Launched last month, Wafrica — Africa plus wa for Japan — has unveiled a range of kimono handcrafted in an array of African cotton fabrics that would seem to be a million miles from the subtle silks more commonly associated with traditional Japanese dress. Yet despite the orange comets and flashes of lightning tearing across a moss-green background, and the tribal swirls in colors that recall the sun-drenched African soil, the prints blend seamlessly into the kimono form before they surprise Japanese shoppers with their foreign origin.
The cultural cocktail is the brainchild of Serge Mouangue, a Tokyo-based concept- car designer for Nissan, who joined forces with Kururi, a Tokyo-based kimono- maker, to produce the traditional Japanese attire in 18 African prints sourced in markets from Nigeria to Senegal.
#NCBS40 Banquet and the others are from my presentation with two titles “The Erotic as Homeplace: Africana Women Literary Writers’ Interpretations of Sexuality as a Psychological Site of Resistance and Liberation” And “Africana Sex-Positivity: Understanding Hypersexuality, Sexuality as Power, and Consent”