#the beauty of god

The description of the New Jerusalem, the bride of Christ, [is] highly symbolic. The twelve gates (drawn from Ezekiel’s prophecy) face the four quarters of the compass, to show that it embraces the whole universe and is four-square solid. They symbolise the twelve tribes of Israel and so also the twelve apostles. The richness and contentment [thereof] is hinted by the sparkle of precious stones, not only diamonds but many others too. The dimensions of the city are vast: a cube of 1,500 miles in each direction. [For scale, that measures approximately from present-day Jerusalem to Afghanistan and Ethiopia! Yet even across all this space, there is] no need for the light and warmth of the sun, for the Lord God and the Lamb provide a single source of its nourishment and illumination. [And there is] no need for a sacred area, for the presence of the Lord God and the Lamb make the whole city a sacred area.This [description, as a whole,] is the ultimate goal of Creation, when all is absorbed into God, the ultimate fulfilment of ‘Thy Kingdom come’. The Letter to the Ephesians expresses it as the whole universe ‘headed up’ into Christ– [restoring His rightful position of universal authority as a head to the body, or a groom to a bride– and thus] making sense of Creation and bringing Creation to its completion.

Dom Henry Wansbrough; Commentary on Revelation 21