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Okay as I am finishing film school and they have taught us quite a bit about how the industry works. I have done bugdeting for feature films before and I have all the stats I need to prove my theory. I am positive that this DVD will be released only by the fact that they showed it in BIAB3.
First of all the clips I saw from BIAB3, were clearly cut and edited in sound and picture. To do this from the footage and the sound recording from the actual live it takes a shiton of money that I am going to break down for you.
To edit anything in a studio with two people working on the project a chief editor and an editor you have to take the footage change it into lower quality so it can be edited, that will be around 600 euros. After that you need to pay the two editors from 500-700 a week for the work. A 2 hour live with multiple cameras will have around 6-10 hours of raw footage from different angles etc. This will take some time for the band and the editors to choose which scene will be used. Gazette team’s editing is excellent and it will not be cheap at all so maybe my assumptions are not even close to reality. After that there is a process of grading and color correction that is around 3000 euros all in all. The members say usually that they watch the shows after but that can be done with a quick edit or watch it through one camera footage, that won’t be more 100-300 euros cost.
Leaving editing behind we have the sound design and sound editing. There gets complicated and Gazette usually use the sound from their microphones so that the sound is crystal clear. That’s why you can’t hear the audience (something I appreciate this a lot, I have DVDs from other bands that you can hear the audience scream the names of the members more than the actual band). This needs heavy sound editing so the perfect image can have the right track and a perfect sound. The sound editor costs around 500-700 euros a week as well and the sound mixing can go up to 2000 euros a session that will take around 3-7 days to finish. Some studios even get paid by the hour and that’s even more.
The final DCP so that the movie can be scene in cinemas/been turn into a DVD is around 1500 euros and around 300 for one database so they can make the DVDs. DVDs and Blu Rays cost them from 20-50 each if they take them directly from the editing team.
To conclude my point I don’t think there is a company or an artist really that would spend more than 10.000 euros (cause I am not sure how much more expensive it would be in Japan) in a project so that they could just show it for free in an audience instead of advertising it. Very good advertising plan, they are pretty sure that everyone is going to buy their DVD so they show some to BIAB3 as a treat to their beloved fans as well. There is no way they are keeping it to themselves.
Note: I haven’t even put in the cost of having the cameras and the people operating them but they usually spend that money even if they won’t make it into a DVD. The final cost I estimated is for working for 5 days 8 hours that is the usual way of working in the film industry, I wouldn’t know how much more time it could take, it is probably the minimum.
I am really positive that they are going to release it just maybe in a year or so as they have a lot going on right now with the new album.
THIRTEEN has also been recorded and yet we have no DVD :))))))
They even said there won’t be any so give it up.
Recording and editing are two very different things. They have said before they recorder every show so they can watch it next and improve.
From the footage I saw in BIAB3 it was properly edited and in 4K quality.same for Thirteen, as the Deux PV was made from that footage, so don’t get the hopes too high. They do record every show, but obviously not in 4k Full HD
I don’t think they edited sound, just got some clips for Deux, don’t think it is the same. I just think it is the perfect way to advertise it right now and gets fans to buy it. Anyway we will see what is gonna happen. Btw they their cameras record 4K they are pretty good but to edit and show it to a screen it’s a different thing. Deux wasn’t the same format and it doesn’t cost as much, it is a 3 minutes song. If they did all that just to show the fans at BIAB3 it’s pretty impressive!
Okay as I am finishing film school and they have taught us quite a bit about how the industry works. I have done bugdeting for feature films before and I have all the stats I need to prove my theory. I am positive that this DVD will be released only by the fact that they showed it in BIAB3.
First of all the clips I saw from BIAB3, were clearly cut and edited in sound and picture. To do this from the footage and the sound recording from the actual live it takes a shiton of money that I am going to break down for you.
To edit anything in a studio with two people working on the project a chief editor and an editor you have to take the footage change it into lower quality so it can be edited, that will be around 600 euros. After that you need to pay the two editors from 500-700 a week for the work. A 2 hour live with multiple cameras will have around 6-10 hours of raw footage from different angles etc. This will take some time for the band and the editors to choose which scene will be used. Gazette team’s editing is excellent and it will not be cheap at all so maybe my assumptions are not even close to reality. After that there is a process of grading and color correction that is around 3000 euros all in all. The members say usually that they watch the shows after but that can be done with a quick edit or watch it through one camera footage, that won’t be more 100-300 euros cost.
Leaving editing behind we have the sound design and sound editing. There gets complicated and Gazette usually use the sound from their microphones so that the sound is crystal clear. That’s why you can’t hear the audience (something I appreciate this a lot, I have DVDs from other bands that you can hear the audience scream the names of the members more than the actual band). This needs heavy sound editing so the perfect image can have the right track and a perfect sound. The sound editor costs around 500-700 euros a week as well and the sound mixing can go up to 2000 euros a session that will take around 3-7 days to finish. Some studios even get paid by the hour and that’s even more.
The final DCP so that the movie can be scene in cinemas/been turn into a DVD is around 1500 euros and around 300 for one database so they can make the DVDs. DVDs and Blu Rays cost them from 20-50 each if they take them directly from the editing team.
To conclude my point I don’t think there is a company or an artist really that would spend more than 10.000 euros (cause I am not sure how much more expensive it would be in Japan) in a project so that they could just show it for free in an audience instead of advertising it. Very good advertising plan, they are pretty sure that everyone is going to buy their DVD so they show some to BIAB3 as a treat to their beloved fans as well. There is no way they are keeping it to themselves.
Note: I haven’t even put in the cost of having the cameras and the people operating them but they usually spend that money even if they won’t make it into a DVD. The final cost I estimated is for working for 5 days 8 hours that is the usual way of working in the film industry, I wouldn’t know how much more time it could take, it is probably the minimum.
I am really positive that they are going to release it just maybe in a year or so as they have a lot going on right now with the new album.
THIRTEEN has also been recorded and yet we have no DVD :))))))
They even said there won’t be any so give it up.
Recording and editing are two very different things. They have said before they recorder every show so they can watch it next and improve.
From the footage I saw in BIAB3 it was properly edited and in 4K quality.
