#背景

LIVE

背景虚化和光影照射恰到好处,模特表情和耳饰也都好可爱(●'◡'●)

#背景 #灯光 #模特 #耳饰 #可爱 #少女

背景虚化得不错

#背景 #虚化 #小姐姐

光线背景构图服装材质,整张图质感好好

#光线 #背景 #构图 #服装 #材质 #质感

背景的壁纸…看来小姐姐真的是发自内心的喜欢cosplay

#背景 #壁纸 #小姐姐 #cosplay

漂亮的小姐姐,漂亮的衣服,背景的建筑,天气,拍摄的纵深感,还有的都有了。

#漂亮 #小姐姐 #背景 #建筑 #天气 #拍摄

S区

背景是川美的设计楼

White ghost

The memories about her are inseparable.

White ghost always look into the abyss.

 『新約;ストレイシープ feat.Ann』 → https://youtu.be/SrRX8V-s6gk  『新約;ストレイシープ feat.雪歌ユフ』 → https://youtu.be/RxS

『新約;ストレイシープ feat.Ann』 → https://youtu.be/SrRX8V-s6gk 

『新約;ストレイシープ feat.雪歌ユフ』 → https://youtu.be/RxSxdxwRl9o

ナルミヘルベチカさんの楽曲にイラストを描かせていただきました。


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 欅坂46・日向坂46公式音楽アプリ『UNI’S ON AIR(ユニゾンエアー)』のドラマパート「未来なんてわからない!」で6枚挿絵を描かせていただきました

欅坂46・日向坂46公式音楽アプリ『UNI’S ON AIR(ユニゾンエアー)』のドラマパート「未来なんてわからない!」で6枚挿絵を描かせていただきました


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「 +αの立ち位置 」より Twitter【@VerNanainai 】

「 +αの立ち位置 」より

Twitter【@VerNanainai


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#新しいプロフィール画像

#ハニブレ まきお


【作品ID】1981114

#ハニリウム #ハニブレ


ハニーブレイド:

https://resource.honeyblade.jp/notice/official/

yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。yoyokuli:要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~ 另外不是加会员的小哥哥别加我微信啦。 转发我这条帖子,然后@我,我去买悠利的这期福利送给你。

yoyokuli:

要出新浮力咯~在动车上噢,从广州到珠海的往返,闺蜜偷偷帮我拍的~买票来回花了300多~
另外不是加会员的小哥哥别加我微信啦。

转发我这条帖子,然后@我,我去买悠利的这期福利送给你。


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So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers.

So Arslan Senki ended. Really great backgrounds, cool sword fights and terrible-looking 3D-soldiers. To be fair many backgrounds were bad or recycled and visuals overall  had major problems during the show.

Background art: Studio Pinewoord
Art Director: Kudo Tadashi(Katanagatari)


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Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very

Mouryou no Hako (Box of Goblins) directed by Nakamura Ryousuke (Aiura, Nerawareta Gakuen) uses very vibrant and visually appealing backgrounds and digital effects. Everything is surprising from coloring to amount of detail put to each and every shot.

Atelier BWCA and BG-studio inside the studio Madhouse were responsible for the high quality backgrounds which gave life to the story set in the Showa-period Japan.

Art Director Kaneko Hidetoshi (Trigun, Terror in Resonance etc.)  has worked previously alongside with Nakamura in works such as Aoi Bungaku Series (episodes 9-10), Nerawareta Gakuen and Aiura. Known for his good understanding in use of lightning Kaneko delivers another spectacle.


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Jinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office MecamJinrui wa Suitai Shimashita backgrounds Backgrounds: Team TillDawn, Inspired and Design Office Mecam

Jinrui wa Suitai Shimashita backgrounds

Backgrounds: Team TillDawn, Inspired and Design Office Mecaman. Team TillDawn is a support studio which is represented by the director Seiji Kishi and they take part in many of his shows such as Assassination Classroom. Both art directors have past connections with both Kishi and the ufotable’s background team.


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I rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. ItI rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. It

I rewatched Shinkai’s works this week and Hoshi wo Ou Kodomos visual beauty struck me once again. It is a shame that this movie is so underrated because of the enormous expectations it had. Sure it is lacking in many ways, but still a movie more than just worth watching. Here are just few panorama and sky shots, I’ll probably upload more backgrounds of movie later.

Art Director / 美術監督: Makoto Shinkai, 新海誠


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