#thelma louise

LIVE
scullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks difscullys: I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks dif

scullys:

I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?

GEENA DAVIS as Thelma
Thelma & Louise (1991) | Dir. Ridley Scott


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dogdayafternoon1975:

“The ending resists closure in yet another way. It extends beyond the text, beyond the frame of the screen within the consciousness of the spectator and beyond that, within the cultural consciousness of the nation, so that it enjoys a mythic life of its own.

Audience reaction to the ending embedded the image of a flying car forever suspended in the popular imagination. The filmic apparatus participates in the creation of this myth through its freeze frame and fade to white; it eschews the fade to black signifying death and closure.”

“Gender, Genre, and Myth in ‘Thelma and Louise’”by Glenn Man

Film Criticism, Fall 1993, Vol. 18, No. 1 (Fall 1993), pp. 36-53

(Film Analysis Hours)

(x)

theoutcastrogue:

killapunk:

which fictional death has affected you the most emotionally? like had you straight up crying your eyes out or similar responses

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“Let’s not get caught.”

“Sir… I’m scared, sir.”

“in order for any comedy to truly succeed as a story, there has to be meat beneath the jokes. There has to be that moment when it is not funny any more.” [x]

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