#anastasia broadway
here’s a thought: anastasia was the embodiment of what it means for a story to be told from the female gaze
and a lot of its criticisms were about those exact characteristicsactually, u know what, i had a lot of cherry moscato and i talked about this for hours with leah the other night as i typed the above paragraph, and the more i think about it the more there is to say. so i’m gonna write this essay now instead of later when i think i’m more coherent. here’s a quick summary of my rationale and the expansion of my thoughts will be under the cut because i got a little wordy, as usual :)
listed below are characteristics that fall under the female gaze theory:
- the main lead is one of the most complicated characters out there and yet her desire is so simple and therefore so universal: she wants love. she wants to belong. she wants to figure out who she is.
- the main lead is looking for a matron, whether she’s aware of it or not, and the matron is looking for her.
- the other women in the show are also complex and are allowed to have relationships with one another.
- it’s implied that anya endured a lot of trauma, not just from the massacre but from her years on the streets, and yet we don’t need to see any of that stuff to understand and feel empathy for her.
- the hottest man in the world wears a tank top and his sleeves rolled up and other slutty but not slutty looks. a win for all boytoys out there.
- the love interest is also a three-dimensional character that exists for his own journey but he learns and tries to better himself because he knows it’s the right thing to do, not just to ‘impress’ the lead with a temporary fix.
- the romance story, arguably the most important relationship of the show, isn’t about physical attraction or being good enough for the other, it’s about mutual respect and learning how to communicate.
- her other traveling companion is a lovable father figure who supports her through their whole journey together.
- the other man of the show exists to show why this breed of a man, the authoritative figure who uses political ideals and expectations of his patriarchal figure to justify violence and specifically violence against women, is… well, scary.
- in the musical at least, anya’s appearance is never mentioned at all, and she’s never expected to change how she looks to “appear” like anastasia. the only time her appearance is sexualized is by the resident villain.
- all of that being said, a lot of the critical reviews of the show stem from the above aspects, which says something about the demographic of theater audiences and who controls what gets higher remarks (which,,, does this affect ticket sales?). do with that what you will.
Anastasia on Broadway: *announces closing date*
Me:
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