#a whole new world

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ALADDINfromAladdin(1992)

VOICE ACTORS: Scott Weinger (Speaking) & Brad Kane (Singing)

Weinger is probably most known for his role as DJ Tanner’s boyfriend Steve on the 90s sitcom Full House. He appeared inAladdinabout halfway through the show’s run and reprised his voice performance for the Aladdinsequels & TV series, the crossover episode in the Hercules TV series, and in the Kingdom Hearts video games. In 1998, he graduated magna cum laude from Harvard with a degree in English & American Literature. In recent years, he’s become a prominent writer and producer for projects such as Galavant, Black-ish, and ABC’s The Muppets. Born in 1975, he is 46 years old as of 2022.

Outside of his work at Disney, Kane has had an extensive theatre and television career. Some of his Broadway and New York stage credits include a pre-Broadway workshop of Sunday in the Park with George, Evita, Titus Andronicus, A Winter’s Tale, and She Loves Me. On the small screen, he appeared in many commercials and series such as Law & Order, One Life to Live, Guiding Light,andBuffy the Vampire Slayer. Kane returned to provide Aladdin’s singing voice for the film’s sequels, and he performed the song “A Whole New World” with Lea Salonga at the 65th Academy Awards. Born in 1973, he is 48 years old as of 2022.

FUN FACT:  In Arabic, Aladdin’s name means “devout of the faith.”

Hi there! :DThis is our Aladdin paper cut illustration, realized a few years ago :)We fixed some stuHi there! :DThis is our Aladdin paper cut illustration, realized a few years ago :)We fixed some stuHi there! :DThis is our Aladdin paper cut illustration, realized a few years ago :)We fixed some stuHi there! :DThis is our Aladdin paper cut illustration, realized a few years ago :)We fixed some stuHi there! :DThis is our Aladdin paper cut illustration, realized a few years ago :)We fixed some stu

Hi there! :D
This is our Aladdin paper cut illustration, realized a few years ago :)
We fixed some stuff and now we finally have the print available at our shop: memorabiliastudios.etsy.com! ♥

Don’t forget to follow us onour blog, take a look at our Facebook page and at our Instagram!:D

If you like, please reblog ^_^


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We really care about this artwork, because it allowed us to experiment with cutting and printing tecWe really care about this artwork, because it allowed us to experiment with cutting and printing tecWe really care about this artwork, because it allowed us to experiment with cutting and printing tec

We really care about this artwork, because it allowed us to experiment with cutting and printing techniques.

Hope you like it!

Don’t forget to follow us on our blog, take a look at ourFacebook page and at our Instagram!:D

If you like it, please reblog ^_^

More info of this artwork here: https://www.behance.net/gallery/33902646/Disneys-Aladdin-Vector-Illustrations


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I’ll chase them anywhere There’s time to spare Let me share this whole new world with you

Aladdin (2019)

Live-Action Aladdin He can show you the world, now completely in live-action! Disney has now added A

Live-Action Aladdin 

He can show you the world, now completely in live-action! Disney has now added Aladdin to the ever growing list of live-action remakes. The movie is going to be directed by Guy Ritchie, director behind Sherlock Holmes. 


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That’s the killing part of whole song

That’s the killing part of whole song


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Romeo and Juliet (1968) Aladdin (1992) In Aladdin, the balcony scene also adopts a parodic mode, whiRomeo and Juliet (1968) Aladdin (1992) In Aladdin, the balcony scene also adopts a parodic mode, whiRomeo and Juliet (1968) Aladdin (1992) In Aladdin, the balcony scene also adopts a parodic mode, whiRomeo and Juliet (1968) Aladdin (1992) In Aladdin, the balcony scene also adopts a parodic mode, whi

Romeo and Juliet(1968)
Aladdin(1992)

InAladdin, the balcony scene also adopts a parodic mode, which is nonetheless more favorable to the image of women, and less disparaging of Shakespeare. Aladdin, dressed up as a Prince in order to woo Jasmine, climbs up her balcony (or, as a matter of fact, just flies to it on his magic carpet). The passage is titled “Aladdin – the Balcony scene” on Youtube. This gem of a scene is a perfect illustration of the PBS documentary mentioned earlier: in the rewriting of the balcony scene, Jasmine/Juliet is in control of the situation and the conversation, criticizes Aladdin/Romeo’s rhetoric, an element which is, although she sounds quite fierce, more in keeping with Shakespeare’s Juliet. Germaine Greer’s words (“she shuts him up in the balcony scene”) apply to Jasmine as well.
Moreover, this is really a palimpsest of a scene, as intertexts are multiple. The genie very clearly offices as a prompter in a situation that recalls Cyrano de Bergerac whispering words to Christian for him to repeat them to Roxanne. The scene in Aladdin hence works as a twofold parody in which both scenarios go awry: Romeo wants to woo Juliet but she turns him down and shuts him up. Cyrano wants to help Christian but the words he comes up with are simply inadequate – although the extract ends with a feast of puns.
-Frédéric Delord, “Shakespearean Echoes in the American Musical: Balcony Scenes

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