#bibliolifestyle
my year in books
read/goal:50/50
top 10:
- How Much of These Hills is Gold, C. Pam Zhang: In my opinion, a contemporary classic. Weaves Chinese myth with stories of the American Gold Rush. Beautiful prose and valuable takeaways re: family, truth, and gender.
- A Little Devil in America: Notes on Black Performance, Hanif Abdurraqib: Essay upon essay of mind-plowing poetics and storytelling. Hanif’s version of Baldwin’s Devil Finds Work. A wide swath of topics from blackface to spades to magic.
- Writers & Lovers, Lily King: Came to me at the exact right (or wrong?) time, just when my father passed away. A keenly-observed novel about grief and persona that is something like if SweetbittermetNormal People.
- How to Write an Autobiographical Novel, Alexander Chee: Inspired me to get over myself and just start writing again. The essay on roses absolutely floored me.
- Lose Your Mother: A Journey Along the Atlantic Slave Route, Saidiya Hartman: Hard to stomach, but necessary. Foundational for the way I am thinking about neo-slave narratives and speculative historical fiction.
- Seek You: A Journey Through American Loneliness, Kristen Radtke: The minute I read this, I added it to the syllabus for my class on women in isolation. Part graphic novel, part longform essay, part research paper, and wholly extraordinary.
- The Sonic Color Line: Race and the Cultural Politics of Listening, Jennifer Lynn Stoever: This one’s just for me. The burning core at the center of my reading list and the inspiration and model for my scholarship.
- The Street, Ann Petry: Read it because of the book above, but an absolute banger of a book. Devastating ending. Would be extraordinary taught alongside Native Son.
- The Fifth Season, N.K. Jemisin: This book has everything. Polyamory. Earth-bending. An alien creature frozen inside a giant piece of rock in the middle of the ocean. Love this woman, love seeing Blackness-as-default in sci-fi novels.
- Fun Home, Alison Bechdel: You read it in high school for a good reason. A true exemplar of the genre and a fascinating way to teach non-chronological storytelling.
rest below the cut
- Camera Lucida, Roland Barthes
- The Invisible Life of Addie LaRue, V.E. Schwab
- Brothers & Keepers, John Edgar Wideman
- Bunk: The True Story of Hoaxes, Hucksters, Humbug, Plagiarists, Forgeries, and Phonies, Kevin Young
- Ninth House, Leigh Bardugo
- House of Earth and Blood, Sarah J. Maas
- Children of Virtue and Vengeance, Tomi Adeyemi
- Emergence of Cinematic Time: Modernity, Contingency, the Archive, Mary Ann Doane
- An American Sunrise, Joy Harjo
- Nabokov’s Favorite Word is Mauve: What the Numbers Reveal About the Classics, Bestsellers, and Our Own Writing, Ben Blatt
- Rule of Wolves, Leigh Bardugo
- The Lightning Thief, Rick Riordan
- Savage Preservation: The Ethnographic Origins of Modern Media Technology, Brian Hochman
- The Obelisk Gate, N.K. Jemisin
- The Stone Sky, N.K. Jemisin
- People We Meet on Vacation, Emily Henry
- The Gentleman’s Guide to Vice & Virtue, Mackenzi Lee
- The Yellow Wallpaper, Charlotte Perkins Gilman
- Legendborn, Tracy Deonn
- Josh & Hazel’s Guide to Not Dating, Christina Lauren
- In Cold Blood, Truman Capote
- The Race of Sound: Listening, Timbre, and Vocality in African American Music, Nina Sun Eidsheim
- One Last Stop, Casey McQuiston
- One to Watch, Kate Stayman-London
- Time Binds: Queer Temporalities, Queer Histories, Elizabeth Freeman
- Gideon the Ninth, Tamsyn Muir
- Echo and Narcissus: Women’s Voices in Classical Hollywood Cinema, Amy Lawrence
- An Extraordinary Union, Alyssa Cole
- It Ends With Us, Colleen Hoover
- Harrow the Ninth, Tamsyn Muir
- Algorithms of Oppression: How Search Engines Reinforce Racism, Safiya Noble
- Listening in: Radio and the American Imagination, Susan J. Douglass
- How to Fail at Flirting, Denise Williams
- The Flat-Share, Beth O'Leary
- Radio Voices: American Broadcasting, 1922-1952, Michele Hilmes
- Understanding Comics: The Invisible Art, Scott McCloud
- The Souls of Black Folk, W.E.B. Du Bois
- The Love Hypothesis, Ali Hazelwood
- The Road Trip, Beth O'Leary
- We Ride Upon Sticks, Quan Barry