#のんのんびより

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ロック画面なのん!

ロック画面なのん!


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にゃんぱスタンプ

にゃんぱスタンプ


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のんのんびより例のシーンスウェット

のんのんびより例のシーンスウェット


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Some backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythinSome backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anythin

Some backgrounds from Non non Biyori: Repeat. The second season wasn’t a let down at all. If anything the quality of the backgrounds was even higher than in the previous season. I really like how they added the “acryl paint”-feeling to otherwise sharp digital colors and outlines. Backgrounds in Non non Biyori play a vital part in immersing the viewer to the idyll life in the countryside.

Backgrounds: Kusanagi (and some korean sub-contractors)
Art director: Kusakabe Natsuki


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