Tim Burton, by the way. Listen to me, I just call him Tim now.”
Casting for a Disney blockbuster like Dumbo was straightforward, although it did come with an ironclad ban from telling her friends about the project until it was announced.
My Mad Fat Diary focused on the plus-sized character Sharon played but, since then, the roles she’s taken don’t normally specify anything about her character’s weight.
“A lot of parts I go for don’t say the character must be plus-size or look a certain way,” she said.
“I’ve only been doing this for eight years or so but for me it’s never been an issue but I know for some it has been.
“It’s about owning who you are. I realise that’s difficult because of social media. What I try to do is take jobs with people who are authentic characters.
“If it does specify a plus-size actor then my response is to ask why. Let’s investigate this.
“These days – well, before the pandemic – I would go to auditions and the room would be filled with so many different people, which I love. The room isn’t filled with girls who all look the same.
“And I love seeing a role that I didn’t get go to someone completely different to me. Well, I don’t love it because then I’ve not got the role, but it’s still nice to see.”
A closeness with her other granny (the pair are bubbled up) has developed during the lockdowns of the past year, from which Sharon has taken heart.
Other than that she’s been enjoying her break ahead of Finding Alice’s release, as well as browsing social media.
Although these days she’s a lot wiser in how she does it; retaining the enjoyment with the help of that handy mute button.
“I used to follow every celebrity and every celebrity magazine,” added Sharon. “But it just made me doubt myself. I’d go to post a video then I’d wonder if I should put more make-up on first.
“I’ve stopped doing that. On Twitter these days I post videos where I’ve just woken up.
“I mean if you do post a video where you look great and have all your make-up on, then great, but I don’t know how you do it! I look forward to my no-make-up days.
“Oh you should see the state of me. I live in loungewear now. I put on jeans the other day. What are these things? What is this material we wear? These are awful!”
Finally, some feedback with which we can all agree…’ X
Sharon Rooney as Josephine in The Electrical Life Of Louis Wain.
The Electrical Life Of Louis Wain: Sharon Rooney on acting her age, reuniting with Benedict Cumberbatch and falling for Mr Bumble (Sunday Post, January 1, 2022)
Deep-set crow’s feet, neck wattle and wrinkles: at 33, Glasgow girl Sharon Rooney has the lot – but only when shooting her new movie.
The My Mad Fat Diary star sat patiently for hours while make-up artists transformed her into a 72-year-old with glued-on jowls and special contact lenses to create the illusion of rheumy eyes.
“I would get messages from my mum saying ‘Send me pictures,’” recalls Rooney.
“Eventually I gave in and immediately she said, ‘You look like your gran.’ That’s what I tried to warn her! I looked so like her mum, who passed away not long ago, although my gran wouldn’t mind, she’d have found it funny.
“I found it fascinating, but not scary because we should be allowed to age. In fact, there’s something beautiful about ageing.
“You can see a life in a face. For instance, I have a really strong frown line between my eyes because I frown when I’m concentrating. I also have smile lines, because that’s been my life, so I’d never want to erase that.”
In The Electrical Life Of Louis Wain, Rooney plays the sister of the titular artist, who made a fortune painting affectionate pictures of cats, only to lose the lot through bad business deals and ill health.
Since the movies spans decades she appears first as a teen, then a middle–aged woman and eventually as a pensioner.
“The make-up people were brilliant,” she says. “But I think it was harder making me look 17 than it was to make me look 70.”
The film is a passion project for Benedict Cumberbatch, who produced it through his own company, as well as starring as the cat-obsessed Louis Wain.
It reunited Rooney and the Doctor Strange star for the first time since 2013, when she was cast in a Sherlock episode called The Empty Hearse: “I only had a tiny wee scene and it wasn’t even with Benedict but Sherlock is one of my mum’s favourite shows and before filming the whole cast got together to read through the script, so I got to sit in a room and watch Benedict and Martin Freeman work.”
Eight years later, Sharon and Benedict finally share the screen. “He hasn’t changed,” she says. “Back then he was very kind and very generous and he’s still lovely, and ridiculously talented.”
