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Truman Capote 1948 Few, if any, precedents for this pose exist in the history of portraiture. This mTruman Capote 1948 Few, if any, precedents for this pose exist in the history of portraiture. This m

Truman Capote 1948

Few, if any, precedents for this pose exist in the history of portraiture. This masterful, claustrophobic portrait of Truman Capote is one of the so-called “corner portraits” that formed the basis for Penn’s emerging reputation as a fine art photographer. Two slanted walls surround the American writer who is scrunched down into a chair with his hands shoved into the pockets of his trench coat. Though the chopped-up space and pose do not seem natural or comfortable, they feel immediate, even intimate, in ways a conventional pose might not be. Penn understood that cornering his subjects heightened the psychological intensity, stating, “A niche closed people in.


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