#tahamine

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It takes two months. A month for Tahamine to realize she did not suffer from her menstrual blood and blame it on her earlier pregnancy, and another to figure that she is in fact with child once more.

This is all it takes. Two months for her to mourn the only man she loved, two months to see her child ripped from her arms by her new groom once he was thorougly healed, sent to be raised as the common child of a maid. Two months she spents fearing for her son’s life, dreading Andragoras would change his mind and go back on his words, only to be met with the cold understanding she must hide another of her children.

Tahamine never laid with Andragoras. Not once, not ever since she started to be called his wife nor ever before. The only one who shared her sheet had been Osroes, Osroes the betrayed king, Osroes whose life had been stolen from the very man she is now wed to.

The one who could end her unborn child were he to ever hear of his mere existence.

What Tahamine choses to do next is as simple as the name it bears; motherhood. She sends away all her servants except for the dowry maid she brought with her from Maryam, a gift of her sister, and refuses to ever see eye to eye with Andragoras for months on ends. Pretends it is the custom from where she hails, that a husband and a wife shall not share a room for a year and her now buried youth serves as an example, for she did not lay with Osroes, Osroes who she loved and adored, so she shall not lay with his brother either. She has all her meals sent to her room, confines herself in it under the guise of bad health, and it is both a blessing and a curse that Andragoras drowns too much in his hunger for wealth and power to question her claims. That he sees her as nothing more than a conquered trophy but it does not matter, she will wield every tool she can lay her hand on and brandish it as the deadliest weapon if only it can assure the future of her children.

It is a few busy months, until she gives birth. She writes to her sister in Maryam hoping she will shelter her son, and she knows Andragoras reads them before they are sent away but his knowledge of their language is weak, he always chose to speak with battle cries rather than let the heavenly flow of her mother tongue consume him so he cannot understand it, shrugs it off as a woman’s affair once he decifers that his Queen will bitterly send her maid back to Maryam because she betrayed her and bore a child to a unknown soldier while she vowed to remain a maiden.

Andragoras doesn’t know it is false, nor does he need to. He doesn’t know the child her maid will bring to far away lands is hers and not her maid’s.

The day he is born, Tahamine names her child Arslân. Arslân the lion boy, Arslân, who bears the name of those who once were Kings of Pars. Because it his his legacy, his gods-given birthright, because he is Arslân, son of Queen Tahamine, heir of King Osroes and no one shall seize it from his grasp.

Especially not Andragoras.

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During the Great Fire Tahamine stands in the ashes of her home, the sole of her feet bloodied by her husband’s passing. She stands in what was once their sacred bedroom and her tears leave ashen gray paths on her cheeks and she is nineteen when she is forced to see the man she once thought of as a brother seize the life out of her Osroes, moved by the remnants of the adoration he once gave her. 

She is nineteen when she is forced to kneel with burned nightclothes in the pool made of his blood, when she grovels at Andragoras’ feet and begs with crimson stains in her ivory hairs for him to let the child she bore to Osroes live, to spare the last piece of her once golden future. She begs despite the thundering fury which crowd her heart chanting it isn’t fair, she begs and cries and promise to be his bride before the sun rise if he would only see her son and not think of him as a threat.

Andragoras agrees. She will be his bride and he will be her groom despite how revulsing the idea is to her, because she is a mother before she is a woman. Because Angragoras allowed her child to live, because in the aftermath of the coup, when she sits at the edge of the marital bed she shared with Osroes and stares with disgust at the ivory ring on her finger, she can still see a maidservant applying balm on her son’s burned face next to her.

Osroes named him Hilmes the night he was born. Hilmes, the dweller on the hill. 

A tender way for a smitten man to echo the day of their first fateful meeting, on the hills of Pars. 

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