Rooney didn’t know much about Louis Wain before making the movie. “I think that goes for a lot of people,” she says.
“But although you might not know the name, you’d recognise his pictures of cats when you saw them – the style is so distinctive.”
Unsurprisingly, cats feature in the film, including a kitten called Mr Bumble who won Rooney’s heart.
“Up till then I’d got a funny thing with cats. I like them, but I was a bit nervous because our family once had a cat and she hated us,” says the former Two Doors Down star.
“Not just me, the whole family. We looked after her for seven years, and spoilt her quite a bit because we wanted her to like us but she wouldn’t even let me hold her.
“In the end we gave up and passed her on to a friend. The day after she left, my mum phoned her pal to see how the cat was doing, and she said, ‘She’s doing great, such a loving cat.’ Unbelievable! So for a long time I thought, ‘oh well, cats just don’t like us.’”
2021 has been a busy year for the actress, despite the pandemic. As well as Louis Wain, she scooped a supporting actress award for the short film Do No Harm, appeared alongside Keeley Hawes in ITV drama Finding Alice and is set to appear in the upcoming BBC thriller The Control Room.
“I feel like I’m in a really good place now, because I get to do these big films and telly jobs and then I get to do smaller comedies,” says Rooney.
“I love that my work is a completely mixed bag. I’ve just finished filming two jobs that were complete opposites. One of them was The Control Room, and the other one I can’t talk about yet – which is very annoying, because it would make this story a lot better.”
Rooney has been so busy working that she doesn’t have much time to relax in front of the TV: “If I’m away from home, in a strange place, I stick on something like Stepmom, Bridesmaids, or an Adam Sandler movie because I’ve seen them so often that if I fall asleep, it’s OK.
“At this time of year, I also love the Nativity films with Martin Freeman and David Tennant. Their song Dude, Where’s My Donkey is very catchy although when I was scrolling through Tiktok the other day, I saw some of the kids from the film and they are all grown up and six feet tall now.
“Now I understand what my gran used to say about doctors getting younger and younger!”
Despite globetrotting for work, Sharon has no plans to move away from the Dumbarton home she shares with her mum and dad.
“I keep saying to my mum, ‘you’re never, ever getting rid of me,’” she laughs. “I constantly get asked, “have you moved to London yet?” And the answer is that I don’t think I will ever move to London, because I don’t want to.
“When I started out, I had to travel up and down to London to meet people, and it was hard because I would be down to the last two or three for a part, then not get it. The train fare was about £90 each time.
“As an actor, it’s part of life, especially when you’re starting out and people don’t really know you. Now self-taping has become a lot more common, especially after the Covid pandemic began.”
Instead of auditioning actors in person, TV and film bosses now ask them to film themselves reading for a part. For Rooney, this has been a game changer, and has made her mum Libby into a star turn playing all the other characters in Sharon’s scenes.
“My mum loves taping with me, and she’s brought me luck on loads of jobs,” she chuckles.
“She’s my magic charm when I’m trying for a part, and I usually get a note afterwards saying, ‘your mum was very good!’”
Sharon Rooney as Josephine in The Electrical Life Of Louis Wain.
The Electrical Life Of Louis Wain: Sharon Rooney on acting her age, reuniting with Benedict Cumberbatch and falling for Mr Bumble (Sunday Post, January 1, 2022)
Deep-set crow’s feet, neck wattle and wrinkles: at 33, Glasgow girl Sharon Rooney has the lot – but only when shooting her new movie.
The My Mad Fat Diary star sat patiently for hours while make-up artists transformed her into a 72-year-old with glued-on jowls and special contact lenses to create the illusion of rheumy eyes.
“I would get messages from my mum saying ‘Send me pictures,’” recalls Rooney.
“Eventually I gave in and immediately she said, ‘You look like your gran.’ That’s what I tried to warn her! I looked so like her mum, who passed away not long ago, although my gran wouldn’t mind, she’d have found it funny.
“I found it fascinating, but not scary because we should be allowed to age. In fact, there’s something beautiful about ageing.
“You can see a life in a face. For instance, I have a really strong frown line between my eyes because I frown when I’m concentrating. I also have smile lines, because that’s been my life, so I’d never want to erase that.”
In The Electrical Life Of Louis Wain, Rooney plays the sister of the titular artist, who made a fortune painting affectionate pictures of cats, only to lose the lot through bad business deals and ill health.
Since the movies spans decades she appears first as a teen, then a middle–aged woman and eventually as a pensioner.
“The make-up people were brilliant,” she says. “But I think it was harder making me look 17 than it was to make me look 70.”
The film is a passion project for Benedict Cumberbatch, who produced it through his own company, as well as starring as the cat-obsessed Louis Wain.
It reunited Rooney and the Doctor Strange star for the first time since 2013, when she was cast in a Sherlock episode called The Empty Hearse: “I only had a tiny wee scene and it wasn’t even with Benedict but Sherlock is one of my mum’s favourite shows and before filming the whole cast got together to read through the script, so I got to sit in a room and watch Benedict and Martin Freeman work.”
Eight years later, Sharon and Benedict finally share the screen. “He hasn’t changed,” she says. “Back then he was very kind and very generous and he’s still lovely, and ridiculously talented.”
Rooney didn’t know much about Louis Wain before making the movie. “I think that goes for a lot of people,” she says.
“But although you might not know the name, you’d recognise his pictures of cats when you saw them – the style is so distinctive.”
Unsurprisingly, cats feature in the film, including a kitten called Mr Bumble who won Rooney’s heart.
“Up till then I’d got a funny thing with cats. I like them, but I was a bit nervous because our family once had a cat and she hated us,” says the former Two Doors Down star.
“Not just me, the whole family. We looked after her for seven years, and spoilt her quite a bit because we wanted her to like us but she wouldn’t even let me hold her.
“In the end we gave up and passed her on to a friend. The day after she left, my mum phoned her pal to see how the cat was doing, and she said, ‘She’s doing great, such a loving cat.’ Unbelievable! So for a long time I thought, ‘oh well, cats just don’t like us.’”
2021 has been a busy year for the actress, despite the pandemic. As well as Louis Wain, she scooped a supporting actress award for the short film Do No Harm, appeared alongside Keeley Hawes in ITV drama Finding Alice and is set to appear in the upcoming BBC thriller The Control Room.
“I feel like I’m in a really good place now, because I get to do these big films and telly jobs and then I get to do smaller comedies,” says Rooney.
“I love that my work is a completely mixed bag. I’ve just finished filming two jobs that were complete opposites. One of them was The Control Room, and the other one I can’t talk about yet – which is very annoying, because it would make this story a lot better.”
Rooney has been so busy working that she doesn’t have much time to relax in front of the TV: “If I’m away from home, in a strange place, I stick on something like Stepmom, Bridesmaids, or an Adam Sandler movie because I’ve seen them so often that if I fall asleep, it’s OK.
“At this time of year, I also love the Nativity films with Martin Freeman and David Tennant. Their song Dude, Where’s My Donkey is very catchy although when I was scrolling through Tiktok the other day, I saw some of the kids from the film and they are all grown up and six feet tall now.
“Now I understand what my gran used to say about doctors getting younger and younger!”
Despite globetrotting for work, Sharon has no plans to move away from the Dumbarton home she shares with her mum and dad.
“I keep saying to my mum, ‘you’re never, ever getting rid of me,’” she laughs. “I constantly get asked, “have you moved to London yet?” And the answer is that I don’t think I will ever move to London, because I don’t want to.
“When I started out, I had to travel up and down to London to meet people, and it was hard because I would be down to the last two or three for a part, then not get it. The train fare was about £90 each time.
“As an actor, it’s part of life, especially when you’re starting out and people don’t really know you. Now self-taping has become a lot more common, especially after the Covid pandemic began.”
Instead of auditioning actors in person, TV and film bosses now ask them to film themselves reading for a part. For Rooney, this has been a game changer, and has made her mum Libby into a star turn playing all the other characters in Sharon’s scenes.
“My mum loves taping with me, and she’s brought me luck on loads of jobs,” she chuckles.
“She’s my magic charm when I’m trying for a part, and I usually get a note afterwards saying, ‘your mum was very good!’”
